Yamaha DM2000 Manualul proprietarului

Categorie
Controlere DJ
Tip
Manualul proprietarului
E
Owner’s Manual
Owner’s Manual
Keep This Manual For Future Reference.
Keep This Manual For Future Reference.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on
different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
NEDERLAND THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen
back-up.
Raadpleeg uw leverancier over de verwijdering van de
batterij op het moment dat u het apparaat ann het einde
van de levensduur afdankt of de volgende Yamaha Service
Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Te l. 030-2828425
Gooi de batterij niet weg, maar lever hem in als KCA.
This apparatus contains a lithium battery for memory
back-up.
For the removal of the battery at the moment of the
disposal at the end of the service life please consult your
retailer or Yamaha Service Center as follows:
Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL
UTRECHT
Te l: 030-2828425
Do not throw away the battery. Instead, hand it in as small
chemical waste.
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig
håndtering. Udskiftning må kun ske med batteri
af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd
samma batterityp eller en ekvivalent typ som
rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens
instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti
asennettu. Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan tyyppiin. Hävitä
käytetty paristo valmistajan ohjeiden
mukaisesti.
i
DM2000—Owner’s Manual
Important Information
Warnings
•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-
ual or as marked on the unit. Failure to do so is a fire and electrical shock hazard.
•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock
may result.
•Do not place heavy objects, including this unit, on top of the power cord. A damaged power
cord is a fire and electrical shock hazard. In particular, be careful not to place heavy objects
on a power cord covered by a carpet.
•Do not place a container with liquid or small metal objects on top of this unit. Liquid or
metal objects inside this unit are a fire and electrical shock hazard.
•This unit is equipped with a dedicated ground connection to prevent electrical shock.
Before connecting the power plug to an AC outlet, be sure to ground the unit. If the power
cord has a three-pin plug, it will provide sufficient grounding so long as the AC outlet is
grounded correctly.
•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a fire
and electrical shock hazard.
•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal
inspection, maintenance, or repair is necessary, contact your dealer.
•Do not modify the unit. Doing so is a fire and electrical shock hazard.
•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and
unplug the power cable plug from the electrical outlet.
•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.
Doing so may be an electrical shock hazard.
•Use only the included power cord for this unit. Using other types may be a fire and electrical
shock hazard.
•The DM2000 has six rear-panel slots for installing mini-YGDAI cards. For technical rea-
sons, certain card combinations are not supported. Before installing any cards, check the
Yamaha web site to if your card is compatible. Installing cards that are not endorsed by
Yamaha may cause electrical shock, fire, or damage to the unit.
•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a
replacement. Using the unit with a damaged power cord is a fire and electrical shock hazard.
•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid
gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet.
Consult your dealer for repair. Using the unit in this condition is a fire and electrical shock
hazard.
Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove
the power plug from the AC outlet, and contact your dealer. If you continue using the unit
without heeding this instruction, fire or electrical shock may result.
Cautions
•Keep this unit away from the following locations:
—Locations exposed to oil splashes or steam, such as near cooking stoves, humidifiers, etc.
—Unstable surfaces, such as a wobbly table or slope.
—Locations exposed to excessive heat, such as inside a car with all the windows closed, or
places that receive direct sunlight.
—Locations subject to excessive humidity or dust accumulation.
•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A
damaged power cord is a potential fire and electrical shock hazard.
•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.
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DM2000—Owner’s Manual
•This unit has ventilation holes along the front underside and at the rear to prevent the inter-
nal temperature from rising too high. Do not block them. Blocked ventilation holes are a
fire hazard. In particular, do not operate the unit while it’s on its side, is upside down, or
while it’s covered with a cloth or dust sheet.
•If you are using the optional MB2000 Peak Meter Bridge, do not hold only the MB2000
when you move the entire unit. Otherwise, the meter angle may be deformed or damaged,
the main unit may malfunction, or you may be injured if the unit falls.
•This unit is heavy. Use two or more people to carry it.
•When you transport or move the DM2000 with the MB2000 attached, do not permit
impact or stress on the cable connector that connects the MB2000 to the DM2000. Other-
wise, malfunction may occur.
•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,
and remove all connecting cables. Damaged cables may cause fire or electrical shock.
•If you know you will not use this unit for a long period of time, such as when going on vaca-
tion, remove the power plug from the AC outlet. Leaving it connected is a potential fire haz-
ard.
•The inside of the unit should be cleaned periodically. Dust accumulation inside the unit
may cause malfunction and is a potential fire hazard. Consult your dealer for information
about cleaning.
•To prevent electrical shock when cleaning the unit, remove the power plug from the AC out-
let.
Operating Notes
XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).
•Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.
•The performance of components with moving contacts, such switches, rotary controls, fad-
ers, and connectors, deteriorates over time. The rate of deterioration depends on the oper-
ating environment and is unavoidable. Consult your dealer about replacing defective
components.
•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone
away from the unit.
•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your
dealer as soon as possible about replacing the internal data backup battery. The unit will still
operate correctly, but data other than the presets will be lost.
•Before replacing the batteries, back up your data to a memory card, or another unit by using
MIDI Bulk Dump.
•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise
occurs, relocate the affected equipment.
•When connecting D-sub cables, be sure to tighten the screws on both sides of the connector
securely. To disconnect the cable, loosen the screws completely, then remove the cable by
holding the connector part. Do not remove the plug by pulling the cable while the screws
are still attached. Otherwise, the connector may be damaged, leading to malfunction.
•When you change the wordclock settings on any device in your digital audio system, some
devices may output noise, so turn down your power amps beforehand, otherwise your
speakers may be damaged.
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DM2000—Owner’s Manual
SmartMedia Handling Precautions
•The CARD slot is for use with SmartMedia only. Never attempt to insert any other type of
storage media.
•Use only SmartMedia of the type specified in this
Owner’s Manual
.
•Store SmartMedia in a place free from extreme temperatures, humidity, dust, and dirt.
•Always store SmartMedia in its original case.
•Write only on the designated area.
•When handling SmartMedia, be careful not to touch the gold contacts. Fingerprints,
smudges, scratches, or dirt can affect performance.
Fingerprints and dust should be removed by wiping gently using a soft, dry cloth. Do not
use benzene, thinner, cleaning detergent, or a chemical cloth.
•If SmartMedia is stored in a cold place (e.g., overnight in a car), and then moved to a
warmer environment, or if the temperature rises sharply, condensation may form on the
surface, which may affect performance. In this case, the SmartMedia should be allowed to
acclimatize for about one hour before use.
•Insert SmartMedia carefully into the CARD slot, with the gold contacts facing upward.
•Do not bend or twist SmartMedia.
•Do not under any circumstances attempt to use SmartMedia that is cracked or warped.
Doing so may seriously damage the CARD slot.
•Do not remove SmartMedia while saving or loading data. Doing so may cause data lose.
Data stored on SmartMedia can be protected against inadvertent overwriting by attaching
a write-protect sticker (supplied with SmartMedia).
Interference
The DM2000 uses high-frequency digital circuits that may cause interference on radio and
television equipment located nearby. If interference is a problem, relocate the affected
equipment. Using a mobile telephone near the unit may induce noise. In this case use the
telephone away from the unit.
DM2000 Exclusion of Certain Responsibility
Manufacturer, importer, or dealer shall not be liable for any incidental damages including
personal injury or any other damages caused by improper use or operation of the DM2000.
Trademarks
ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-
istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.
Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of
Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are
registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg
Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign
and/or Avid Technology, Inc. SmartMedia is a trademark of Toshiba, Corp. Sony is a regis-
tered trademark of Sony Corporation, Inc. Tascam Digital Interface is a trademark and Tas-
cam and Teac are registered trademarks of Teac Corporation. Microsoft and Windows are
registered trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc.
Yamaha is a trademark of Yamaha Corporation. All other trademarks are the property of
their respective holders and are hereby acknowledged.
Copyright
No part of the DM2000, its software, or this
Owner’s Manual
may be reproduced or distrib-
uted in any form or by any means without the prior written authorization of Yamaha Cor-
poration.
© 2002 Yamaha Corporation. All rights reserved.
iv
DM2000—Owner’s Manual
Yamaha Web Site
Further information about the DM2000, related products, and other Yamaha professional
audio equipment is available on the Yamaha Professional Audio Web site at:
<http://www.yamahaproaudio.com/>.
Package Contents
DM2000 Digital Production Console
CD-ROM
•Power cord
•This manual
Optional Extras
MB2000 Peak Meter Bridge
SP2000 Wooden Side Panels
•LA1800 Light Gooseneck
mini YGDAI I/O cards
About this Owner’s Manual
This
Owner’s Manual
covers the DM2000 Digital Production Console.
All the information you need in order to operate the DM2000 Digital Production Console
is contained in this manual. Use the table of contents to familiarize yourself with the man-
ual’s organization and to locate tasks and topics, and use the index to locate specific infor-
mation. Before diving in, it’s recommend that you read the “Operating Basics” chapter,
starting on page 35.
Each chapter of this manual discusses a specific section or function of the DM2000. The
Input and Output Channels are explained in the following chapters: “Input Channels, “Bus
Outs, Aux Sends, “Matrix Sends, and “Stereo Out. Where possible, these chapters have
been organized in order of signal flow, from input through to output.
Functions such as EQ and Delay are common to all channels. Rather than repeat the same
information over and over, these functions are explained once in the “Common Channel
Functions” chapter, which starts on page 103. The Input Channels, Bus Outs, Aux Sends,
Matrix Sends, and Stereo Out chapters contain cross-references to the relevant sections of
the “Common Channel Functions” chapter.
Conventions Used in this Manual
The DM2000 features two types of button: physical buttons that you can press (e.g., ENTER
and DISPLAY) and buttons that appear on the display pages. References to physical buttons
are enclosed in square brackets, for example, “press the [ENTER] button. References to dis-
play page buttons are not emphasized, for example, “press the ENTER button.
Display pages can be selected by using the [DISPLAY] buttons or the Left Tab Scroll, Right
Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, only the
[DISPLAY] button method is mentioned in the procedures. See “Selecting Display Pages”
on page 36 for details on all the ways in which pages can be selected.
Installing the DM2000
The DM2000 should be placed on a strong and stable surface, somewhere that complies
with the warnings and cautions listed in the previous sections.
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DM2000—Owner’s Manual
Contents
1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . 4
Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Turning On & Off the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Display History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Display Page Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Parameter Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Confirmation Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Title Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Using a Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Channel Strip Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Assigning Parameters to the ENCODER MODE Assign Buttons . . . . . . . . . . . . . 46
4 Analog I/O & the AD Input Section . . . . . . . . . . . 48
AD Input Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Control Room Monitor Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Studio Monitor Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
2TR Analog INs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
5 Digital I/O & Cascading . . . . . . . . . . . . . . . . . . . . 50
Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
2TR Digital Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
2TR Digital Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
2TR In/Out Sampling Rate Conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Slot I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
6 Input & Output Patching . . . . . . . . . . . . . . . . . . . 61
Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Naming Input & Output Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Patch Select Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Patching with the Encoders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
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DM2000—Owner’s Manual
7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Patching Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Metering Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Reversing the Signal Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Gating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Attenuating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
EQ’ing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Grouping Input Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Input Channel Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Compressing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Grouping Input Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Delaying Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Muting Input Channels (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Grouping Input Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Setting Input Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Grouping Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Routing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Panning Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Sending Input Channels to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Soloing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Using MS Decoding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Viewing Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Copying Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Stereo Out Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Patching the Stereo Out to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Routing Input Channels to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Metering the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Monitoring the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Attenuating the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
EQ’ing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Stereo Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Compressing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Muting the Stereo Out (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Setting the Stereo Out Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Sending the Stereo Out to the Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Balancing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Delaying the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Viewing Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Copying Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Naming the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
vii
DM2000—Owner’s Manual
9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Patching Bus Outs to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Routing Input Channels to Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Metering Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Monitoring Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Attenuating Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
EQ’ing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Bus Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Compressing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Muting Bus Outs (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Setting Bus Out Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Sending Bus Outs to Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Delaying Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Soloing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Pairing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Viewing Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Copying Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Naming Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Patching Aux Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Setting the Aux Send Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Pre-Fader or Post-Fader Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Muting Aux Sends (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Aux Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Viewing Aux Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Metering Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Monitoring Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Attenuating Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
EQ’ing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Aux Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Compressing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Muting Aux Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Settings Aux Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Sending Aux Sends to Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Delaying Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Soloing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Pairing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Viewing Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Copying Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Naming Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
viii
DM2000—Owner’s Manual
11 Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Patching Matrix Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Pre-Fader or Post-Fader Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Setting Matrix Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Muting Matrix Sends (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Matrix Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Panning Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Viewing Matrix Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Metering Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Monitoring Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Attenuating Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
EQ’ing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Matrix Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Compressing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Muting Matrix Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Setting Matrix Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Balancing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Delaying Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Soloing Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Viewing Matrix Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Copying Matrix Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Naming Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
12 Common Channel Functions . . . . . . . . . . . . . . . . 103
Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Attenuating Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Using EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Grouping Output Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Using Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Compressing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Grouping Output Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Delaying Channel Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Grouping Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Grouping Output Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Viewing Channel Parameter Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Viewing Channel Fader Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Copying Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Naming Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
13 Monitoring & Talkback . . . . . . . . . . . . . . . . . . . . . 132
Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Studio Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Using Talkback & Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
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DM2000—Owner’s Manual
14 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Channel Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Input Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Output Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
GEQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Effects Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Bus to Stereo Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Gate Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Comp Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Automix Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Surround Monitor Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
15 Internal Effects, Plug-Ins & GEQs . . . . . . . . . . . . . 148
About the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Patching Effects Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Preset Effects & Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Configuring Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Editing Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
About the GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Editing GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
16 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . 157
About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Storing & Recalling Scenes with the SCENE MEMORY Buttons . . . . . . . . . . . . . 159
Using the Scene Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
17 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
What’s Recorded in an Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
AUTOMIX Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Channel Strip [AUTO] Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Fader Edit Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Selecting the Timecode Source & Frame Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Creating a Time Signature Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Rerecording Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Parameter Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Punching In & Out Individual Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
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DM2000—Owner’s Manual
18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
MIDI & the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
MIDI I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
MIDI Channel Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Assigning Scenes to Program Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Assigning Parameters to Control Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 186
Using Bulk Dump . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
19 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 188
Configuring Windows Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Configuring Macintosh Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Configuring the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Configuring Pro Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Control Surface Operation with the Pro Tools Remote Layer . . . . . . . . . . . . . . . 190
Scrolling Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Assigning Inputs to Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Assigning Outputs to Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Setting Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Muting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Panning Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Assigning Send Destinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Configuring Sends as Pre or Post . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Setting Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Muting Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Panning Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Flip Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Assigning Inserts/Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Editing Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Bypassing Individual Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Bypassing all Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Resetting Faders, Sends, Panpots & Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Navigating the Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Making Fine Adjustments to the Selected Region . . . . . . . . . . . . . . . . . . . . . . . . . 213
Scrub & Shuttle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
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DM2000—Owner’s Manual
20 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
About Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Assigning Targets to Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Configuring User Defined Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Using User Defined Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
About Machine Control (MMC & P2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Configuring Machines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Configuring the REMOTE Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Transport Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Using Shuttle & Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Using the Locator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Setting the Locate Memories, Pre-roll, Post-roll & Roll-back . . . . . . . . . . . . . . . . 224
Arming Machine Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Configuring MTR Track Arming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Configuring Master Track Arming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Configuring Track Arming Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Controlling AD824 A/D Converters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
21 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Saving DM2000 Data to SmartMedia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Checking the Battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Initializing the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . 240
USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Initial Input Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
Initial Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Initial Input Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
Initial Output Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
GPI Trigger Source List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261
Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
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DM2000—Owner’s Manual
Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 301
General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
I/O Slot Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Connector Pin Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317
Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Format Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . 333
MB2000 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
SP2000 Wooden Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Welcome
1
DM2000—Owner’s Manual
1 Welcome
Thank you for choosing the Yamaha DM2000 Digital Production Console.
Designed with production in mind, the DM2000 Digital Production Console offers
24-bit/96 kHz digital audio processing without compromise, comprehensive surround
mixing and monitoring, including bass management and down mixing, and hands-on con-
trol of popular DAW (Digital Audio Workstation) systems.
Sonic Spec
Linear 24-bit, 128-times oversampling A/D converters
Linear 24-bit, 128-times oversampling D/A converters
20 Hz–40 kHz (0.5, –1.5 dB) frequency response at 96 kHz sampling rate
108 dB typical dynamic range (AD Input to Stereo Out)
32-bit internal signal processing (58-bit accumulator)
Channel Architecture
96 Input Channels, with Direct Outs
•8 Bus Outs, with to Stereo Out routing for subgrouping
12 Aux Sends
•4 stereo Matrix Sends (22 x 8 matrix)
•Stereo Out
•Channels can be named for easy identification
•Channel library with 127 user memories
•Copy and paste channel settings
I/O Architecture
24 analog mic/line inputs on balanced XLRs and phone jacks (plus 48 V phantom)
24 analog inserts on individual in/out phone jacks
48 inputs, 48 outputs via six mini-YGDAI slots and optional I/O cards, which
offer a variety
of analog and digital I/O options, with support for all the popular digital audio inter-
connect formats, including AES/EBU, ADAT, Tascam TDIF-1, and mLAN.
•8 assignable Omni outputs
•2 AES/EBU, 1 Coaxial 2-track digital input
•2 AES/EBU, 1 Coaxial 2-track digital output
•2 analog 2-track inputs
XLR and phone jack stereo outputs
Large and small control room outputs
•Dedicated studio monitor outputs
AES/EBU and Coaxial I/O sampling rate converters for connecting 44.1/48 kHz legacy dig-
ital audio equipment
•Double channel digital I/O for use with legacy 44.1/48 kHz multitrack recorders
•Cascade ports for cascading up to four DM2000s (i.e., 384 Input Channels)
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Chapter 1—Welcome
DM2000—Owner’s Manual
I/O Patching
•Any available input port can be patched to the Input Channels, Insert Ins, or Effects inputs
•Direct Outs, Insert Outs, Bus Outs, Aux Sends, Matrix Sends, and the Stereo Out can be
patched to any output port
•Input and output ports can be named for easy identification
•Patches can be stored in the Input and Output Patch libraries
EQ & GEQ
•4-band parametric EQ on all Input and Output Channels
EQ library with 40 presets, 160 user memories
•Six 31-band graphic equalizers that can be patched into Output Channels
GEQ library with 128 user memories
Groups & Pairs
•Horizontal and vertical pairing of Input Channels
•Horizontal pairing of Bus Outs, Aux Sends, and Surround Pan
•8 Input Channel, 4 Output Channel Fader groups
•8 Input Channel, 4 Output Channel Mute groups
•4 Input Channel, 4 Output Channel EQ groups
•4 Input Channel, 4 Output Channel Compressor groups
Effects
•8 internal effects processors
Effects library with 52 presets, 76 user memories
•Multichannel effects for surround sound processing
•Joystick control of early reflections and reverb with the Reverb 5.1 effect
•Optional Waves 56K effects plug-in card
•User defined plug-ins for external effects control via MIDI, with Learn function
Dynamics
Gates on all 96 Input Channels
Gate library with 4 presets, 124 user memories
•Compressors on all Input Channels and Out Channels (126 in total)
•Compressor library with 36 presets, 92 user memories
Automation
•Dynamic automation of virtually all mix parameters, with 1/4-frame accuracy
•Automix library with 16 memories
•Snapshot style automation with 99 Scene memories, recallable via MIDI or Automix
•Individual fade time settings for all Input and Output faders
•Scene and library recalls
•Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters
Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes
Offline event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert
Welcome
3
DM2000—Owner’s Manual
Surround Sound
•3-1 and 5.1 Surround modes
•Joystick control
•Bass management
•Down mixing
•Surround monitor speaker alignment functions
•Surround monitor library with 32 user memories
Remote Control
•Control and manage your DM2000 from your Mac or PC by using the bundled Studio
Manager software
•Remote Layers for external equipment control, including predefined targets for controlling
DAW systems, and user defined targets for controlling MIDI equipment, with Learn func-
tion
•Comprehensive machine control via MMC or P2, including transport, track arming,
jog/shuttle, and built-in locator with eight Locate memories, all with independent control
of master and MTR machines
•Assignable GPI (General Purpose Interface) port for external control and “Recording” light
•Remote control of head amps and phantom on up to 12 Yamaha AD824 A/D Converters
MIDI
Standard MIDI ports, USB TO HOST port, SERIAL TO HOST port, or mLAN MIDI I/O
USB, SERIAL, and mLAN offer multiport operation
•Scene recall, mix parameter control, Bulk Dump, MTC and MIDI Clock for Automix syn-
chronization, MMC for external machine control
Control Surface
25 touch-sensitive 100-mm motorized faders (touch sense used to select channels or punch
faders in/out during Automix recording)
•Use the faders to set channel levels or Aux/Matrix Send levels
•Use the 24 Encoders to control Pan, Aux/Matrix Send levels, or user assigned parameters
•Channels arranged into four Input Layers, Master Layer, and four Remote Layers
320 x 240 dot LCD display with fluorescent backlight
•Fluorescent channel strip displays, showing channel names, Encoder status, routing, etc
•Complete hands-on control of all channel functions via the SELECTED CHANNEL section
•2-digit Scene memory display
•4 EQ displays for frequency, gain, and Q
16 user-definable buttons make light work of repetitive tasks
•Display History buttons for quick access to recently viewed display pages
•SmartMedia card slot for Automix, Scene, library, and setup data storage and transfer
•Optional PS/2-compatible keyboard for quick title entry
4
Chapter 2—Control Surface & Rear Panel
DM2000—Owner’s Manual
2 Control Surface & Rear Panel
Control Surface
CH01 CH02 CH03 CH04 CH05 CH06 CH07 CH08 CH09 CH10 CH11 CH12 CH13 CH14 CH15 CH16 CH17 CH18 CH19 CH20 CH21 CH22 CH23 CH24
ROUTING
12
34
56
78
STEREOFOLLOW PAN DIRECT
GATE ON COMP ON
GATE
COMP
RANGE
RATIO
ATT ACK
ATT ACK
DECAY
RELEASETHRESHOLD
THRESHOLD HOLD
LINK GRAB EFFECT
L
EVEN
R
L
R
EQUALIZER
CHANNEL
COPY
PASTE
EQ ON
AT T.
dB
Hz
kHz
LOW
SELECTED CHANNEL
PHASE / INSERT
INSERT ON
AUX/MATRIX SEND
DELAY
ON
TIME
FB
MIX
LEVEL
ON
LEVEL
ON
LEVEL
ON
LEVEL
ON
AUX 1 /MATRIX 1
AUX 5
AUX 9
AUX 2 /MATRIX 2
AUX 6
AUX 10
AUX 3 /MATRIX 3
AUX 7
AUX 11
AUX 4 /MATRIX 4
AUX 8
AUX 12
DYNA MICS
PAN/SURROUND
HIGH
BANK
GATE / COMP
GAIN
GAIN
Q
FREQUENCY
dB
Hz
kHz
GAIN
Q
FREQUENCY
dB
Hz
kHz
GAIN
Q
FREQUENCY
dB
Hz
kHz
GAIN
Q
FREQUENCY
TALKBACK LEVEL
1
2
3
4
5
6
78
PAD
11
12 13 14 15
16
910 21 22 23 24
17
18 19 20
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
PHONES
LEVEL
PHONES
STUDIO
LEVEL
010
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SEL
INC
STUDIO
CONTROL
ROOM
STEREO
AUX 11 AUX 12
CONTROL ROOM
SOLO
CLEAR
SOLO CONTRAST
2TR D1 2TR A1
2TR D2 2TR A2
2TRD3STEREO
ASSIGN 1 ASSIGN 2
ASSIGN 1 ASSIGN 2
DIMMER
SMALL
MONO
SURROUND
MONITOR LEVEL
SLATE
TALKBACK
REMOTE 1
REMOTE 2
REMOTE 3
REMOTE 4
LAYER
STEREO
MONITOR
STEREO
REC
REW
FF STOP PLAY
AUTO
ENTER
CONTROL ROOM LEVEL
DEC
DATA DIO SETUP UTILITY
MIDI REMOTE METER VIEW
PAI R GROUP INPUT
PATCH
OUTPUT
PATC H
DISPLAY ACCESS
INTERNAL
EFFECTS
1234
5678
F1 F2 F3
F4
1234
CARD
3.3V
CHANNEL
INSERTS
BUS
GRAPHIC
EQUALIZERS
TALKBACK
USER DEFINED KEYS
STORERECALL
SCENE MEM ORY
OVERWRITE
AUTOMIX
ABCD
MASTERALL CLEAR
12 45678
910 12131415
16
21 22 23 2417 18 2019
TRACK ARMING
TRACK ARMING GROUP
BACK FORWARD
SHUTTLE
DISPLAY HISTORY
SCRUB
12345678
910111213141516
FADER ON
PAN
EQAUX AUX
ON
ENABLE
REC ABORT/
UNDO
AUTO-
REC
RETURN
RELATIVE
TOUCH
SENSE
AUX 2AUX 1 AUX 3 AU X 4
AUX 6AUX 5 AUX 7
AUX 10AUX 9 AUX 11
AUX 8
AUX 12
AUX SELECT
AUX / MTRX
AUX / MTRX
FADER
PAN
ASSIGN 4ASSIGN 3
MATRIX SELECT
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
MATRIX2 MATRIX 4MATRIX 3
SUSPEND WRITE TOUCH LATCH READ TRIM OFF
ASSIGN 2ASSIGN 1
PAN SENDLEVEL
INSERTSEND ASSIGNOUTPUTINPUT
MASTER
ODD
11
PLUG INS
EFFECTS / PLUG INS
50
40
30
20
15
10
10
5
0
5
87654321
MATRIX1
910111213141516 1718192021222324
87654321 910111213141516 1718192021222324
HIGH MIDLOW MID
124
25 48
49 72
73 96
010
010
STEREO
SURROUND
3
LOCATE MEMORY
LOCATOR
12345678
ONLINE
AUDITION
LOOP
MASTER
PRE POST
ROLL
BACK
IN OUT MTR
END QUICK
PUNCH
REHEARSAL
SET
RETURN
TO ZERO
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
SMALL
TRIM
0010
70
60
50
40
30
20
15
10
5
0
ENCODER MODE
FADER MODE
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
100
SURROUND
00
10.04.001.00125
AD Input Section (p. 5)
Channel strips (p. 5)
LOCATOR
(p. 21)
SmartMedia
CARD Slot (p. 6)
MATRIX SELECT
(p. 6)
AUX SELECT
(p. 7)
ENCODER
MODE (p. 7)
FADER MODE
(p. 8)
DISPLAY ACCESS (p. 8)
EFFECTS/PLUG-INS
(p. 9)
Display Section (p. 11)
SELECTED CHANNEL Section (p. 12)
LAYER (p. 18)
STEREO (p. 18)
TRACK ARM-
ING (p. 19)
Data Entry &
Transport (p. 23)
Monitor, Phones &
Talkback Section
(p. 25)
MONITOR Sec-
tion (p. 26)
SCENE MEM-
ORY (p. 19)
AUTOMIX
(p. 20)
USER DEFINED
KEYS (p. 21)
CHANNEL COPY (p. 17)
Control Surface
5
DM2000—Owner’s Manual
AD Input Section
AD Input #1 is shown here.
A
+48V ON/OFF switches
These switches turn on and off the +48 V phantom power feed to each INPUT A
(XLR-type connector). Phantom power is typically used to power condenser-type
microphones or direct boxes. See “Phantom Power” on page 48 for more information.
B
PAD switches
These switches turn on and off the 26 dB pad (attenuator) for each AD Input. See
“Pad” on page 48 for more information.
C
GAIN controls
These controls adjust the gain of the AD Input Head Amps. They have an input sensi-
tivity of –16 dB to –60 dB or +10 dB to –34 dB when Pad is on. See “Gain on page 48
for more information.
D
PEAK indicators
These indicators light up when the input signal level is 3 dB below clipping. See “PEAK
& SIGNAL Indicators on page 48 for more information.
E
SIGNAL indicators
These indicators light up when the input signal level is 20 dB below nominal. See
“PEAK & SIGNAL Indicators on page 48 for more information.
F
INSERT ON/OFF switches
These switches are for turning on and off the AD Input inserts. See AD Inserts” on
page 49 for more information.
Channel strips
Channel strip #1 is shown here.
The function of each channel strip depends on the currently selected Layer. See
“Selecting Layers on page 42 for more information.
A Encoders
These controls are used to edit Input and Output Channel parameters. Their exact
operation depends on the currently selected Encoder mode and Layer. There are two
preset Encoder modes, Pan and Aux/Mtrx, and four assignable modes, with over 40
parameters to choose from. See “Selecting Encoder Modes” on page 45 for more
information.
The Encoders feature push switches that are used to punch the parameter currently
assigned to the Encoders in and out during Automix recording. See “Punching In &
Out Individual Parameters” on page 175 for more information.
B AUTO buttons
These buttons are used to set Automix recording and playback for each channel.
Their exact operation depends on the currently selected Layer. Their indicators light
up orange in Record-Ready mode, red while recording, and green during playback.
See “Channel Strip [AUTO] Buttons” on page 169 for more information.
C SEL buttons
These buttons are used to select Input and Output Channels for editing with the
SELECTED CHANNEL section. Their exact operation depends on the currently
selected Layer. The [SEL] button indicator of the currently selected channel lights up.
See “Selecting Channels” on page 43 for more information. They are also used to dis-
play the Long channel names. See “Channel Names” on page 41 for more informa-
tion. The [SEL] buttons can also be used to pair channels, and to add and remove
channels to and from the EQ, Comp, Fader, and Mute groups.
1
PAD
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
+
48V
1
2
3
4
5
6
CH01
ON
SOLO
SEL
AUTO
1
30
20
15
10
10
5
0
5
50
40
30
20
15
10
5
0
1
2
3
4
5
6
7
6 Chapter 2—Control Surface & Rear Panel
DM2000—Owner’s Manual
D SOLO buttons
These buttons are used to solo Channels. The [SOLO] button indicators of channels that
are soloed light up. See “Soloing Channels” on page 118 for more information.
E ON buttons
These buttons are used to mute Input and Output Channels. Their exact operation depends
on the currently selected Layer. The [ON] button indicators of channels that are on light up.
F Channel strip displays
These fluorescent displays graphically display the value of the Input or Output Channel
parameter currently assigned to the Encoders. They also display routing settings, and the
on/off status of the EQ, Insert, Delay, Comp, and Gate functions. They also display Long
and Short channel names and indicate the currently selected channel. See “Channel Strip
Displays on page 39 for more information.
G Channel faders
These 100 mm touch-sensitive motorized faders are used to set the levels of Input Channels,
Bus Outs, Aux Sends, and Matrix Sends. Their exact operation depends on the currently
selected Fader mode and Layer. See “Selecting Fader Modes on page 44 for more informa-
tion. Faders can be grouped for simultaneous operation. See “Grouping Input Channel
Faders” on page 74 and “Grouping Output Channel Faders” on page 122 for more informa-
tion.
Faders can also be used to select Input and Output Channels. See Auto Channel Select &
Touch Sense Select” on page 44 for more information. They can also be used to punch chan-
nels in and out during Automix recording. See “Punching In & Out Individual Parameters”
on page 175 for more information.
SmartMedia CARD Slot
This CARD slot is for use with SmartMedia (3.3 V), which can be
used to store DM2000 data, including Setups, Scenes, Automixes,
Libraries, and so on. See “Saving DM2000 Data to SmartMedia on
page 231 for more information.
MATRIX SELECT
A MATRIX SELECT DISPLAY button
This button is used to select the following pages: Matrix Send, Matrix Send Pan, and Matrix
View. See “Matrix Sends” on page 97 for more information.
B MATRIX 1–4 buttons
These buttons are used to select Matrix Sends when sending Bus Out, Aux Send, and Stereo
Out signals to Matrix Sends. The button indicator of the currently selected Matrix Send
lights up. See “Matrix Sends” on page 97 for more information.
CARD
3.3V
MATRIX SELECT
DISPLAY
MATRIX 2 MATRIX 4MATRIX 3
MATRIX 1
1
2
1 / 1

Yamaha DM2000 Manualul proprietarului

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Manualul proprietarului