Yamaha DM1000 Manualul proprietarului

Owner’s Manual

Keep This Manual For Future Reference.

E

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on

different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in

is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig

håndtering. Udskiftning må kun ske med batteri

af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd

samma batterityp eller en ekvivalent typ som

rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti

asennettu. Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

NEDERLAND THE NETHERLANDS

● Dit apparaat bevat een lithium batterij voor geheugen

back-up.

● Raadpleeg uw leverancier over de verwijdering van de

batterij op het moment dat u het apparaat ann het einde

van de levensduur afdankt of de volgende Yamaha Service

Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Te l. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

● This apparatus contains a lithium battery for memory

back-up.

● For the removal of the battery at the moment of the

disposal at the end of the service life please consult your

retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center

Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Te l: 030-2828425

● Do not throw away the battery. Instead, hand it in as small

chemical waste.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in

your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be

connected to the terminal in the plug which is marked by the letter E

or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

The above warning is located on the side

of the unit

• Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

within an equilateral triangle is intended to

alert the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufﬁcient magnitude

to constitute a risk of electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert the user to the

presence of important operating and mainte-

nance (servicing) instructions in the literature

accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.

2Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instruc-

tions.

8 Do not install near any heat sources such as

radiators, heat registers, stoves, or other appa-

ratus (including ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polar-

ized or grounding-type plug. A polarized plug

has two blades with one wider than the other. A

grounding type plug has two blades and a third

grounding prong. The wide blade or the third

prong are provided for your safety. If the pro-

vided plug does not ﬁt into your outlet, consult

an electrician for replacement of the obsolete

outlet.

10 Protect the power cord from being walked on or

pinched particularly at plugs, convenience

receptacles, and the point where they exit from

the apparatus.

11 Only use attachments/accessories speciﬁed by

the manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table spec-

iﬁed by the manufacturer, or

sold with the apparatus.

When a cart is used, use cau-

tion when moving the cart/

apparatus combination to

avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualiﬁed service person-

nel. Servicing is required when the apparatus

has been damaged in any way, such as power-

supply cord or plug is damaged, liquid has been

spilled or objects have fallen into the apparatus,

the apparatus has been exposed to rain or mois-

ture, does not operate normally, or has been

dropped.

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

4

Important Information

DM1000—Owner’s Manual

Important Information

Warnings

•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-

ual or as marked on the unit. Failure to do so is a ﬁre and electrical shock hazard.

•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock

may result.

•Do not place heavy objects, including this unit, on top of the power cord. A damaged power

cord is a ﬁre and electrical shock hazard. In particular, be careful not to place heavy objects

on a power cord covered by a carpet.

•Do not place a container with liquid or small metal objects on top of this unit. Liquid or

metal objects inside this unit are a ﬁre and electrical shock hazard.

•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a ﬁre

and electrical shock hazard.

•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal

inspection, maintenance, or repair is necessary, contact your dealer.

•Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and

unplug the power cable plug from the electrical outlet.

•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.

Doing so may be an electrical shock hazard.

•Use only the included power cord for this unit. Using other types may be a ﬁre and electrical

shock hazard.

•This unit has rear-panel slots for installing mini-YGDAI cards. For technical reasons, cer-

tain card combinations are not supported. Before installing any cards, check the Yamaha

web site (see page 6) to see whether your card is compatible. Also check the total number of

cards that can be installed in the unit. Installing cards that are not endorsed by Yamaha may

cause electrical shock, ﬁre, or damage to the unit.

•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a

replacement. Using the unit with a damaged power cord is a ﬁre and electrical shock hazard.

•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid

gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet.

Consult your dealer for repair. Using the unit in this condition is a ﬁre and electrical shock

hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove

the power plug from the AC outlet, and contact your dealer. If you continue using the unit

without heeding this instruction, ﬁre or electrical shock may result.

Cautions

•Keep this unit away from the following locations:

—Locations exposed to oil splashes or steam, such as near cooking stoves, humidiﬁers, etc.

—Unstable surfaces, such as a wobbly table or slope.

—Locations exposed to excessive heat, such as inside a car with all the windows closed, or

places that receive direct sunlight.

—Locations subject to excessive humidity or dust accumulation.

•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A

damaged power cord is a potential ﬁre and electrical shock hazard.

•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

Operating Notes

5

DM1000—Owner’s Manual

•This unit has ventilation holes along the front, rear, top, and sides to prevent the internal

temperature from rising too high. Do not block them. Blocked ventilation holes are a ﬁre

hazard. In particular, do not operate the unit while it’s on its side, is upside down, or while

it’s covered with a cloth or dust sheet.

•If you are using the optional MB1000 Peak Meter Bridge, do not hold only the MB1000

when moving this unit. Otherwise, the meter brackets may be damaged, the main unit may

malfunction, or you may be injured if the unit falls.

•This unit is heavy. Use two or more people to carry it.

•When you transport or move this unit with the MB1000 attached, do not permit impact or

stress on the cable connector that connects the MB1000 to this unit. Otherwise, malfunc-

tion may occur.

•This unit is equipped with a dedicated ground connection to prevent electrical shock.

Before connecting the power plug to an AC outlet, be sure to ground the unit.

•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,

and remove all connecting cables. Damaged cables may cause ﬁre or electrical shock.

•If you know you will not use this unit for a long period of time, such as when going on vaca-

tion, remove the power plug from the AC outlet. Leaving it connected is a potential ﬁre haz-

ard.

Operating Notes

• XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).

•The performance of components with moving contacts, such switches, rotary controls, fad-

ers, and connectors, deteriorates over time. The rate of deterioration depends on the oper-

ating environment and is unavoidable. Consult your dealer about replacing defective

components.

•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone

away from the unit.

•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your

dealer as soon as possible about replacing the internal data backup battery. The unit will still

operate correctly, but data other than the presets will be lost.

•Before replacing the batteries, back up your data to a memory card, or another unit by using

MIDI Bulk Dump.

•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise

occurs, relocate the affected equipment.

•When connecting D-sub cables, be sure to tighten the screws on both sides of the connector

securely. To disconnect the cable, loosen the screws completely, then remove the cable by

holding the connector part. Do not remove the plug by pulling the cable while the screws

are still attached. Otherwise, the connector may be damaged, leading to malfunction.

•When you change the wordclock settings on any device in your digital audio system, some

devices may output noise, so turn down your power amps beforehand, otherwise your

speakers may be damaged.

Interference

This unit uses high-frequency digital circuits that may cause interference on radio and tele-

vision equipment located nearby. If interference is a problem, relocate the affected equip-

ment. Using a mobile telephone near the unit may induce noise. In this case use the

telephone away from the unit.

6

Important Information

DM1000—Owner’s Manual

Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages including

personal injury or any other damages caused by improper use or operation of this unit.

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-

istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.

Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of

Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are

registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg

Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign

and/or Avid Technology, Inc. Tascam Digital Interface is a trademark and Tascam and Teac

are registered trademarks of Teac Corporation. Microsoft and Windows are registered

trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc. Yamaha is a

trademark of Yamaha Corporation. All other trademarks are the property of their respective

holders and are hereby acknowledged.

Copyright

No part of this unit, its software, or this

Owner’s Manual

may be reproduced or distributed

in any form or by any means without the prior written authorization of Yamaha Corpora-

tion.

Yamaha Web Site

Further information about this unit, related products, and other Yamaha professional audio

equipment is available on the Yamaha Professional Audio Web site at:

<http://www.yamahaproaudio.com/>.

Package Contents

• DM1000 Digital Production Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• MB1000 Peak Meter Bridge

• SP1000 Wooden Side Panels

• RK1 Rack Mount Kit

• mini YGDAI I/O cards

About this Owner’s Manual

7

DM1000—Owner’s Manual

About this Owner’s Manual

This

Owner’s Manual

explains how to operate the DM1000 Digital Production Console.

The table of contents can help you familiarize yourself with the manual’s organization and

to locate tasks and topics The index can help you locate speciﬁc information.

Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on

page 27.

Each chapter in this manual discusses a speciﬁc section or function of the DM1000. The

Input and Output Channels are explained in the following chapters: “Input Channels,” “Bus

Outs,” and “Aux Sends.” Where possible, these chapters have been organized in order of sig-

nal ﬂow, from input to output.

Conventions Used in this Manual

The DM1000 features two types of buttons: physical buttons that you can press (e.g.,

ENTER and DISPLAY) and buttons that appear on the display pages. References to physical

buttons are enclosed in square brackets, for example, “press the [ENTER] button.” Refer-

ences to display page buttons are not emphasized, for example, “move the cursor to the ON

button.”

You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right

Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the pro-

cedures reference only the [DISPLAY] button method. See “Selecting Display Pages” on

page 28 for details on all the ways in which pages can be selected.

Installing the DM1000

The DM1000 should be placed on a strong and stable surface, in a location that complies

with the warnings and cautions listed in the previous sections.

Always turn the power off when the instrument is not in use.

The illustrations and LCD screens as shown in this owner’s manual are for instructional

purposes only, and may appear somewhat different from those on your instrument.

Copying of commercially available music sequence data and/or digital audio ﬁles is

strictly prohibited except for your personal use.

8

Contents

DM1000—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Assigning Parameters to the ENCODER MODE [ASSIGN] button . . . . . . . . . . . . . . 35

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

5 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Converting Sampling Rates of Signals Received at 2TR Digital Inputs . . . . . . . . 53

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . . . . 57

6 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . 71

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Using MS Stereo Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

7 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . 81

Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . . . . 86

Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

8 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Excluding Certain Channels from Aux Sends (Mix Minus) . . . . . . . . . . . . . . . . . 103

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Contents

9

DM1000—Owner’s Manual

9 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

10 Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Control Room Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

Control Room Monitor and Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Using the Control Room Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Using the Talkback Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

11 Surround Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

12 Grouping Channels & Linking Parameters . . . . . . . . . . . . . . . . . . 141

Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

13 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

About Surround Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

14 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Storing and Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

15 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167

16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Setting Up for Automix Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Punching In & Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

[SEL] Button Functions While the [AUTO] Button Indicator Is On . . . . . . . . . . . . . 190

Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195

Fader1 &2 pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Nuendo Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

Other DAW Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224

MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

10

Contents

DM1000—Owner’s Manual

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

MIDI & the DM1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236

Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . 239

Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 240

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . . . . . 246

Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . 246

19 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

Changing the Input and Output Connector Names . . . . . . . . . . . . . . . . . . . . . . . 249

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . . . . . 255

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Using GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265

Using the AD824 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272

Initializing the DM1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284

GPI Trigger Source List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 320

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330

Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331

I/O Slot Spec (1–2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

REMOTE Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

CONTROL Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 337

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353

Appendix D: About Optional Product . . . . . . . . . . . . . . . . . . . . . . . . . 368

MB1000 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 368

Installing the SP1000 Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371

Rack Mounting the DM1000 Using the RK1 Rack Mount Kit . . . . . . . . . . . . . . . 371

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372

Welcome

11

DM1000—Owner’s Manual

1

Welcome

1 Welcome

Thank you for choosing the Yamaha DM1000 Digital Production Console.

The compact DM1000 Digital Console features 24-bit/96 kHz digital audio processing

without compromise, as well as 48-channel simultaneous mixing. The DM1000 covers a

broad range of needs and applications, including multi-track recording, 2-channel mix-

down, and cutting-edge surround sound production. This integrated, comprehensive

audio system features remote control function for DAWs (Digital Audio Workstations) as

popularized by the DM2000 and 02R96 Digital Mixing Consoles.

The DM1000 offers the following features:

■

Hardware Features

• 17 touch-sensitive 100-mm motorized faders (for touch-sensitive selection of channels,

or for punching in and out during Automix recording)

•Faders can set levels for Input Channels, Aux Sends, and Bus Outs.

•Rotary Encoders enable you to control panning for each channel, AUX send levels, and

various parameters.

•Six selectable software layers determine the function of channel faders and Encoders.

• 320 x 240 dot LCD display with ﬂuorescent backlighting

•Buttons and controls in the SELECTED CHANNEL section enable direct editing of

channel mix parameters.

• 12 USER-DEFINED KEYS enable you to assign functions to control DM1000 internal

parameters.

•Two expansion slots for optional digital I/O, AD, and DA cards.

■

Sonic Speciﬁcations

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz through 40 kHz frequency response at 96 kHz sampling rate.

• 106 dB typical dynamic range

• 32-bit internal signal processing (58-bit accumulator)

■

Inputs and Outputs

• 16 mic/line inputs with switchable +48 V phantom power and 4 line inputs

• 12 Omni Outs assignable to Stereo Out, Bus Out, Monitor Out, and Input Channel

Direct Outs.

•Two optional slots allow a maximum of 32 inputs.

•Two 2-track digital inputs, with sampling rate converters capable of converting sam-

pling rates of 44.1 kHz through 96 kHz.

•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-

acy multi-track digital recorders.

•You can cascade two DM1000s while remaining in the digital domain.

•Input patches enable assignment of input signals to desired signal paths.

•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to

desired output jacks.

12

Chapter 1—Welcome

DM1000—Owner’s Manual

■

Channel Conﬁguration

•Simultaneous mixing of up to 48 Input Channels. Group multiple channels and pair

channels for stereo.

•8 Bus Outs and 8 AUX Sends. Buses 1-8 can be routed to Stereo Buses for use as Group

Buses.

•Channel library for storing and recalling the channel settings for each Input Channel

and Output Channel.

• 4-band EQ and dynamics processor equip all channels. Dynamics processor and EQ set-

tings can be stored in libraries and recalled.

■

Effects

•Four high-quality multi-channel effects (Apply effects via AUX Sends or Channel

Inserts).

• Effect library for storing and recalling effect settings.

■

Scene Memory

•Scene memories for storing and recalling the mix settings as Scenes.

•Snapshot style automation with Scene memories recallable via Automix.

■ Surround Sound

•Supports 3-1, 5.1, and 6.1 channel surround sound production.

•Joystick for adjusting each channel's surround pan.

■ Automix

•Automated controls of channel faders and parameters via Automix. (Even more power-

ful when combined with an MTR, DAW, and MIDI sequence system.)

•Control parameters of connected MIDI devices via Automix.

■ Remote Control

•Control and manage your DM1000 from your Mac or PC using bundled Studio Man-

ager software

•Remote Layers for controlling popular DAWs (Digital Audio Workstations), including

Pro Tools, Nuendo, etc.

•Control an external recorder via MMC commands and P2 commands.

■ MIDI

•Equipped with MIDI ports and a USB port for computer connection.

•Scene recall and mix parameter changes via MIDI

Control Surface & Rear Panel 13

DM1000—Owner’s Manual

2

Control Surface & Rear Panel

2 Control Surface & Rear Panel

Control Surface

AUXPAN

DISPLAY

ASSIGN

ENCODER MODE

EQUALIZER

LOW

HIGH

GAIN

Q

FREQUENCY

LOW MID

HIGH MID

ROUTING

12

34

56

78

STEREO DIRECT

DISPLAY

SELECTED CHANNEL

16

BUS 8

32 48

15

BUS 7

31 47

14

BUS 6

30 46

13

BUS 5

29 45

12

BUS 4

28 44

11

BUS 3

27 43

10

16151413121110

20dB

ONOFF

+48V

1

2

3

4

5

6

78 1213

14

15

16

91011

1615141312111098765432

PEAK

SIGNAL

1

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PAD

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 1

1

17 33

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 2

2

18 34

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 3

3

19 35

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 4

4

20 36

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 5

5

21 37

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 6

6

22 38

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 7

7

23 39

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 8

8

24 40

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

BUS 1

9

25 41

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

ON

SOLO

SEL

BUS 2

26 42

AUTO

ON

SEL

STEREO

70

60

50

40

30

20

15

10

5

0

AUX2 AUX3 AUX4

AUX6AU X5 AUX7 AU X8

AUX SELECT

DISPLAY

FADER MODE

FADER

AUX

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAI R /GROUP

INPUT

OUTPUT

EFFECTSURROUND DYNAMICS SCENE

/

PAN/

INSERT/DELAY

PATCH

PATC H

GRAB

SCENE MEMORY

STORERECALL

DISPLAY

USER DEFINED

KEYS

ENTER

INC

DEC

TAL KB ACK LEVEL

PHONES

LEVEL

010

PHONES

MONITOR

LEVEL

SOLO CLEAR

2TR D1

2TR D2

DIMMER

TALKBACK

MONITOR

STEREO

SLOT

BUS

DISPLAY

100

F1 F2 F3

F4

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

AD Input Section (p. 14) SELECTED CHANNEL Section (p. 19)

Headphones

& Talkback

Section

(p. 21)

MONITOR

Section (p. 22)

Channel Strip Section (p. 15) STEREO Section (p. 15) USER DEFINED KEYS

Section (p. 21)

Data Entry

Section (p. 21)

LAYER Section

(p. 20)

SCENE MEMORY

Section (p. 20)

Display Section

(p. 18)

DISPLAY ACCESS Section

(p. 17)

AUX SELECT

Section (p. 16)

ENCODER

MODE Section

(p. 16)

FADER MODE

Section (p. 16)

14 Chapter 2—Control Surface & Rear Panel

DM1000—Owner’s Manual

AD Input Section

A +48V ON/OFF switches 1–16

These switches turn on or off the +48 V phantom power feed to each INPUT.

B PAD switches 1–16

These switches turn on or off the 20 dB pad (attenuator) for each AD Input.

C GAIN controls 1–16

These controls adjust input sensitivity for each AD Input. Input sensitivity is +4 dB to

–40 dB when the Pad is on, and –16 dB to –60 dB when the Pad is off.

D PEAK indicators 1–16

These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad

switch and GAIN control so that the indicator rarely lights up at signal peak.

E SIGNAL indicators

These indicators light up when the input signal level is 20 dB below nominal.

20dB

ONOFF

+48V

1

2

3

4

5

6

78 1213

14

15

16

91011

1615141312111098765432

PEAK

SIGNAL

1

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PAD

20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

ONOFF

+48V

2

3

4

5

1

Control Surface 15

DM1000—Owner’s Manual

2

Control Surface & Rear Panel

Channel Strip Section

A Encoders 1–16

These rotary Encoders adjust the channel parameter settings. Depending on the button

selected in the ENCODER MODE section (see page 16), the Encoders will adjust the chan-

nel pan setting (when the ENCODER MODE [PAN] button indicator is lit), the AUX Send

level (when the ENCODER MODE [AUX] button indicator is lit), or any parameter (when

the ENCODER MODE [ASSIGN] button indicator is lit).

These Encoders also feature push switches that are used to view the value of the parameter

currently assigned to the Encoder, or to punch in or out during Automix recording.

B [SEL] buttons 1–16

These buttons enable you to select desired channels. The [SEL] button indicator for the cur-

rently-selected channel lights up. The channel selected by each [SEL] button depends on the

currently-selected button in the LAYER section (see page 20).

These buttons also allow you to select channels for Automix recording and playback, create

or cancel channel pairs, and add channels to (or remove them from) Fader, Mute, EQ, and

Compressor groups.

C [SOLO] buttons 1–16

These buttons solo the selected channels. The [SOLO] button indicator of the cur-

rently-soloed channel lights up.

D [ON] buttons 1–16

These buttons turn the selected channels on or off. The [ON] button indicators for On

channels light up.

E Channel faders 1–16

These are touch-sensitive 100 mm motorized faders. Depending on the button selected in

the FADER MODE Section (see page 16), the faders will adjust the input or output level of

the selected channels or buses, or adjust the AUX Send level.

STEREO Section

A [AUTO] button

When this button is turned on, you can use the [SEL] buttons 1–16 to turn the Automix

function on or off.

B [SEL] button

Selects the Stereo Bus.

C [ON] button

Turns the selected bus on or off.

D [STEREO] fader

This touch-sensitive 100 mm motorized fader adjusts the ﬁnal output level of the Stereo

Bus.

0

5

10

15

20

30

40

50

60

70

50

40

30

20

15

10

+10

5

0

5

ON

SOLO

SEL

AUX 1

1

17 33

1

2

3

4

5

AUTO

ON

SEL

STEREO

70

60

50

40

30

20

15

10

5

0

1

2

3

4

16 Chapter 2—Control Surface & Rear Panel

DM1000—Owner’s Manual

AUX SELECT Section

A [DISPLAY] button

This button displays an Aux-related page (see page 97).

B [AUX 1]–[AUX 8] buttons

These buttons select an Aux Send. When you press a button to select an AUX Send, the cor-

responding button indicator lights up.

ENCODER MODE Section

A [DISPLAY] button

This button displays an Encoder page, enabling you to assign functions to Encoders 1–16

(see page 35). To use a function assigned to an Encoder, press the [ASSIGN] button to turn

on the button indicator.

B [PAN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as chan-

nel panpots.

C [AUX] button

If you press this button, the button indicator turns on and Encoders 1–16 function as chan-

nel Aux Send. The Send destination is selected in the AUX SELECT Section.

D [ASSIGN] button

If you press this button, the button indicator turns on and Encoders 1–16 function as

assignable controls for the parameters assigned on the Encoder pages. (By default, Input

Patches of the corresponding Input Channels are assigned.)

FADER MODE Section

A [FADER/AUX] button

Toggles between the desired parameter to be adjusted by channel faders 1–16. The faders

adjust the Channel or Bus level when the FADER indicator is lit, and adjust the Aux Send

level when the AUX indicator is lit.

B FADER indicator

C AUX indicator

An indicator lights up to indicate the parameter selected via the [FADER/AUX] button.

AUX2 AUX3 AUX4

AUX6AUX5 AUX7 AUX8

AUX SELECT

DISPLAY

AUX1

1

2

AUXPAN

DISPLAY

ASSIGN

ENCODER MODE

1

2 3 4

FADER MODE

FADE R

AUX

1

2

3

Control Surface 17

DM1000—Owner’s Manual

2

Control Surface & Rear Panel

DISPLAY ACCESS Section

A [AUTOMIX] button

This button displays an Automix page, enabling you to make Automix settings (see

page 181).

B [DIO] button

This button displays a DIO page, enabling you to make digital I/O settings (see page 53).

C [SETUP] button

This button displays a Setup page, enabling you to make the DM1000 internal settings.

D [UTILITY] button

This button displays a Utility page, enabling you to use the internal oscillators and view

information about installed optional cards.

E [MIDI] button

This button displays a MIDI page, enabling you to make MIDI settings (see page 238).

F [REMOTE] button

This button displays a Remote page, enabling you to control a DAW remotely and make

machine control settings (see page 205).

G [METER] button

This button displays a Meter page, which displays Input Channel levels, or Bus Out or Aux

Send Out levels (see page 37).

H [VIEW] button

This button displays a View page, enabling you to view and set mix parameters for a speciﬁc

channel (see page 69).

I [PAIR/GROUP] button

This button displays a Pair/Group page, enabling you to pair channels, group multiple fad-

ers, or mute channels (see page 74 and 141).

J [ /INSERT/DELAY] button

This button displays a /INS/DLY page, enabling you to switch the signal phase, set the

signal to be inserted, or set the delay parameters (see page 60 and 150).

K [INPUT PATCH] button

This button displays an In Patch page, enabling you to patch input signals and Bus Out sig-

nals to the desired Input Channels (see page 105).

L [OUTPUT PATCH] button

This button displays an Out Patch page, enabling you to patch Bus Out and Insert Out sig-

nals to the desired destination (see page 108).

M [PAN/SURROUND] button

This button displays a Pan/Surr page, enabling you to adjust stereo or surround pan settings

(see page 67 and 121).

DISPLAY ACCESS

AUTOMIX DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAIR/GROUP

INPUT

OUTPUT

EFFECTSURROUND DYNAMICS SCENE

/

PA N/

INSERT/DELAY

PAT CH

PATCH

1 2 3

M

N O P

J

4

K

9

L

5

6

8

7

18 Chapter 2—Control Surface & Rear Panel

DM1000—Owner’s Manual

N [DYNAMICS] button

This button displays a Dynamics page, enabling you to control channel gates and compres-

sors (see page 62).

O [EFFECT] button

This button displays an Effect page, enabling you to edit the internal effects processors and

use optional plug-in cards (see page 151).

P [SCENE] button

This button displays a Scene page, enabling you to store and recall Scenes (see page 155).

Display Section

A Display

This is a 320 x 240 dot LCD display with a ﬂuorescent backlight.

B Stereo meters

These 32-segment level meters display the ﬁnal output level of the Stereo Bus.

C Contrast control

This control adjusts the display contrast.

D [F1]–[F4] buttons

These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the

screen using one of these buttons displays the corresponding page. (See page 28 for more

information on displaying a page.)

E Left Tab Scroll [ ] button

F Right Tab Scroll [ ] button

If there are more pages available than the four whose tabs are currently displayed, use these

buttons to display the additional tabs. These buttons are available only when the left or right

Tab Scroll arrow appears.

F1 F2 F3

F4

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

0

OVER

-2

-4

-6

-8

-10

-12

-14

-18

-24

-30

-36

-42

-48

-56

-72

LR

2

3

45 6

1

Tab Scroll arrow

Control Surface 19

DM1000—Owner’s Manual

2

Control Surface & Rear Panel

SELECTED CHANNEL Section

A ROUTING [DISPLAY] button

This button displays a Routing page, enabling you to route selected channels to the desired

Bus, and adjust the level of the signals routed from Buses 1–8 to the Stereo Bus (see page 68

and 83).

B ROUTING [1]–[8] buttons

C ROUTING [STEREO] button

D ROUTING [DIRECT] button

These buttons select the desired Bus for routing the selected Input Channel signals. The cor-

responding button indicator for the currently-selected Bus lights up.

E EQUALIZER [DISPLAY] button

This button displays an EQ page, enabling you to set the selected channel equalizer (see

page 64 and 65).

F EQUALIZER [HIGH] button

G EQUALIZER [HIGH-MID] button

H EQUALIZER [LOW-MID] button

I EQUALIZER [LOW] button

These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW). The corre-

sponding button indicator of the currently-selected band lights up.

J EQUALIZER [Q] control

This control adjusts the currently-selected band Q.

K EQUALIZER [FREQUENCY] control

This control adjusts the currently-selected band frequency.

L EQUALIZER [GAIN] control

This control adjusts the currently-selected band gain.

M [GRAB] button

This button enables Joystick control of the surround pan setting for the currently-selected

Input Channel. This button can be turned on only when the surround pan setting is avail-

able.

N Joystick

The Joystick is used to set the surround pan position (see page 126).

EQUALIZER

LOW

HIGH

GAIN

Q

FREQUENCY

LOW MID

HIGH MID

ROUTING

12

34

56

78

STEREO DIRECT

DISPLAY

SELECTED CHANNEL

GRAB

2

1 5

6

J

7

8

9

K

MN

3

L

4

20 Chapter 2—Control Surface & Rear Panel

DM1000—Owner’s Manual

LAYER Section

A [1-16]/[17-32]/[33-48] buttons

These buttons select an Input Channel Layer. The channel strips control Channels 1–16,

17–32, or 33–48, depending on the button selected here. (See page 31 for more information

on Layers.)

B [REMOTE 1]/[REMOTE 2] buttons

These buttons select the Remote Layer, which can be used to control external devices,

including DAWs. (See page 205 for more information on the Remote Layer.)

C [MASTER] button

This button selects the Master Layer, which can be used to control Bus and Aux Send. (See

page 31 for more information on the Master Layer.)

SCENE MEMORY Section

A Scene memory display

The number of the currently-selected Scene memory is displayed here.

B Edit indicator

If you adjust a mix parameter after a Scene has been recalled or stored, a dot ﬂashes here.

C [STORE] button

This button enables you to store the current mix settings (See page 155 for more informa-

tion on Scene Memories).

D Scene Up [ ] / Down [ ] buttons

These buttons select a Scene to store or recall. Pressing the Scene Up [ ] button increments

the selection; pressing the Scene Down [ ] button decrements the selection. Holding down

either key increments or decrements the selection continuously.

E [RECALL] button

This button recalls the Scene memory selected by the Scene Up [ ] / Down [ ] buttons.

1

3

2

SCENE MEMORY

STORERECALL

21 3 4 5

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