Yamaha DSP5D Manual de utilizare

EN

PM5D/PM5D-RH V2

DSP5D

Owner’s Manual

PM5D/PM5D-RH V2 / DSP5D

This document is printed on recycled

chlorine free (ECF) paper with soy ink.

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

Printed in Japan

WJ45370 704IPAP1.2-01D0

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

Yamaha Pro Audio global web site:

http://www.yamahaproaudio.com/

The above warning is located on the rear/top of the unit.

Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

within an equilateral triangle is intended to alert

the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufﬁcient magnitude to

constitute a risk of electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert the user to the

presence of important operating and

maintenance (servicing) instructions in the

literature accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.

2Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including

ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades

with one wider than the other. A grounding type plug

has two blades and a third grounding prong. The wide

blade or the third prong are provided for your safety. If

the provided plug does not ﬁt into your outlet, consult

an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the

point where they exit from the apparatus.

11 Only use attachments/accessories speciﬁed by the

manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table speciﬁed

by the manufacturer, or sold with

the apparatus. When a cart is

used, use caution when moving

the cart/apparatus combination

to avoid injury from tip-over.

13 Unplug this apparatus during

lightning storms or when unused for long periods of

time.

14 Refer all servicing to qualiﬁed service personnel.

Servicing is required when the apparatus has been

damaged in any way, such as power-supply cord or plug

is damaged, liquid has been spilled or objects have

fallen into the apparatus, the apparatus has been

exposed to rain or moisture, does not operate normally,

or has been dropped.

(98-6500)

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modiﬁcations not

expressly approved by Yamaha may void your authority, granted by

the FCC, to use the product.

2. IMPORTANT:

When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE:

This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reason-

able level of assurance that your use of this product in a residential

environment will not result in harmful interference with other elec-

tronic devices. This equipment generates/uses radio frequencies

and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation

of other electronic devices. Compliance with FCC regulations does

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker or

fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please con-

tact Yamaha Corporation of America, Electronic Service Division,

6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

* This applies only to the DSP5D distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011

Type of Equipment : Digital Mixing System

Model Name : DSP5D

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference

that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

(FCC DoC)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (Perchlorate)

This product contains a battery that contains perchlorate material.

Perchlorate Material—special handling may apply,

See www.dtsc.ca.gov/hazardouswaste/perchlorate.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning

må kun ske med batteri af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller

en ekvivalent typ som rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo

ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty

paristo valmistajan ohjeiden mukaisesti.

(lithium caution)

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op het

moment dat u het apparaat ann het einde van de levensduur of

gelieve dan contact op te nemen met de vertegenwoordiging van

Yamaha in uw land.

•For the removal of the battery at the moment of the disposal at the

end of life please consult your retailer or Yamaha representative

ofﬁce in your country.

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical

waste.

(lithium disposal)

This product contains a high intensity lamp that contains

a small amount of mercury. Disposal of this material

may be regulated due to environmental considerations.

For disposal information in the United States, refer to

the Electronic Industries Alliance web site:

www.eiae.org

(mercury)* This applies only to the PM5D (PM5D-RH) distributed by

YAMAHA CORPORATION OF AMERICA.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING:

THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in accordance

with the following code:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not

correspond with the coloured markings identifying the terminals in

your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be connected

to the terminal in the plug which is marked by the letter E or by the

safety earth symbol or colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the termi-

nal which is marked with the letter L or coloured RED.

(3 wires)• This applies only to the DSP5D distributed by

Yamaha-Kemble Music (U.K.) Ltd.

4

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the device. The required voltage is

printed on the name plate of the device.

• Use only the speciﬁed power supply (PW800W or an equivalent recommended

by Yamaha).

• (DSP5D only) Use only the included power cord.

If you intend to use the device in an area other than in the one you purchased,

the included power cord may not be compatible. Please check with your Yamaha

dealer.

• Do not place the power cord near heat sources such as heaters or radiators, and

do not excessively bend or otherwise damage the cord, place heavy objects on

it, or place it in a position where anyone could walk on, trip over, or roll anything

over it.

• (DSP5D only) Be sure to connect to an appropriate outlet with a protective

grounding connection. Improper grounding can result in electrical shock.

• Do not open the device or attempt to disassemble the internal parts or modify

them in any way. The device contains no user-serviceable parts. If it should

appear to be malfunctioning, discontinue use immediately and have it inspected

by qualiﬁed Yamaha service personnel.

• Do not expose the device to rain, use it near water or in damp or wet conditions,

or place containers on it containing liquids which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the device, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the device inspected by

qualiﬁed Yamaha service personnel.

• If this device or power supply should be dropped or damaged, immediately turn

off the power switch, disconnect the electric plug from the outlet, and have the

device inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the device or other property. These precautions include, but are not limited to, the following:

• Remove the electric plug from the outlet when the device is not to be used for

extended periods of time, or during electrical storms.

• When removing the electric plug from the device or an outlet, always hold the

plug itself and not the cord. Pulling by the cord can damage it.

•Turn the PM5D ON/OFF using only the power supply PW800W POWER switch.

Turning the PM5D ON/OFF by plugging or unplugging the power cord, using a

switch on a power tap, a breaker switch, or similar external means can result in

damage.

• When transporting or moving the device, always use four or more people

(PM5D), two or more people (DSP5D). Attempting to lift the device by yourself

may damage your back, result in other injury, or cause damage to the device

itself.

• Before moving the device, remove all connected cables.

• When setting up the DSP5D, make sure that the front-panel power switch can be

easily turned ON/OFF. If some trouble or malfunction occurs, immediately turn

off the power switch and disconnect the plug from the outlet.

• If the DSP5D is to be mounted in an EIA-standard rack, leave the back of the

rack open and make sure that it is at least 10 cm away from walls or surfaces.

Also, if the DSP5D is to be mounted with devices that tend to generate heat,

such as power ampliﬁers, be sure to keep an adequate gap between the DSP5D

and the heat-generating devices or install ventilation panels to prevent high

temperatures from developing inside the DSP5D.

Inadequate ventilation can result in overheating, possibly causing damage to the

device(s), or even ﬁre.

• Do not use the DSP5D in a conﬁned, poorly-ventilated location. If the DSP5D is

to be used in a small space other than an EIA-standard rack, make sure that

there is adequate space between the DSP5D and surrounding walls or other

devices: at least 10 cm behind and 10 cm above. Inadequate ventilation can

result in overheating, possibly causing damage to the device(s), or even ﬁre.

Power supply/Power cord

Do not open

Water warning

If you notice any abnormality

Power supply/Power cord

Location

(5)-4

1/2

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual

5

•Avoid setting all equalizer controls and faders to their maximum. Depending on

the condition of the connected devices, doing so may cause feedback and may

damage the speakers.

• Do not expose the device to excessive dust or vibrations, or extreme cold or heat

(such as in direct sunlight, near a heater, or in a car during the day) to prevent

the possibility of panel disﬁguration or damage to the internal components.

• Do not place the device in an unstable position where it might accidentally fall

over.

• Do not block the vents. This device has ventilation holes at the front and rear to

prevent the internal temperature from becoming too high. In particular, do not

place the device on its side or upside down. Inadequate ventilation can result in

overheating, possibly causing damage to the device(s), or even ﬁre.

• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile

phone, or other electric devices. Doing so may result in noise, both in the device

itself and in the TV or radio next to it.

• Before connecting the device to other devices, turn off the power for all devices.

Before turning the power on or off for all devices, set all volume levels to

minimum.

• When turning on the AC power in your audio system, always turn on the power

ampliﬁer LAST, to avoid speaker damage. When turning the power off, the power

ampliﬁer should be turned off FIRST for the same reason.

• Do not insert your ﬁngers or hands in any gaps or openings on the device

(vents, etc.).

•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any

gaps or openings on the device (vents, etc.) If this happens, turn off the power

immediately and unplug the power cord from the AC outlet. Then have the

device inspected by qualiﬁed Yamaha service personnel.

• (PM5D only) Do not apply oil, grease, or contact cleaner to the faders. Doing so

may cause problems with electrical contact or fader motion.

• Do not use the headphones for a long period of time at a high or uncomfortable

volume level, since this can cause permanent hearing loss. If you experience

any hearing loss or ringing in the ears, consult a physician.

• Do not rest your weight on the device or place heavy objects on it, and avoid use

excessive force on the buttons, switches or connectors.

• This device has a built-in backup battery. When you unplug the power cord from

the AC outlet, the internal data of current scene is retained. However, if the

backup battery fully discharges, this data will be lost. When the backup battery

is running low in the system using PM5D or PM5D/DSP5D Editor, each LCD

display indicates “Low Battery!” during operation or “NO BATTERY!” when

starting up the system (the BATTERY ﬁeld also indicates “LOW” or “NO

BATTERY” in the PREFERENCE2 screen).

When using only the DSP5D, the message such as “Low Battery!” cannot be

displayed because the DSP5D itself has no LCD display. When the DSP5D is

cascade-connected to the PM5D or online with the DSP5D Editor, these

messages will be displayed. In this case, have qualiﬁed Yamaha service

personnel replace the backup battery.

Always turn the power off when the device is not in use.

The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualiﬁed Yamaha service

personnel about replacing defective components.

Connections

Handling caution

Backup battery

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the device, or data that is lost or destroyed.

Included Accessories

PM5D/PM5D-RH

• Owner's Manual (this document)

• Gooseneck Lamps x 3

• Power Supply PW800W Connection Cable

DSP5D

• Owner's Manual (this document)

• AC Power Cord

• D-SUB 68-pin Cable 10 m x 2

(5)-4

2/2

6

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual

Table of Contents

Table of Contents — Operating section

1

Introduction.......................................... 10

Thank you ....................................................................... 10

An overview of the PM5D system .................................... 10

Differences between the PM5D model and

the PM5D-RH model ........................................... 11

About the channel structure of the PM5D ................................12

About the DSP5D ............................................................ 12

Differences with the PM5D.........................................................12

Regarding cascade connections between the PM5D and

DSP5D ................................................................................13

About PM5D Editor and DSP5D Editor ............................ 13

Firmware versions ............................................................ 14

Major new functionality in PM5D firmware V2.0 ............. 14

Regarding word clock synchronization ............................ 15

How this manual is organized.......................................... 15

Conventions in this manual........................................................15

2

Top, front, and rear panels.................. 16

Top panel ........................................................................ 16

Rear panel........................................................................ 18

Front panel ...................................................................... 20

DSP5D front panel........................................................... 21

DSP5D rear panel ............................................................ 22

3

Basic operation on the PM5D.............. 23

About the various types of user interface ......................... 23

User interface in the display........................................................23

DISPLAY ACCESS section..........................................................24

Data Entry section........................................................................24

External user interface .................................................................25

Basic operation ................................................................ 26

Click ..............................................................................................26

Drag...............................................................................................26

Drag and drop ..............................................................................26

Accessing a desired screen ...........................................................27

Moving the cursor........................................................................27

Scrolling the screen ......................................................................28

Operating the buttons .................................................................29

Adjusting the setting of a knob or fader.....................................29

Assigning a name .........................................................................30

4

Connections and setup ........................ 31

Examples of systems expanded with the DSP5D ............. 31

Example of simple input expansion

(PM5D + one DSP5D unit)..............................................31

PM5D + remotely connected input expansion

(PM5D + DCU5D + two DSP5D units)..........................31

Control from DSP5D Editor (one DSP5D unit + PC) .............32

Audio connections........................................................... 33

Analog audio connections...........................................................33

Analog output connections.........................................................34

Digital input/output connections...............................................36

Installing an option card .............................................................37

Word clock connections and settings .............................. 38

About word clock.........................................................................38

Selecting the word clock master..................................................38

Restoring the current scene to the default state............... 40

Switching the target of panel operations

(when cascade-connected with the DSP5D)........ 40

5

Input channel operations .....................41

About the input channels ................................................ 41

AD IN section .................................................................. 43

Items in the AD IN section......................................................... 43

Controlling the input sensitivity and phantom power

(+48V) of the head amp ................................................... 44

INPUT channel strip......................................................... 45

Items in the INPUT channel strip.............................................. 45

ST IN/FX RTN channel strip ............................................. 47

Items in the ST IN/FX RTN channel strip ................................ 47

FADER FLIP/ENCODER MODE section ............................. 48

Items in the FADER FLIP/ENCODER MODE section ........... 48

Various operations for input channels.............................. 49

Selecting the function of the encoders....................................... 49

Exchanging the fader and encoder functions............................ 49

Sending a signal from an input channel to the STEREO

bus ...................................................................................... 50

Sending the signal from the input channel to a MIX bus ........ 51

Enabling/disabling pairing.......................................................... 53

6

Output channel operations ..................55

About the output channels.............................................. 55

MIX section ..................................................................... 57

Items in the MIX section ............................................................ 57

Operations in the MIX section................................................... 57

STEREO A/B channel strip ................................................ 61

Items in the STEREO A/B channel strip ................................... 61

Operations in the STEREO A/B channel strip .......................... 62

MATRIX section ............................................................... 63

Items in the MATRIX section .................................................... 63

Operations in the MATRIX section........................................... 63

7

Using the Selected Channel section.....65

About the SELECTED CHANNEL section .......................... 65

Items in the SELECTED CHANNEL section ....................... 65

GROUP ........................................................................................ 65

CHANNEL SELECT ................................................................... 66

DELAY ......................................................................................... 66

GAIN/ATTENUATION/ø (Gain / Attenuation / Phase) ........ 67

NOISE GATE............................................................................... 67

STEREO ....................................................................................... 68

COMPRESSOR ........................................................................... 68

HPF (High Pass Filter)................................................................ 69

EQUALIZER................................................................................ 69

Operations in the SELECTED CHANNEL section .............. 70

Selecting a channel and editing its parameters ......................... 70

Compressor operations............................................................... 71

Gate operations ........................................................................... 72

EQ/HPF operations..................................................................... 73

8

Input Patch / Output Patch operations .74

Changing the input patch settings .................................. 74

Changing the output patch settings................................ 75

Inserting an external device into a channel...................... 77

Connecting an external device for insertion ............................. 77

Patching the insert-out and insert-in ........................................ 78

Directly outputting the signal of an input channel .......... 80

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual

Table of Contents

7

9

Grouping and linking............................81

About DCA Groups and Mute Groups ............................. 81

Items in the ASSIGN MODE section ................................. 81

Items in the DCA strip...................................................... 81

Using DCA Groups........................................................... 82

Assigning channels to DCA groups............................................82

Controlling DCA groups.............................................................83

Using mute groups .......................................................... 83

Assigning channels to mute groups............................................83

Controlling mute groups.............................................................84

Using the Mute Safe function .....................................................84

Using EQ Link and Compressor Link ................................ 85

10

Scene memory....................................87

About scenes ................................................................... 87

Items in the SCENE MEMORY section .............................. 88

Using scene memories ..................................................... 89

Storing a scene..............................................................................89

Recalling a scene...........................................................................90

Using PREVIEW mode ...................................................... 90

Using the Auto Store function.......................................... 91

Using the Direct Recall function ....................................... 91

Using the Selective Recall function................................... 92

Using the Recall Safe function.......................................... 94

Using the Fade function................................................... 95

Using the Tracking Recall function ................................... 96

Using the Global Paste function ....................................... 97

11

Monitor and Cue................................99

About the MONITOR and CUE sections........................... 99

Using the Monitor function ........................................... 100

Items in the MONITOR section...............................................100

Monitoring a signal....................................................................101

Using the Cue/Solo functions ........................................ 102

Items in the CUE section...........................................................102

About CUE mode and SOLO mode.........................................102

Cue and Solo groups..................................................................103

Using the Cue function .............................................................104

Using the Solo function.............................................................104

12

Talkback and Oscillator....................105

About the TALKBACK/OSCILLATOR sections.................. 105

Items in the TALKBACK/OSCILLATOR sections..................105

Using talkback ............................................................... 106

Using the oscillator ........................................................ 107

13

Meters...............................................108

Items in the meter section ............................................. 108

Switching the meter display........................................... 108

Switching the metering point ........................................ 109

Specifying the metering point for input channels...................109

Specifying the metering point for output channels ................109

Viewing the gain reduction of the internal gates and

compressors....................................................... 110

Viewing the gain reduction for input channels .......................110

Viewing the gain reduction for output channels.....................110

14

Effects ...............................................111

About the internal effects............................................... 111

Using an internal effect via a MIX bus ............................ 112

Inserting an internal effect into a channel ...................... 113

Basic operations in the effect screen .............................. 114

Recalling settings from the effect library..................................114

Editing the effect parameters ....................................................115

Storing settings in the effect library ..........................................115

Using the Tap Tempo function ...................................... 116

Using the Freeze effect................................................... 117

15

Graphic EQ and Parametric EQ .......118

Patching the GEQ modules............................................ 118

Expanding the GEQ modules......................................... 119

Basic graphic EQ operations .......................................... 119

Controlling the graphic EQ from the display ......................... 119

Controlling the graphic EQ from the DCA section................ 120

Basic parametric EQ operations ..................................... 121

Controlling the parametric EQ from the display.................... 121

Controlling the parametric EQ from the SELECTED

CHANNEL section.......................................................... 122

16

Remote control ................................123

MIDI on the PM5D ........................................................ 123

Using program changes to control events ..................... 123

Using control changes to control events........................ 125

Using the MIDI Remote function ................................... 127

Assigning MIDI messages to controllers ................................. 127

Using MIDI remote channels................................................... 131

Transmitting MIDI events when you switch scenes........ 132

Using GPI (General Purpose Interface) ........................... 133

Using GPI IN ............................................................................. 133

Calibrating the GPI IN ports .................................................... 135

Using GPI OUT......................................................................... 136

17

Using memory cards........................138

Using memory cards with the PM5D............................. 138

Saving files to a memory card........................................ 138

Loading files from a memory card ................................. 140

18

Surround pan ...................................142

About surround pan ...................................................... 142

Bus configuration and operation in surround mode ...... 143

About the surround buses ........................................................ 143

How the MIX section will operate ........................................... 143

Basic settings for surround buses ................................... 144

Controlling surround pan .............................................. 145

Notes regarding surround pan ...................................... 147

19

Other functions................................148

Using the user defined keys ........................................... 148

Items in the USER DEFINED section ..................................... 148

Assigning functions to the User Defined keys ........................ 148

Executing functions assigned to the User Defined keys......... 149

Using the FADER MODE section .................................... 149

Items in the FADER MODE section........................................ 149

Assigning the FADER MODE section layer ............................ 149

Switching the FADER MODE section layer............................ 150

Locking the PM5D (Security functions).......................... 151

Setting the System Password or Console Password................ 151

Using Parameter Lock or Console Lock.................................. 152

Using cascade connections ............................................ 153

Example of cascade connections between the PM5D and

DSP5D.............................................................................. 153

Example of cascade connections between PM5D units ......... 153

Specifying the DSP5D’s machine ID number......................... 153

Basic settings for cascade connection ...................................... 154

Selecting the buses used for cascade connection .................... 156

Connecting the PM5D to your computer via USB ......... 158

Caution when using the USB TO HOST connector .............. 158

Connecting the DSP5D to your computer via Ethernet . 159

Initializing the PM5D’s internal memory........................ 160

Initializing the DSP5D’s internal memory....................... 160

Adjusting the faders and input/output gain

(Calibration) ...................................................... 161

Calibrating the faders................................................................ 161

Adjusting the analog input gain (PM5D-RH model only).... 162

Adjusting the output gain......................................................... 162

8

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual

Table of Contents

Table of Contents — Reference section

Information shown in the display.......... 163

Upper part of the display (always visible)....................... 163

Main area of the display ................................................ 164

Lower part of the display (always visible) ....................... 164

Function menu........................................ 165

Global functions...................................... 166

EFFECT functions ........................................................... 166

EFFECT PARAM (Effect parameter) screen ...........................166

EFFECT ASSIGN screen............................................................168

EFFECT LIBRARY screen .........................................................169

PLUG-IN screen.........................................................................170

GEQ function................................................................. 170

GEQ PARAM (GEQ parameter) screen ..................................170

GEQ ASSIGN screen .................................................................173

GEQ LIBRARY screen ...............................................................174

SCENE function ............................................................. 175

SCENE screen.............................................................................175

EVENT LIST screen...................................................................177

SELECTIVE RECALL screen ....................................................180

RECALL SAFE screen ................................................................182

FADE TIME screen....................................................................184

TRACKING RECALL screen ....................................................186

GLOBAL PASTE screen ............................................................187

MIDI REMOTE function ................................................. 188

MIDI SETUP screen ..................................................................188

MIDI PGM CHANGE (MIDI program change) screen ........190

MIDI CTRL CHANGE (MIDI control change) screen..........191

MIDI REMOTE screen..............................................................192

GPI screen...................................................................................194

FADER START screen...............................................................196

TRANSPORT screen .................................................................198

DME CONTROL screen ...........................................................199

UTILITY function ............................................................ 204

PREFERENCE 1/2 screens ........................................................204

USER DEFINE screen................................................................208

SAVE screen ...............................................................................211

LOAD screen ..............................................................................215

FADER ASSIGN screen .............................................................217

SECURITY screen......................................................................218

SYS/W.CLOCK function ................................................. 219

WORD CLOCK screen..............................................................219

MIXER SETUP screen...............................................................221

CASCADE screen.......................................................................226

HA (Head Amp) screen.............................................................228

OUTPUT PORT ATT (Output port attenuation) screen ......229

DITHER screen ..........................................................................229

HA LIBRARY screen..................................................................230

METER function ............................................................. 231

INPUT METER screen ..............................................................231

OUTPUT METER screen..........................................................232

INPUT GR (Input Gain Reduction) screen.............................233

OUTPUT GR (Output Gain Reduction) screen .....................234

MON/CUE function ....................................................... 234

TALKBACK screen ....................................................................234

OSCILLATOR screen ................................................................236

2TR I/O screen ...........................................................................237

MONITOR screen .....................................................................238

CUE/SOLO screen .....................................................................240

Output functions .................................... 243

OUTPUT PATCH function .............................................. 243

OUTPUT PATCH screen ......................................................... 243

INSERT PATCH screen............................................................ 244

INSERT POINT screen............................................................. 246

NAME screen............................................................................. 247

OUTPUT PATCH LIBRARY screen ....................................... 247

OUTPUT INSERT function.............................................. 248

INSERT IN MIX 1-24 screen ................................................... 248

INSERT IN MATRIX/STEREO/MONITOR screen .............. 248

HA LIBRARY screen ................................................................. 249

OUTPUT EQ function .................................................... 250

EQ PARAM (EQ Parameter) screen........................................ 250

MIX 1-24 screen ........................................................................ 251

MATRIX/STEREO screen ........................................................ 251

OUTPUT EQ LIBRARY screen................................................ 252

OUTPUT COMP function............................................... 253

COMP PARAM (Compressor parameter) screen.................. 253

MIX 1-24 screen ........................................................................ 255

MATRIX/STEREO screen ........................................................ 255

COMP LIBRARY (Compressor library) screen...................... 256

OUTPUT DELAY function ............................................... 257

MIX 1-24 screen ........................................................................ 257

MATRIX/STEREO screen ........................................................ 257

OUTPUT DCA/GROUP function..................................... 258

DCA GROUP ASSIGN screen ................................................. 258

MUTE GROUP ASSIGN screen .............................................. 259

EQ LINK ASSIGN screen ......................................................... 260

COMP LINK ASSIGN (Compressor link assign) screen ....... 261

MATRIX/ST function...................................................... 262

MATRIX/ST ROUTING screen............................................... 262

MIX to MATRIX VIEW screen................................................ 264

LCR screen ................................................................................. 267

SURR SETUP screen................................................................. 268

OUTPUT VIEW function ................................................. 270

CH VIEW (Channel view) screen............................................ 270

SIGNAL FLOW screen ............................................................. 272

FADER VIEW screen ................................................................ 273

CH JOB (Channel job) screen.................................................. 274

OUTPUT CH LIBRARY screen ............................................... 275

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Table of Contents 9

Input functions ........................................277

INPUT PATCH function .................................................. 277

INPUT PATCH screen..............................................................277

DIRECT OUT PATCH screen..................................................278

INSERT PATCH screen ............................................................279

INSERT/DIRECT OUT POINT screen ...................................281

NAME screen .............................................................................282

INPUT PATCH LIBRARY screen ............................................283

INPUT HA/INSERT function............................................ 283

CH 1-24 (Input channel 1-24) screen ......................................283

CH 25-48 (Input channel 25-48) screen ..................................283

STIN/FXRTN (ST IN/FXRTN channel) screen ......................283

INSERT 1-24 screen...................................................................284

INSERT 25-48 screen.................................................................284

INSERT STIN screen .................................................................284

HA LIBRARY screen..................................................................285

INPUT ø/EQ function ..................................................... 286

EQ PARAM (EQ parameter) screen ........................................286

EQ 1-24 screen ...........................................................................287

EQ 25-48 switch .........................................................................287

EQ STIN/FXRTN screen...........................................................287

ø/ATT 1-48 (Phase/Attenuation 1-48) screen.........................288

ø/ATT STIN/FXRTN (Phase/Attenuation STIN/FXRTN)

screen ................................................................................288

INPUT EQ LIBRARY screen ....................................................289

INPUT GATE/COMP function......................................... 289

GATE PARAM (Gate parameter) screen.................................289

COMP PARAM (Compressor parameter) screen ..................291

CH 1-12 (Input channel 1–12) screen .....................................293

CH 13-24 (Input channel 13–24) screen .................................293

CH 25-36 (Input channel 25–36) screen .................................293

CH 37-48 (Input channel 37–48) screen .................................293

ST IN (ST IN channel) screen...................................................293

GATE LIBRARY screen.............................................................294

COMP LIBRARY (Compressor library) screen ......................295

INPUT DELAY function................................................... 295

CH 1-24 (Input channel 1–24) screen .....................................295

CH 25-48 (Input channel 25–48) screen .................................295

ST IN (ST IN channel) screen...................................................295

INPUT DCA/GROUP function......................................... 296

DCA GROUP ASSIGN screen ..................................................296

MUTE GROUP ASSIGN screen...............................................297

EQ LINK ASSIGN screen..........................................................298

COMP LINK ASSIGN (Compressor link assign) screen .......299

PAN/ROUTING function ................................................ 299

CH to MIX (Channel to mix) screen .......................................299

MIX SEND VIEW screen ..........................................................305

FIX ASSIGN VIEW screen ........................................................307

LCR screen..................................................................................308

SURR PARAM (Surround parameter) screen.........................309

SURR VIEW (Surround view) screen ......................................310

M/S screen ..................................................................................311

INPUT VIEW function ..................................................... 311

CH VIEW (Channel view) screen ............................................311

SIGNAL FLOW screen ..............................................................313

FADER VIEW screen.................................................................314

CH JOB screen ...........................................................................314

INPUT CH LIBRARY (Input channel library) screen............316

Appendices..............................................317

EQ Library List................................................................ 317

GATE Library List............................................................ 318

Compressor Library List ................................................. 319

Dynamics Parameters .................................................... 321

GATE section............................................................................. 321

COMP section ........................................................................... 322

Effect Library List............................................................ 324

Effects Parameters.......................................................... 325

Effects and tempo synchronization ......................................... 336

Scene Memory/Effect Library to Program Change Table

.. 337

Parameters that can be assigned to control changes ..... 341

Control change parameter assignments ........................ 343

NRPN parameter assignments ....................................... 360

Channel Library List ....................................................... 364

List of parameters available for Pair, Recall Safe or

OUTPUT ISOLATION operation ......................... 365

MIDI Data Format.......................................................... 368

Warning Messages......................................................... 377

Error Messages............................................................... 379

Troubleshooting ............................................................ 380

General Specifications.................................................... 381

PM5D/PM5D-RH..................................................................... 381

DSP5D........................................................................................ 383

Input/output characteristics........................................... 384

Electrical characteristics ................................................. 389

PM5D/PM5D-RH..................................................................... 389

DSP5D........................................................................................ 391

Other Functions............................................................. 393

Pin Assignment.............................................................. 394

Dimensions.................................................................... 395

MIDI Implementation Chart .......................................... 396

Index ............................................................................. 397

PM5D/PM5D-RH Block Diagram ...................End of Manual

DSP5D Block Diagram ...................................End of Manual

PM5D Level Diagram.....................................End of Manual

PM5D-RH Level Diagram ...............................End of Manual

DSP5D Level Diagram ...................................End of Manual

• The illustrations and screen displays as shown in this

Owner’s Manual are for instructional purposes only,

and may be different from the ones on your device.

• The company names and product names in this

Owner’s Manual are the trademarks or registered

trademarks of their respective companies.

10 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section

Operating section

Thank you

Thank you for purchasing the Yamaha PM5D digital mixing console and/or Yamaha DSP5D digital mixing system. In order

to take full advantage of the PM5D/DSP5D’s superior functionality and enjoy years of trouble-free use, please read this man-

ual before you begin using the product. After you have read the manual, keep it in a safe place.

An overview of the PM5D system

The PM5D is an expandable digital mixing console with the following features.

❏ Full digital SR mixing system

The PM5D is a full-digital SR mixing console that takes

advantage of cutting-edge digital audio processing technol-

ogy. 24-bit linear AD/DA converters are used to deliver up

to 110 dB of dynamic range and amazing sound quality. As

input channels, it provides 48 monaural channels, four ste-

reo channels, and four stereo channels for effect return. As

output channels, it provides 24 MIX channels, eight

MATRIX channels, and two STEREO channels. The PM5D

can be used in a wide range of applications. You can assign

desired channels to be controlled by the eight DCA faders

on the panel, and use them as group faders.

❏ PM5D model and PM5D-RH model

In addition to the standard PM5D model that provides

manual control of the head amp for each input, the

PM5D-RH model is also available, providing programma-

ble control of head amp input sensitivity and phantom

power settings. You can choose the model appropriate for

your situation and budget.

❏ Cutting-edge user interface

For the input channels and STEREO A/B channels, dedi-

cated channel strips are provided where you can operate

the fader, pan, cue, and on/off controls. For MIX channels

and MATRIX channels, encoders allow you to control the

send level and master level. The PM5D allows quick and

intuitive operation just as on an analog mixer. In addition,

you can use the SELECTED CHANNEL section to manu-

ally control the principal parameters (delay, EQ, gate,

compressor) of the desired channel.

❏ Eight effect modules / Twelve graphic

EQ modules

Eight high-quality multi-effect modules are built in. Effects

such as reverb, delay, multiband compressor, and various

modulation effects can be routed via internal buses or

inserted into the desired channel. 31-band graphic EQ

(alternatively, 8-band parametric EQ) can also be inserted

into any channel or any output.

❏ Add-On effects provided as standard

As effect types, the channel strip package (COMP276/276S,

COMP260/260S, EQ601), master strip package (OPEN

DECK), and reverb package (REV-X) are provided as

standard.

❏ Scene memories and libraries

Mix parameters and internal effect settings can be stored in

memory as up to 500 scenes for immediate recall. Effects,

input/output patching, input channel/output channel set-

tings, internal head amp (PM5D-RH model only) or

external head amp settings can be stored in various librar-

ies, independently of scenes.

❏ Digital cascade connection

Up to four PM5D units, or one PM5D and one Yamaha

DM2000/02R96 unit, can be cascade-connected to share

buses in the digital domain. In particular when PM5D

units are cascaded together, operations such as scene sav-

ing and recall can also be linked. DME64N can also be used

as inserts or as extended signal processors via a cascade

connection.

❏ Surround panning

Surround pan functionality allows multi-channel playback

systems to be used, letting you place the signal of an input

channel in two-dimensional space, or move the sound

image forward/backward and left/right. 3-1ch, 5.1ch, and

6.1ch surround modes are available.

❏ I/O card expansion

The rear panel provides four slots in which separately sold

mini-YGDAI cards can be installed. AD cards, DA cards, or

digital I/O cards can be installed in these slots to add inputs

and outputs.

❏ Expansion via the DSP5D

A maximum of two DSP5D digital mixing systems can be

cascade-connected to a PM5D to expand the inputs and

outputs. You can also connect a Yamaha DCU5D digital

cabling unit between the PM5D and DSP5D, and locate the

DSP5D remotely.

1 Introduction

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 11

1

Introduction

Differences between the PM5D model and the PM5D-RH

model

The PM5D is available as the standard PM5D model or as the PM5D-RH model which allows internal head amp settings to be

programmed. These models differ as follows.

❏ PM5D model

• Head amp adjustments (input sensitivity settings,

phantom power (+48V) on/off) for the analog inputs

(INPUT jacks 1–48, ST IN jacks 1–4) are performed

manually, using the controls of the top panel.

• Insert jacks (INSERT IN/OUT jacks) for the monaural

analog inputs (INPUT jacks 1–48) are provided on the

rear panel, allowing external effect processors to be

inserted in the analog domain.

• ST IN jacks 1–4 are only for line level.

• There is no +48V MASTER switch.

❏ PM5D-RH model

• Head amp adjustments (input sensitivity settings,

phantom power (+48V) on/off) for the analog inputs

are controlled from within the screen via software. For

this reason, the top panel does not have head amp con-

trols; instead, LEDs showing the presence or absence of

a signal are provided. Head amp settings can be saved

in a library and recalled at any time.

• Insert jacks for the analog inputs are not provided.

• ST IN jacks 1–4 support mic levels through line levels.

Phantom power can also be supplied to ST IN jacks 1–

4.

• The +48V MASTER switch turns all phantom power

(+48V) on/off.

INPUT jacks 1–48ST IN jacks 1–4

INSERT IN/OUT jacks 1–48

INPUT jacks 1–48

ST IN jacks 1–4

1 Introduction

12 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section

The PM5D provides the following input channels and out-

put channels.

❏ Input channels

This section processes input signals and sends them to the

STEREO bus or MIX buses. There are three types of input

channel, as follows.

• Input channels 1–48

These channels are used to process monaural signals.

By default, the input signals from the monaural analog

input jacks (INPUT jacks 1–48) are assigned to these

channels.

• ST IN channels 1–4

These channels are used to process stereo signals. By

default, the input signals from the stereo analog input

jacks (ST IN jacks 1–4) are assigned to these channels.

• FX RTN channels 1–4

These channels are used mainly to process the return

signals (stereo) from the internal effects. By default, the

left/right output channels of internal effects 1 through

4 are assigned to these channels.

Hint

Signal assignments to the input channels can be changed as

desired.

❏ Output channels

This section mixes the signals sent from input channels

etc., and sends them to the corresponding output jacks or

output buses. There are three types of output channel, as

follows.

• MIX channels 1–24

These channels process signals sent from input chan-

nels to MIX buses. In the initial state, output signals are

assigned to MIX OUT jacks 1–24. These channels are

used mainly for foldback or as sends to external effects.

The signals of MIX channels 1–24 can also be sent to

the STEREO bus or MATRIX buses.

• MATRIX channels 1–8

These process the signals sent from MIX channels or

STEREO A/B channels to MATRIX buses, and output

them from the MATRIX OUT jacks. This allows MIX

channels or STEREO A/B channels to be mixed at the

desired balance for output.

• STEREO A/B channels

These process the signals sent from input channels or

MIX channels, and output them to STEREO OUT

jacks A/B. These channels are used as the main stereo

outputs. Normally, the same signal is sent from the

STEREO A and B channels. However, it is also possible

to use the STEREO B channel as the center channel for

three-channel L/C/R playback.

About the DSP5D

The DSP5D is a digital signal processing (DSP) system

expanding the inputs and outputs of the PM5D.

• Its audio processing capability is equivalent to that of

the PM5D-RH. As analog audio input/output jacks, it

provides INPUT jacks 1–48, ST IN jacks 1–4, and

OMNI OUT jacks 1–24.

• Up to two DSP5D units can be cascade-connected to

one PM5D. By connecting it with DSP5D units, the

PM5D system can be expanded to a maximum of 168

channels of input (144 channels + 12 ST).

• By switching the control target on the PM5D, the

DSP5D can be seamlessly controlled in the same way as

the PM5D itself.

• You can use DSP5D Editor application software to

remotely control and edit the parameters of the

DSP5D. Only Windows computers are supported.

• The DSP5D can be connected to a Yamaha DCU5D

digital cabling unit and placed on stage, and operated

remotely from the PM5D.

• The front panel provides two slots in which you can

install separately sold mini-YGDAI cards to add inputs

and outputs in a variety of digital formats.

❏ Connectors and interfaces not found on

the DSP5D

• INSERT IN/OUT jacks, MIX OUT jacks, LAMP jacks,

MONITOR OUT jacks, CUE OUT jacks, STEREO

OUT A/B jacks, MATRIX OUT jacks, 2TR IN ANA-

LOG jacks, TIME CODE INPUT jack, USB TO HOST

connector, GPI connector, RS422 REMOTE connec-

tor, HA REMOTE connector, MIDI IN/THRU/OUT

connectors, 2TR OUT DIGITAL jack, 2TR IN DIGI-

TAL jack, SLOT 3–4, MEMORY CARD slot, MOUSE

connector, KEYBOARD connector, PHONES jack

• Controllers such as faders, display devices such as

meters. LCD display, +48V MASTER switch (PM5D-

RH), 75Ω ON/OFF switch

❏ Connectors and interfaces found only

the DSP5D

• OMNI OUT jacks, CASCADE IN/OUT RJ-45 connec-

tors, NETWORK connector, AC IN connector

• POWER switch, mode switch, FAN switch

About the connectors: Since the DSP5D does not have

the functionality for the connectors with which DSP5D

is not equipped, these functions and connectors are not

shown in the screen of the PM5D or DSP5D Editor.

About the channel structure of the

PM5D

Differences with the PM5D

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 13

1

Introduction

About the interface: Since the DSP5D does not have

controllers such as faders or the LCD display, it is oper-

ated from the PM5D or DSP5D Editor.

Note

• The explanations in chapter 5 and following of this Owner’s

Manual are based on the functionality and operating proce-

dures of the PM5D. Supplementary explanations regarding

the DSP5D are added only in cases where there is a signifi-

cant difference in functionality or operating procedure.

However, in cases where it is obvious that the above-

described differences would make clear differences in oper-

ation or in the on-screen display, explanations for the

DSP5D will be omitted.

• There are some differences between the PM5D and DSP5D

in the I/O cards that are supported. For the most recent

information regarding I/O cards, refer to the following

Yamaha website.

http://www.yamahaproaudio.com/

❏ Connection to a computer

The PM5D can be connected to a computer via a USB

cable from its USB TO HOST connector, but the DSP5D

can be connected to a computer via an Ethernet CAT5

cable from its NETWORK connector.

By bi-directionally cascade-connecting the PM5D and

DSP5D, you can share MIX buses 1–24, STEREO A/B

buses, and CUE buses.

For details on cascade connections, refer to p.153.

Note

• Cascade connection with the DSP5D is possible only for

PM5D V2.0 or later. If you’re using earlier version than V2.0,

you will need to upgrade to PM5D V2.0 or later. You can

download the most recent firmware from the following

Yamaha website.

http://www.yamahaproaudio.com/

• Connectors and interfaces not found on the DSP5D cannot

be controlled from the PM5D. For example, the MONITOR

[LEVEL] and MONITOR [PHONES] knobs found on the

PM5D’s top panel are always operated at the level of the

PM5D.

❏ Controlling the DSP5D

• As the target of control from the PM5D’s panel and

screen, you can recall machine #1 (PM5D), machine #2

(first DSP5D), or machine #3 (second DSP5D) as

desired. For details on operation, refer to p.153.

• Functions assigned to the user-defined keys or the

FADER MODE section can be used to select the

DSP5D as the target machine to be operated (➥ p.148,

149). Operations can be performed from the panel of

the PM5D itself or from DSP5D Editor connected to

the DSP5D.

❏ Operation when cascade-connected

• Output channels

In general, operations for the output channels of cas-

cade-connected buses will be linked between machines.

(You can also specify that they not be linked.) This

means that you can operate the system as if it were a

single console with an expanded number of inputs.

However, since the inserts to output channels will also

be duplicated, inserted GEQ modules and effects may

also be consumed in duplicate or triplicate. (Separate

GEQ modules or effects are inserted into the linked

buses on each machine.)

• Scene memories and libraries

Scene memory and library data is stored on each

machine. When a scene or a library associated with a

scene is stored or recalled, the same scene/library num-

ber will be stored/recalled on all machines. When the

cascade-connection becomes active, the PM5D’s

library data not associated with a scene will be sent to

each DSP5D to synchronize the libraries. The data on

cascade-connected machines can also be saved together

to a memory card.

• Effects

The DSP5D provides GEQ modules and effects that are

equivalent to those on the PM5D, but since the con-

nections between machines are bus cascade

connections, inserts into input channels are limited to

being within each machine.

• DCA groups / Mute groups

These will operate in tandem for cascade-connected

PM5D/DSP5D machines. (➥ p.156)

• CH JOB function

Channel copy operations between the PM5D/DSP5D

can be performed from the PM5D front panel. How-

ever, channels can be moved using the INPUT VIEW

function only within each machine. (➥ p.274, 314)

About PM5D Editor and DSP5D Editor

These programs are application software for operating the

PM5D/DSP5D’s functionality from a computer. You can

use this software to remotely control and edit the parame-

ters of the PM5D/DSP5D.

The USB-MIDI driver (for the PM5D) or DME-N Net-

work driver (for the DSP5D) required for connection with

a computer, as well as the PM5D/DSP5D editor, can be

downloaded from the following Yamaha website.

http://www.yamahaproaudio.com/

Note

DSP5D Editor supports only Windows computers.

Regarding cascade connections

between the PM5D and DSP5D

1 Introduction

14 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section

Firmware versions

You can download the most recent firmware from the following Yamaha website.

http://www.yamahaproaudio.com/

For either the PM5D or the DSP5D, you can check the firmware version in the UTILITY function PREFERENCE 2 screen

(➥ p.207).

Major new functionality in PM5D ﬁrmware V2.0

The major new functionality and improvements that were added in conjunction with the upgrade to firmware V2.0 are as

follows.

❏ Basic functionality and panel operations

• You can now control the DSP5D from the PM5D’s

panel. (➥ p.153)

• On/off operations of the channel selected in the

FADER MODE section can now be operated from the

DCA [MUTE] key.

• Even if the FADER [FLIP] key is on, you can now use

the encoders to control the panning of the signal sent

to the MIX buses, the head amp gain, or the attenua-

tors. (➥ p.49)

• If there is no vacant library number when you store the

selected scene as NEW, it will now be impossible to

save the scene; this prevents an existing library item

from being overwritten.

• Remote control of the DME64N/24N (firmware V2.0

and later) is now faster. In particular, operation is

faster when connected via an MY16-C or MY16-CII

card (supported from V1.2).

• As parameters that can be operated in the screen,

MONITOR LEVEL and CUE LEVEL have been added.

You can now assign these to the faders of the DCA strip

so that the monitor or cue levels can be adjusted.

(➥ p.149)

❏ EFFECT functions

• Add-On Effects (COMP276/276S, COMP260/260S,

EQ601, OPEN DECK) and DE-ESSER have been

added.

•A DSP CONFIGURATION option has been added to

the EFFECT ASSIGN screen and to the GEQ function

GEQ ASSIGN screen, allowing internal effects 1–8 to

be used as graphic EQ or parametric EQ.

(➥ p.168, 173)

• When the panel [SEL] key is pressed in the EFFECT

PARAM screen, or when a [SEL] key is turned on via a

linking setting, the effect module inserted in that chan-

nel will automatically be selected.

• If you’ve used the tap tempo function to specify the

tempo in the EFFECT PARAM screen and then edited

the DELAY parameter, the tempo will now stay

unchanged.

❏ GEQ functions

• Options have been added to the GEQ PARAM screen,

allowing you to switch a graphic EQ to a parametric

EQ. (➥ p.170)

• Not only when the panel [SEL] key is pressed in the

GEQ PARAM screen but also when a [SEL] key is

turned on via a linking setting, the GEQ module

inserted in that channel will automatically be selected.

• When you insert a GEQ in the GEQ PARAM screen,

insert-in will automatically be turned on for that chan-

nel, and will be automatically turned off when you

remove the GEQ.

❏ SCENE functions

• In the SCENE screen, you can now specify “read-only”

scenes that will not be overwritten when you load

scenes from a memory card. (➥ p.175)

• In the SCENE screen, a DELAY field has been added,

allowing you to specify the timing of the program

change or MIDI events that are transmitted when the

scene is recalled. (➥ p.175)

• In the SELECTIVE RECALL screen and the RECALL

SAFE screen, the ON parameter has been added as a

channel parameter that can be included in or excluded

from recall operations. (➥ p.180, 182)

• In the SELECTIVE RECALL screen and RECALL SAFE

screen, separately from the conventional Recall Safe

functionality, an OUTPUT ISOLATION field has been

added, so that output channels and parameters to be

excluded from recall operations can be stored in

SETUP memory (which is not affected by memory

card load operations). (➥ p.180, 182)

❏ SYS/W.CLOCK functions

• In the MIXER SETUP screen, a VIRTUAL SOUND-

CHECK button has been added, allowing you to

temporarily switch the input signals without affecting

the scene memory (input patching). For example, this

allows you to perform a sound check using pre-

recorded material played back by a DAW connected to

a slot, instead of the analog input material received via

the INPUT jacks. (➥ p.221)

• In the OUTPUT ATT PORT screen, a ø (phase) but-

ton has been added, allowing you to switch the phase

between normal and reverse for each output channel or

I/O channel output port.

❏ UTILITY functions

• In the PREFERENCE 1 screen, a DCA MUTE TAR-

GET option has been added, allowing you to specify

that the DCA [MUTE] key will mute the send to the

MIX bus. (➥ p.205)

• In the PREFERENCE 1 screen, an ATT OPERATION

ON PANEL option has been added, allowing you to

prevent the panel encoders from operating the attenua-

tors. (➥ p.206)

• In the PREFERENCE 1 screen, a MIX SEL/ENCODER

MODE LINK option has been added, allowing you to

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 15

1

Introduction

link selection of MIX channels with selection of MIX

SEND SELECT keys. (➥ p.206)

• In the USER DEFINE screen, functions such as DSP5D

CONTROL and ENCODER MODE KEY have been

added to the functions that can be assigned to user-

defined keys. (➥ p.208)

• In the FADER ASSIGN screen, options have been

added, allowing you to use the STEREO/DCA strip sec-

tion to control the monitor/cue level and on/off status.

(➥ p.217)

• In the FADER ASSIGN screen, you can now assign the

desired channels of the DSP5D as well. (➥ p.217)

• In the SECURITY screen, a LOAD LOCK function has

been added, allowing you to disable loading for each

type of file. (➥ p.218)

• In the SECURITY screen, a RECALL LOCK option has

been added, allowing you to lock parameters so that

they will not be changed when a scene or library is

recalled. (➥ p.218)

❏ Input/output functions

• In the OUTPUT PATCH function OUTPUT PATCH

screen, you can now change the patching of output

channels to MIX OUT jacks 1–24. (➥ p.243)

• In the OUTPUT PATCH function INSERT POINT

screen and the INPUT PATCH function INSERT/

DIRECT OUT POINT screen, a SET ALL button and

CLEAR ALL button have been added, allowing you to

turn all channels on/off in a single operation.

(➥ p.246, 281)

• In the OUTPUT PATCH function, a NAME screen has

been added, allowing you to assign names to output

channels for display in various screens (supported from

V1.2). (➥ p.247)

• In the INPUT VIEW function CH JOB screen, channel

settings can now be moved as well as copied. (➥ p.314)

• In the INPUT PATCH function INSERT/DIRECT

OUT POINT screen, PRE ATT has been added as a

direct output transmit location. (➥ p.282)

• In the PAN/ROUTING function MIX SEND VIEW

screen, the send position (PRE/POST) of the signal

sent to the MIX bus is now indicated by the color of the

bar graph. (➥ p.306)

• You can now set a Q of up to 16 for the parametric EQ

in the input channels, output channels, and GEQ

modules.

• You can now set a threshold level of down to –72 dB

for an input channel GATE.

Regarding word clock synchronization

The signal used to synchronize digital audio signal process-

ing is called “word clock.” Normally, one device transmits

a reference word clock signal, and the other devices receive

this word clock signal and synchronize to it.

In order to transmit or receive digital audio signals to or

from an external device via the PM5D/DSP5D’s digital

input/output jacks or via a digital I/O card installed in a

slot, the word clock must be synchronized between the

devices. Be aware that if the word clock is not synchro-

nized, the signals will not be transmitted correctly, and

unpleasant noise will occur.

Hint

• For details on synchronizing the word clock of the PM5D/

DSP5D and external devices, refer to the explanation of

word clock in Operating section “Chapter 4. Connections

and setup” (

➥

p.38), and to the Reference Section “WORD

CLOCK screen” (

➥

p.219).

• As an exception, digital signals that are not synchronized

with the PM5D/DSP5D can be input via a digital I/O card

that contains a sampling rate converter, or via the 2TR IN/

OUT DIGITAL jacks.

How this manual is organized

This owner’s manual is divided into the following three

sections.

❏ Operating section

This section explains the items on the front and rear pan-

els, connections and setup, and how to operate the PM5D’s

basic functionality. In particular if you have not operated a

digital console before, we recommend that you read chap-

ters 2 through 7 first.

❏ Reference section

This section explains the functionality and operation for all

of the PM5D’s screens. Refer to this section when you want

to learn about the items in the screens.

❏ Appendices

This contains various information such as library lists,

parameter lists for the internal effects, the MIDI data for-

mat, and lists of warning messages and error messages.

In this manual, non-locking panel switches that you press

are called “keys,” and those that change their on/off status

when you push them in (locking types) are called

“switches.” Of the control knobs on the panel, those that

turn from a minimum value to a maximum value are

called “knobs,” while those that turn endlessly are called

“encoders.”

Controls located on the panel are enclosed in square brack-

ets [ ] (e.g., [CUE] key, [PAD] switch) in order to

distinguish them from the buttons and knobs displayed in

the screen. For some controls, the section name is listed

before the [ ] (e.g., CH [ON] key, EQ [FREQUENCY]

encoder).

Unless otherwise specified, references to the PM5D apply

to both the PM5D model and the PM5D-RH model. If

specifications differ between the PM5D model and the

PM5D-RH model, such differences will be noted each time

they occur.

Conventions in this manual

2 Top, front, and rear panels

16 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section

This chapter explains the names and functions of each part of the PM5D/DSP5D. Details for each

section of the top panel are explained in subsequent chapters of this operating section; refer to the

appropriate chapter for more information.

Top panel

A AD IN section (PM5D model)

In this section you can adjust the sensitivity of the ana-

log signals being input from the rear panel INPUT

jacks 1–48 and ST IN jacks 1–4, and switch pad, insert,

and phantom power (+48 V) on/off (➥ p.43).

B AD IN section (PM5D-RH model)

This area indicates the presence, peak level, and phan-

tom power (+48V) on/off status of the input signal

from rear panel INPUT jacks 1–48 and ST IN jacks 1–

4.

Hint

For the PM5D-RH model, input sensitivity and phantom power

on/off are controlled by operations in the display (

➥

p.44).

C INPUT channel strip section

This section controls the principal parameters for input

channels 1–48 (➥ p.45).

D FADER FLIP/ENCODER MODE section

Here you can select the parameters controlled by the

faders/encoders of the INPUT channel strip (

3)

(➥ p.48).

E MIX section

This section controls the on/off status and send level of

the signals sent from input channels to MIX buses, and

adjusts the master level of the MIX channels (➥ p.57).

F MATRIX section

This section controls the send level of the signals sent

from MIX channels to MATRIX buses, and adjusts the

master level of the MATRIX channels (➥ p.63).

G SELECTED CHANNEL section

In this section you can view and control the mix

parameters for the currently selected input channel or

output channel (➥ p.65).

H Meter section

This section contains peak level meters that indicate

the input levels of input channels and the output levels

of output channels and cue monitoring, as selected by

key operations (➥ p.108).

2 Top, front, and rear panels

1

(PM5D model)

2

(PM5D-RH model)

4 5

3

6 8

7

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 17

2

Top, front, and rear panels

I Display

This display shows the information you need to oper-

ate the PM5D, and lets you make system-wide settings

and control mix parameters for input and output

channels (➥ p.23).

Hint

You can adjust the angle of the display by moving the upper

part of the display frame forward or backward.

Note

Before moving the PM5D, you must lower the display all the

way back until it is fastened in place.

J FADER MODE section

Here you can select the combination of channels or

DCA groups that will be controlled by the faders of the

DCA strip section (

K) (➥ p.149).

K DCA strip section

From this section you can control the channels

assigned to DCA groups 1–8 (➥ p.81).

L ST IN/FX RTN (Stereo in / Effect return)

channel strip section

This section controls the principal parameters of ST IN

channels 1–4 or FX RTN channels 1–4 (➥ p.47).

M STEREO strip section

This section controls the principal parameters of the

STEREO A/B channels (➥ p.61).

N SCENE MEMORY section

This section stores/recalls mix parameters as scene

memories (➥ p.88). Mute operations for mute groups

1–8 are also performed in this section (➥ p.83).

O CUE/MONITOR section

This section selects the monitor source that is output

from the MONITOR OUT jacks, and adjusts the lev-

els. This section also determines the cue point and

monitoring method that will be used when you press a

[CUE] key for a channel (➥ p.99).

P OSCILLATOR/TALKBACK section

This section switches the oscillator or talkback on/off,

and adjusts the talkback level (➥ p.105).

Q DISPLAY ACCESS section

This section selects the functions or screen shown in

the display (➥ p.24).

R USER DEFINED KEYS sections

This section executes the functions that have been

assigned to the User Defined keys [1]–[25] (➥ p.148).

S Data entry section

This section lets you move the pointer (the arrow dis-

played in the screen) or cursor (the red frame

indicating a selection) in the display and edit the

parameter value (➥ p.24).

T ASSIGN MODE section

This section lets you assign mute groups and DCA

groups for control from the panel (➥ p.81).

R

9

Q

R

ST

N O P

8

J

K M L

2 Top, front, and rear panels

18 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section

Rear panel

A INPUT jacks 1–48 (PM5D model)

These are balanced XLR-3-31 type input jacks for

inputting analog audio signals from line level devices

or microphones. Nominal input level is

–60 dBu to +10 dBu.

B INSERT IN/OUT jacks 1–48 (PM5D model

only)

These are balanced TRS phone type input/output jacks

for inserting external effects or dynamics processors

etc. into INPUT jacks 1–48. Nominal input/output

level is +4 dBu.

C ST IN (Stereo input) jacks 1–4 (PM5D

model)

These are balanced XLR-3-31 type input jacks for

inputting analog audio signals from line level devices.

Nominal input level is –34 dBu to +10 dBu.

D +48V MASTER switch (PM5D-RH model

only)

This is the master phantom power (+48V) switch for

INPUT jacks 1–48 and ST IN jacks 1–4. If this switch is

off, the +48V buttons shown in the display are

unavailable.

E INPUT jacks 1–48 (PM5D-RH model)

These are balanced XLR-3-31 type input jacks for

inputting analog audio signals from line level devices

or microphones. Nominal input level is

–62 dBu to +10 dBu.

F ST IN (Stereo input) jacks 1–4 (PM5D-RH

model)

These are balanced XLR-3-31 type input jacks for

inputting analog audio signals from line level devices

or microphones. Nominal input level is

–62 dBu to +10 dBu.

3 1

2

(PM5D model)

Male XLR plug

1 (ground)

2 (hot)

3 (cold)

1/4" TRS

phone plug

Tip (hot)

Ring (cold)

Sleeve (ground)

Male XLR plug

1 (ground)

2 (hot)

3 (cold)

46

5

(PM5D-RH model)

Male XLR plug

1 (ground)

2 (hot)

3 (cold)

Male XLR plug

1 (ground)

2 (hot)

3 (cold)

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section 19

2

Top, front, and rear panels

G MIX OUT jacks

These are XLR-3-32 (balanced) jacks that output ana-

log signals such as those that are patched from MIX

channels 1–24. Nominal output level is +4 dBu.

H LAMP connector

This is a four-pin female XLR output jack for supply-

ing power to a gooseneck lamp. (These jacks are

provided at three locations). The location of these jacks

differs between the PM5D model and the PM5D-RH

model.

I MONITOR OUT jacks

These are XLR-3-32 (balanced) jacks that output the

monitor signal selected in the MONITOR section of

the top panel. Nominal output level is +4 dBu.

Note

Although the various output jacks and 2TR IN ANALOG jacks

have a nominal input/output level of +4 dBu (maximum level is

+24 dBu), an internal switch allows this to be changed to

–2 dBu (maximum level +18 dBu) if necessary. For details,

contact your Yamaha dealer.

J CUE OUT jacks

These are XLR-3-32 (balanced) jacks that output the

cue monitor signal from the channel selected by its

[CUE] key. Nominal output level is +4 dBu.

K STEREO OUT A/B jacks

These are XLR-3-32 (balanced) jacks that output the

analog signals of the STEREO A/B channels. Nominal

output level is +4 dBu.

L MATRIX OUT jacks

These are XLR-3-32 (balanced) jacks that output the

analog signals of MATRIX channels 1–8. Nominal out-

put level is +4 dBu.

M DC POWER INPUT connector

This is a connector for connecting the PW800W power

supply. Use the dedicated cable included with the

PM5D to make the connection.

N 2TR IN ANALOG jacks 1/2

These are XLR-3-31 (balanced) jacks that input stereo

analog signals from an external source. Nominal input

level is +4 dBu.

O TIME CODE INPUT jack

This is an XLR-3-31 (balanced) jack that receives

SMPTE time code (LTC) from an external source.

P TO HOST connector

This is a USB (type B) connector that allows communi-

cation with a computer.

Note

PM5D Editor and the USB-MIDI driver required for connection

with your computer can be downloaded from the Yamaha

website listed below.

http://www.yamahaproaudio.com/

7

8

Female XLR plug

2 (hot)

1 (ground)

3 (cold)

C

RLRL

87654321

MJ9KL

Female XLR plug

2 (hot)

1 (ground)

3 (cold)

Female XLR plug

2 (hot)

1 (ground)

3 (cold)

Female XLR plug

2 (hot)

1 (ground)

3 (cold)

Female XLR plug

2 (hot)

1 (ground)

3 (cold)

IN

R

L

R

L

SMPTE

USB

OUT IN

75

ON OFF

21

COAXIAL COAXIALAES/EBU AES/EBU AES/EBU AES/EBU

3

21

3

THRU OUT IN

N X YVUT

Q R S Z aWPO

Male XLR plug

1 (ground)

2 (hot)

3 (cold)

Male XLR plug

1 (ground)

2 (hot)

3 (cold)

2 Top, front, and rear panels

20 PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Operating section

Q GPI connector

This is a D-sub 25-pin female connector that allows

communication with a GPI-equipped external device.

R RS422 REMOTE connector

This is a D-sub 9-pin female connector for remotely

controlling an external device that supports the RS422

protocol.

S HA REMOTE connector

This is a D-sub 9-pin male connector for remotely con-

trolling an external head amp device (e.g., Yamaha

AD8HR or AD824) that supports a special protocol.

T WORD CLOCK IN connector

This is a BNC connector for supplying a word clock

from an external device to the PM5D.

U 75Ω ON/OFF switch

This switch terminates the word clock connection.

Normally you will leave this ON. If a device made by

another manufacturer is connected and word clock

cannot be received correctly, try turning this OFF.

V WORD CLOCK OUT connector

This is a BNC connector for supplying a word clock

from the PM5D to an external device.

W MIDI IN/THRU/OUT connectors

These connectors are used to transmit and receive

MIDI messages to and from external MIDI devices.

The MIDI IN connector receives messages from an

external device, and the MIDI OUT connector trans-

mits messages from the PM5D. Messages received at

the MIDI IN connector are retransmitted without

change from the MIDI THRU connector.

X 2TR OUT DIGITAL (2 track out digital) jacks

1–3

These jacks digitally output the signals of the STEREO

A/B channels. Two types are provided; AES/EBU

(XLR-3-32) jacks (1/2) which output AES/EBU format

signals, and a COAXIAL (RCA phono) jack (3) which

outputs consumer format signals (IEC60958).

Y 2TR IN DIGITAL (2 track in digital) jacks 1–3

These jacks input digital audio from external devices

such as CD players. Two types are provided; AES/EBU

(XLR-3-31) jacks (1/2) which receive AES/EBU format

signals, and a COAXIAL (RCA phono) jack (3) which

receives consumer format signals (IEC60958).

Z CASCADE OUT connector

This is a D-sub half-pitch 68-pin female connector that

can be connected to another PM5D, DSP5D, DCU5D

or DME64N for transmission/reception of control sig-

nals and transmission of audio signals.

a CASCADE IN connector

This is a D-sub half-pitch 68-pin female connector that

can be connected to another PM5D, DSP5D or

DCU5D for transmission/reception of control signals

and reception of audio signals.

b Cooling fan vent

This is the vent for the cooling fans inside the console

(two locations). When placing the unit, take care that

this vent is not obstructed.

c SLOT 1–4

These slots allow separately sold mini-YGDAI I/O

cards to be installed to expand the input/output ports.

Front panel

A MEMORY CARD slot

A memory card inserted in this slot can be used to

save/load scene memories or library data. You can use

PCMCIA Type II flash ATA cards, or CompactFlash

cards inserted into a PC card adaptor.

B MOUSE connector

A PS/2 mouse can be connected to this connector and

used to perform operations in the display.

C KEYBOARD connector

A PS/2 keyboard can be connected to this connector

and used to input text or perform operations in the

display.

D PHONES (Headphone) jack

This headphone jack lets you monitor the MONITOR

OUT or CUE signals.

cb

PHONES

KEYBOARD

MOUSE

MEMORY CARD

PHONES

KEYBOARD

MOUSE

MEMORY CARD

12

43

56

12

43

56

1 2 3 4

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