Yamaha MMP1 Manual de utilizare

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Operation Manual

EN

MMP1 Operation Manual 2

1. Contents

2. Overview ...........................................................................................3

2-1. MMP1 Editor (for Windows/for Mac) ........................................................... 4

2-2. MMP1 Controller (for iPad).......................................................................... 4

3. Setting Up .........................................................................................5

3-1. Open the application ................................................................................... 5

3-2. Log in (MMP1 Editor only)........................................................................... 5

3-3. Select an MMP1 .......................................................................................... 5

3-4. Configure basic settings .............................................................................. 6

4. Screens .............................................................................................7

4-1. MMP1 Editor................................................................................................ 7

4-1-1. Menu bar .....................................................................................................7

4-1-2. Main screen.................................................................................................8

4-1-3. Sub screen ................................................................................................15

4-1-4. Monitor Matrix screen................................................................................18

4-1-5. Speaker Matrix screen ..............................................................................20

4-1-6. Speaker Management screen ...................................................................22

4-1-7. Patch screen .............................................................................................24

4-1-8. Settings screen..........................................................................................27

4-1-9. Information screen.....................................................................................41

4-2. MMP1 Controller ....................................................................................... 43

4-2-1. Menu bar ...................................................................................................43

4-2-2. Control view...............................................................................................43

4-2-3. Editor view - Main Monitor screen .............................................................46

4-2-4. Editor view - Ch Strip screen.....................................................................48

4-2-5. Editor view - Preference screen ................................................................51

4-2-6. Information screen.....................................................................................52

5. Configuring System Settings........................................................53

5-1. Basic settings example.............................................................................. 53

5-2. Bass Management .................................................................................... 60

5-3. Lip Sync Delay .......................................................................................... 61

5-4. Commentary functions .............................................................................. 62

6. Appendix.........................................................................................65

6-1. Error messages ......................................................................................... 65

6-2. MMP1 Editor keyboard shortcuts .............................................................. 66

7. Index................................................................................................67

Information

• The illustrations and screens as shown in this manual are for instructional purposes only.

• Yamaha Corporation makes no representations or warranties with regard to the use of the software and

documentation and cannot be held responsible for the results of the use of this manual and the software.

• Windows is a registered trademark of Microsoft® Corporation in the United States and other countries.

• Mac and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.

• The company names and product names in this manual are the trademarks or registered trademarks of

their respective companies.

• Software may be revised and updated without prior notice.

2. Overview

MMP1 Operation Manual 3

2. Overview

The MMP1 has three main functions.

Channel strip function

Allows for the use of up to eight channel strips, each equipped with HPF, LPF, EQ, compressor, insert send/return and

other functions. This can be used to input the signal from the microphone preamp to which the recording microphone is

connected and adjust sound quality when recording to produce a low-latency cue mix. The microphone on each

channel strip can also be turned on or off using a GPI, an iPad, or other similar device (see “5-4. Commentary

functions”).

Monitor processing function (max. 40x36 matrix)

This is used to select a Monitor Source, mix Monitor Sources, adjust levels, and control lip sync delay and cue mix

Talkback. You can also mix the output from channel strip () and the cue audio sent from the DAW to produce a low-

latency cue mix.

Speaker Management function (max. 32x32 matrix)

This adjusts monitor signals. The matrix input stage comes with a bass management crossover filter to allow for

unrestricted bass management not constrained by conventional 5.1 channel and 7.1 channel setups. This ensures

compatibility should new surround sound formats be introduced in the future.

The output stage comes equipped with 6-band EQ, delay and level adjustment trim controls, and can be used while

switching the output Speaker Set.

The following two applications can be used to operate the MMP1.

• MMP1 Editor (for Windows/for Mac)

• MMP1 Controller (for iPad)

FIR

IIR

Bass Management

Filter (32)

Monitor

Alignment

Process (32)

DAW

Mic Pre-amp

Surround

Speakers

Speaker

Processor

Headphone

(player)

Headphone

(engineer)

DAW

Outboard

(EQ, Compressor, etc.)

Output Patch

input Patch

Insert

Return

Insert Send

Channel

Strip (8)

Speaker Matrix

(32x32 Matrix Mixer)

Monitor Matrix

(40x36 Matrix Mixer)

Trim

Delay

EQ (6)

Speaker

Out

Monitor

Out

Cue Out

Headphone

Out

Channel Out

2. Overview

MMP1 Operation Manual 4

2-1. MMP1 Editor (for Windows/for Mac)

Connect the MMP1 Editor to the MMP1 on your network (one unit) to control all MMP1 functions.

2-2. MMP1 Controller (for iPad)

Connect the MMP1 Controller to the MMP1 on your network (one unit) for convenience and ease in controlling certain MMP1

functions.

NOTE

Before using the MMP1 Controller, you will need to make initial settings to your MMP1 using the MMP1 Editor.

MMP1

MMP1MMP1

MMP1

Editor

Network switch

Computer

MMP1

MMP1MMP1

iPad

Network switch

Wi-Fi access point

3. Setting Up

MMP1 Operation Manual 5

3. Setting Up

3-1. Open the application

3-1-1. MMP1 Editor

Click or double click the MMP1 icon.

3-1-2. MMP1 Controller

Tap the MMP1 Controller icon.

3-2. Log in (MMP1 Editor only)

3-3. Select an MMP1

3-3-1. MMP1 Editor

Select an MMP1 on the “Select MMP1” dialog box.

NOTE

You can also display the “Select MMP1” dialog box from the

menu bar to change the desired MMP1 for operation at any time.

User Type

You can restrict the MMP1 Editor operations

according to their User Type. The following

three User Types are available.

Administrator

Allows unrestricted access to all screens

and functions.

Advanced User

Allows access to almost all functions

besides settings (Settings screen).

Basic User

Allows access only to the Main screen and

the Information screen.

Password

Enter your password to log in as an

“Administrator” or “Advanced User.”

NOTE

• “Administrator” and “Advanced User”

passwords can be set on the “Editor” tab

of the Settings screen.

• Passwords are left blank by default when

unset.

Online

Opens the “Select MMP1” dialog box for

selecting desired MMP1.

Offline

Edits the MMP1 Editor offline without

connection to or control of the MMP1.

Exit

Closes the MMP1 Editor.

NIC

Select the network interface card

connected to the MMP1 to operate.

Device

Select the MMP1 to operate. Click the

asterisk (*) in the Identify column so that the

indicator on the front panel of the

corresponding MMP1 flashes on and off.

OFFLINE

Disconnects from the MMP1 and closes the

“Select MMP1” dialog box.

CONNECT

(Editor  MMP1)

Connects to the MMP1 selected in the

Device field and sends MMP1 Editor

settings to the MMP1. The “Select MMP1”

dialog box will close after settings are sent.

NOTE

You must enter the Passcode for the MMP1

when connecting to an MMP1 with a

Passcode set. You can set Passcodes on

the Information screen when logged in as

an Administrator. Entering a passcode is

not necessary when connecting to the

same MMP1 as that used previously.

CONNECT

(MMP1  Editor)

Connects to the MMP1 selected in the

Device field and loads MMP1 settings into

the MMP1 Editor. The “Select MMP1” dialog

box will close after settings are retrieved.

NOTE

You must enter the Passcode for the MMP1

when connecting to an MMP1 with a

Passcode set.

You can set Passcodes on the Information

screen when logged in as an Administrator.

Entering a passcode is not necessary when

connecting to the same MMP1 as that used

previously.

3. Setting Up

MMP1 Operation Manual 6

3-3-2. MMP1 Controller

Select an MMP1 on the “Select MMP1” dialog box. The

“Select MMP1” dialog box is displayed when launching

the MMP1 Controller.

NOTE

You can also display the “Select MMP1” dialog box from the

menu bar to change the desired MMP1 for operation at any time.

Select the MMP1 connection.

Tap to select the MMP1 to operate.

Tap to connect.

NOTE

• You can switch between Wireless/Wired on iOS 9.3 or later

devices.

• You must enter the Passcode for the MMP1 when connecting

to an MMP1 with a Passcode set. Entering a passcode is not

necessary when connecting to the same MMP1 as that used

previously.

3-4. Configure basic settings

NOTE

Only the MMP1 Editor can be used to configure basic settings.

Basic settings must be configured on the MMP1 Editor before the

MMP1 Controller can be used.

1. Select “ (file icon)” on the menu bar, then select

“New.”

2. Select whether or not you want to use the Setup

Wizard.

Next, follow the on-screen instructions.

When using the Setup Wizard, configure basic settings by

answering the questions as they appear on the screen.

Canceling the Setup Wizard before it is complete will

revert settings to what they were prior to launching the

Setup Wizard.

When the Setup Wizard is not used, the following values

will be applied automatically.

Disconnecting from the MMP1

Sample Rate 48 kHz

Speaker Format Stereo

LFE Filter None

LFE Trim None

Bass Management None

Monitor Source None

Speaker Set None

Cue Mix Input Channel None

Cue Mix Output Channel None

Talkback Mic Input Channel None

4. Screens

MMP1 Operation Manual 7

4. Screens

4-1. MMP1 Editor

4-1-1. Menu bar

This is a shared menu that appears on all screens.

(File icon) “Administrator” privileges are required to use files.

When you open a file online, the settings in the opened file are sent to the connected MMP1.

Store different system configurations as Scenes to be loaded later depending on the studio in use or the event.

Scenes are stored from “Scene Management” in the “MISC” tab of the “Scene” tab on the Settings screen. Use

the “Confirmation Recall” option of the “Editor” tab on the Settings screen to choose whether a confirmation

dialog box appears when changing Scenes.

(Error icon) Cooling fan has stopped

Please contact your Yamaha dealer and have qualified Yamaha service personnel inspect the cooling

fan.

The backup battery voltage is reduced

Please contact your Yamaha dealer and have qualified Yamaha service personnel replace the backup

battery.

Memory defects

If the issue is still not solved even after restoring factory settings, please contact qualified Yamaha

service personnel.

Dante module defects

NOTE

Please refer to the MMP1 Getting Started for more information about restoring factory settings and contact

qualified Yamaha service personnel.

Closes the MMP1 Editor

Minimizes the MMP1 Editor

Creates and saves files

Selects a Scene

Switches screens

Displays errors

Displays online (green)/offline status

Click to display the “Select MMP1” dialog box

4. Screens

MMP1 Operation Manual 8

4-1-2. Main screen

This is the Main screen used for monitor control.

NOTE

This screen can be used by all User Types.

Meters

Displays Monitor Matrix Out meters

Channel strips

For setting EQ, compressor, insert, pan,

output level and other values for each

channel strip

User Assignable functions

For displaying and enabling operation

of User Assignable functions

Click the tabs to change

Selected Channel tab

For fine-tuning of the parameters for the selected

channel strip

Monitor Control tab

For selecting the audio being monitored and setting

Monitor output levels

4. Screens

MMP1 Operation Manual 9

4-1-2a. Meters

Here you can display Monitor Matrix Out meters. These

channels include Monitor outputs (up to 32 ch), Downmix

L/R, and Headphone L/R.

NOTE

• The meters shown here are the same as those on the Sub

screen.

• Drag a Main Monitor Out meter to change the order.

Values less than -20 dB are displayed in green , values

less than 0 dB in yellow , and values equal to or above 0

in red . Peak hold circuits are not displayed.

NOTE

• The breakdown of Monitor outputs is based on the format

selected under “Monitor Matrix Out” in the “Monitor Matrix” tab

of the “Scene” tab on the Settings screen.

• The signal position displayed on the meters can be selected in

the “System” tab of the “Scene” tab on the Settings screen.

4-1-2b. Channel strips

For setting EQ, compressor, insert, pan, output level and

other values for each channel strip.

NOTE

• Eight channel strips are available when the MMP1’s sample

rate is 96 kHz or less, and four channel strips are available

when the MMP1’s sample rate being used is higher than

96 kHz. You can change the sample rate in the “MISC” tab of

the “Scene” tab on the Settings screen.

• Set channel strip input sources in “Channel Strip In” on the

Patch screen, and switch between these using “SOURCE A”

and “SOURCE B” on the “Selected Channel” tab on the Main

screen.

• Click to select a channel strip, and then set the parameters in

the “Selected Channel” tab on the Main screen.

• To bring up the context menu, (for Windows) right click

anywhere within the section, or (for Mac) hold down the

<control> key and then click in the section.

Click these buttons to set all Main Monitor

outputs to SOLO or MUTE.

/ Click these buttons to turn each Main Monitor

SOLO or MUTE setting on (lights up) or off.

Click these buttons to turn the oscillator on (lit)

or off. You can select the oscillator type used in

the “Oscillator” section on the Sub screen.

represents sine waves and represents pink

noise.

This is displayed when using Talkback.

Displays the signal processors applied to audio

signals in the order in which they are applied

(descending order).

Displays the EQ graph.

Displays the COMP graph.

Turns output to the PFL (Pre Fader Listen) bus on

(green) or off.

Turns output to the AFL (After Fader Listen) bus

on (green) or off.

Turns mute on (yellow) or off.

Drag, double click or use the mouse wheel to set

the pan value. To return the setting to the center,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac) and

click on the control.

Shows the status of mics controlled with the

Commentary functions.

Drag or use the mouse wheel to set output level.

To return the setting to 0 dB, simultaneously hold

down the <Ctrl> key (Windows) or the

<command> key (Mac) and click on the control.

Displays the output level.

Double click to enter a value.

Displays the channel name.

Double click to change the name.

4. Screens

MMP1 Operation Manual 10

4-1-2c. Selected Channel tab

Here you can fine-tune the parameters for the selected

channel strip.

PFL

Turn this on (green) to send outputs to Main

Monitors 1 and 2 while muting outputs from

Main Monitor 3 onwards.

AFL

Turn this on (green) to send outputs to Main

Monitors 1 and 2 while muting outputs from

Main Monitor 3 onwards. When “PFL” is on,

signals will not be sent to the Main Monitors

even when this button is turned on.

Out-of-range values entered will be corrected

to the maximum or minimum value allowed.

Shows the status of mics controlled with the

Commentary functions.

Shows the mic audio is being input.

Shows that the mic user has muted

mic audio.

Shows that the mic on and off

control by the mic user is disabled.

NOTE

• Select or deselect the “Show Cough

Status” check box of the “Editor” tab on the

Settings screen to show or hide this status

display.

• Set GPI inputs/outputs in the “GPI” tab of

the “Global” tab on the Settings screen

and use the device connected to the

MMP1 GPI [INPUT] connector to turn mics

on or off. This can also be operated using

buttons created in the “User Assignable”

tab of the “Scene” tab.

Level meter

Values less than -20 dB are displayed in

green

, values less than 0 dB in yellow ,

and values equal to or above 0 in red

.

Peak hold circuits are not displayed.

Fader

Double click on a position to move the fader

there.

Output level

Out-of-range values entered will be corrected

to the maximum or minimum value allowed.

You can also use the mouse wheel to change

the output level.

Channel name

Enter a channel name of up to

17 alphanumeric characters and symbols.

To insert a line break at any point,

simultaneously hold the <Alt> key and press

<Enter> (Windows), or hold the <option> key

and press <return> (Mac).

Channel name

Double click to change. Enter a channel

name up to 17 alphanumeric characters

and symbols. To insert a line break at any

point, simultaneously hold the <Alt> key

and press <Enter> (Windows), or hold the

<option> key and press <return> (Mac).

SOURCE A/

SOURCE B

Switches between channel strip input

sources.

NOTE

The input source (A/B) can be set using

“Channel Strip In” of the “Input Patch” tab

on the Patch screen.

Shows the status of mics controlled with

the Commentary functions.

Shows the mic audio is being

input.

Shows that the mic user has

muted mic audio.

Shows that the mic on and off

control by the mic user is

disabled.

NOTE

• Select or deselect the “Show Cough

Status” check box of the “Editor” tab on

the Settings screen to show or hide this

status display.

• Set GPI inputs/outputs in the “GPI” tab

of the “Global” tab on the Settings

screen and use the device connected

to the MMP1 GPI [INPUT] connector to

turn mics on or off. This can also be

operated using buttons created in the

“User Assignable” tab of the “Scene”

tab.

Click to switch between the signal phases

(normal phase/reversed phase (green)).

HPF

Click to turn the HPF (High Pass Filter) on

(green) or off.

4. Screens

MMP1 Operation Manual 11

HPF cutoff

frequency

Drag or use the mouse wheel to change

the HPF cutoff frequency. Double click to

enter a value. Out-of-range values

entered will be corrected to the maximum

or minimum value allowed. To return the

setting to 80 Hz, simultaneously hold

down the <Ctrl> key (Windows) or the

<command> key (Mac) and click on the

control.

LPF

Click to turn the LPF (Low Pass Filter) on

(green) or off.

LPF cutoff

frequency

Drag or use the mouse wheel to change

the LPF cutoff frequency. Double click to

enter a value. Out-of-range values

entered will be corrected to the maximum

or minimum value allowed. To return the

setting to 16 kHz, simultaneously hold

down the <Ctrl> key (Windows) or the

<command> key (Mac) and click on the

control.

INSERT

Click to turn the Insert on (green) or off.

Send Destination

Select the signal to send to the Insert.

Return Source

Select the signal to be returned from the

Insert.

(Insert) Trim

Drag or use the mouse wheel to adjust

signal levels to be sent to the Insert.

Double click to enter a value. Out-of-

range values entered will be corrected to

the maximum or minimum value allowed.

To return the setting to 0 dB,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac)

and click on the control.

SIGNAL CHAIN

Displays the signal processors applied to

audio signals in the order in which they

are applied (descending order).

EQ

Click to turn the EQ on (green) or off.

You can choose from the following four EQ

algorithms. The color of the bar at the

bottom of the EQ graph will change based

on the algorithm selected.

PRECISE

This EQ strives for ultimate precision and

controllability. It enables you to adjust the

target point precisely, and flexibly satisfies

various requirements for sound making.

Low/High Shelving filters feature a “Q”

parameter, which enables you to adjust

the knee characteristics.

AGGRESSIVE

This EQ is musical and effective. It

enables you to add a powerful, creative

edge and serves as a powerful tool for

artistic expression.

SMOOTH

This EQ focuses on smooth sound

qualities. It contributes to a natural sound

without changing the atmosphere of the

original.

LEGACY

This is the standard EQ that has been

provided on Yamaha digital mixers since

the PM1D and PM5D.

Displays the EQ graph and filters.

Drag or use the mouse wheel to change four band EQ

parameters (Frequency, Gain, Q). Double click to enter a value.

Out-of-range values entered will be corrected to the maximum or

minimum value allowed. To return these parameters to their

default values, simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac) and click on the

corresponding control. Default values are F: 125 Hz/355 Hz/

3.55 kHz/6.3 kHz, G: 0 dB, and Q: 4.0 (Shelf)/1.4 (Peak)/1.0

(Notch). You can also select the EQ type from Peak and Shelf

(Shelving), or Peak and Notch.

COMP

Click to turn the compressor on (green) or

off.

Displays the COMP graph together with the GR meter and the

OUT meter.

4. Screens

MMP1 Operation Manual 12

Drag or use the mouse wheel to change compressor parameters.

Double click to enter a value. Out-of-range values entered will be

corrected to the maximum or minimum value allowed. To return

these parameters to their default values, simultaneously hold

down the <Ctrl> key (Windows) or the <command> key (Mac)

and click on the corresponding control. (shown in the table

below).

Threshold:

Ratio:

Attack:

Release:

Knee:

Input:

Output:

0.0 dB

1.00: 1

3.148 ms

290.6 ms

Soft 2

0.0 dB

Trim

Drag or use the mouse wheel to adjust the

output level for the selected channel.

Double click to enter a value. Out-of-

range values entered will be corrected to

the maximum or minimum value allowed.

To return the output level to 0 dB,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac)

and click on the control.

PFL

Click to turn output to the PFL (Pre Fader

Listen) bus on (green) or off. Turn this on

to send pre fader audio signals to Main

Monitors 1 and 2 while muting outputs

from Main Monitor 3 onwards.

AFL

Click to turn output to the AFL (After Fader

Listen) bus on (green) or off. Turn this on

to send post fader audio signals to Main

Monitors 1 and 2 while muting outputs

from Main Monitor 3 onwards. When “PFL”

is on, signals will not be sent to the Main

Monitors even when this button is turned

on.

MUTE

Click to turn mute on (yellow) or off.

PAN

Drag or use the mouse wheel to set the

pan. To return pan to the center position,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac)

and click on the control.

PRE

POST

Click to change the position (pre fader/

post fader) of the signal displayed on the

meter.

Level meter

Values less than -20 dB are displayed in

green

, values less than 0 dB in

yellow

, and values equal to or above 0

in red

. Peak hold circuits are not

displayed. To change whether pre fader

or post fader values are displayed, use

the “PRE” and “POST” controls above.

Fader

Drag or use the mouse wheel to set output

levels. To return the setting to 0 dB,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac)

and click on the control.

Output level

Displays the output level. Double click to

enter a value. Out-of-range values

entered will be corrected to the maximum

or minimum value allowed. You can also

use the mouse wheel to change the

output level.

4. Screens

MMP1 Operation Manual 13

4-1-2d. Monitor Control tab

Here you can select the audio being monitored and set

Monitor output levels.

This is used to enable operation of the Main Monitor

outputs.

This is used to enable operation of the headphone

outputs.

Select the audio to be monitored from the Monitor Sources

available. Turn “SUM” on (green) to select multiple

Monitor Sources at the same time.

NOTE

• Select the format for Monitor Sources 1-8 under “Monitor Matrix

In” in the “Monitor Matrix” tab of the “Scene” tab on the

Settings screen, and then assign input sources for each in the

“Monitor Matrix In” section on the Patch screen or the Monitor

Matrix screen.

• You can confirm the destination of Monitor Sources sent to on

(displayed in green) on the Monitor Matrix screen.

Select the audio to be monitored from the available Cue

outputs. To change the available Cue outputs for selection

to Cue 5 - Cue 8, turn “Cue 5-8” on (green).

NOTE

• Select the format for Cue Sources 1-8 under the “Monitor

Matrix Out” in the “Monitor Matrix” tab of the “Scene” tab on the

Settings screen.

• You can confirm that the input source to the Cue outputs is

turned on (displayed in green) on the Monitor Matrix screen.

Monitor Level

or Headphone

Monitor Level

Click “ ” or “ ,” or use the mouse wheel to

set Monitor output level. Double click to

enter a value directly. Out-of-range values

entered will be corrected to the maximum or

minimum value allowed.

NOTE

• You can use the mouse wheel while

holding down <Shift> to make minor

adjustments.

• Changing this value will also change the

SPL value.

DIM

Click to turn the dimmer on (green) or off.

Turn this on to lower Monitor output for the

DIM Level without changing the Monitor

Level.

NOTE

This button will be on (displayed in green)

and cannot be changed while talkback is on

when “Dim main monitor while talkback is

on” is checked (in the General settings of

the “Global” tab on the Settings screen).

DIM Level

Click “ ” or “ ,” or use the mouse wheel to

set the attenuation amount of the Monitor

output signal when the dimmer is on. Double

click to enter a value directly. Out-of-range

values entered will be corrected to the

maximum or minimum value allowed.

SPL Level

Click “ ” or “ ,” or use the mouse wheel to

set the SPL to enter a value directly. Out-of-

range values entered will be “--.- dB,” and

the SPL setting will be off.

As Monitor Level values are tied to the SPL

when the SPL is set, the SPL value will

change when changing the Monitor Level

value.

For example, changing a Monitor Level of

-10 dB to -20 dB when an SPL value of

85 dB is set will result in the SPL value

changing to 75 dB.

NOTE

The SPL level cannot be changed when

“SPL Level Lock” is ON (in the “Editor” tab

on the Settings screen).

MUTE

Click to turn the Monitor output mute on

(orange) or off.

4. Screens

MMP1 Operation Manual 14

4-1-2e. User Assignable functions

Here you can display and use User Assignable functions.

This displays functions registered in the “User

Assignable” tab of the “Scene” tab on the Settings screen.

Depending on the particular functions registered, these

may appear and function as:

• An on/off button (an latch type button that switches on

and off each time you click it)

• A push button (a momentary type button that works

while the button is held down)

• A display indication only

REF

Click to change the Monitor Level value to

the reference level value.

Holding this down for at least two seconds

(until the indicator flashes) stores the current

Monitor Level value as the reference level.

DOWNMIX

Click to turn the Downmix audio output on

(green) or off.

Turn this on to send Downmix L/R outputs to

Main Monitors 1 and 2 while muting outputs

from Main Monitor 3 onwards.

NOTE

This button is disabled when the Cue output

format is selected as the audio being

monitored.

4. Screens

MMP1 Operation Manual 15

4-1-3. Sub screen

This is the Sub screen used for monitor control.

NOTE

You can use this screen when logged in as an “Administrator” or “Advanced User.”

4-1-3a. Meters

Here you can display Monitor Matrix Out meters. These

channels include Monitor outputs (up to 32 ch), Downmix

L/R, and Headphone L/R.

NOTE

• The meters shown here are the same as those on the Main

screen.

• Drag a Main Monitor Out meter to change the order.

Values less than -20 dB are displayed in green , values

less than 0 dB in yellow , and values equal to or above 0

in red . Peak hold circuits are not displayed.

NOTE

• The breakdown of Monitor outputs is based on the format

selected under “Monitor Matrix Out” in the “Monitor Matrix” tab

of the “Scene” tab on the Settings screen.

• The signal position displayed on the meters can be selected in

the “System” tab of the “Scene” tab on the Settings screen.

Meters

Displays Monitor Matrix Out meters

Monitor section

For adjusting input source and Send levels

Oscillator section

For selecting signals

to output from the

oscillator, and

adjusting their output

levels

Snapshot section

For storing and recalling

Snapshots

Talkback section

For selecting Talkback

interrupt destinations

and adjusting Talkback

output levels

Click these buttons to set all Main Monitor

outputs to SOLO or MUTE.

/ Click these buttons to turn each Main Monitor

SOLO or MUTE setting on (lights up) or off.

Click these buttons to turn the oscillator on (lit)

or off. You can select the oscillator type used in

the “Oscillator” section on the Sub screen.

represents sine waves and represents pink

noise.

This is displayed when using Talkback.

4. Screens

MMP1 Operation Manual 16

4-1-3b. Monitor section

Here you can adjust the input source and Send levels.

NOTE

Control the sources and outputs of the format selected in the

“Monitor Matrix” tab of the “Scene” tab on the Settings screen.

4-1-3c. Oscillator section

Here you can select signals to output from the oscillator,

and adjust their output levels.

NOTE

Click the or of the meter to turn the oscillator on or off.

Monitor Source

Trim

Drag or use the mouse wheel to adjust

Monitor Source levels. Double click to enter

a value. Out-of-range values entered will be

corrected to the maximum or minimum

value allowed. To return the setting to 0 dB,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac)

and click on the control.

Cue Source Trim

Drag or use the mouse wheel to adjust Cue

Source levels. Double click to enter a value.

Out-of-range values entered will be

corrected to the maximum or minimum

value allowed. To return the setting to 0 dB,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac)

and click on the control.

Cue Output Trim

Drag or use the mouse wheel to adjust Cue

output levels. Double click to enter a value.

Out-of-range values entered will be

corrected to the maximum or minimum

value allowed. To return the setting to 0 dB,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac)

and click on the control. Click “MUTE” to

mute.

Studio Speaker

Output Trim

Drag or use the mouse wheel to adjusts

studio speaker output levels. Double click

to enter a value. Out-of-range values

entered will be corrected to the maximum or

minimum value allowed. To return the

setting to 0 dB, simultaneously hold down

the <Ctrl> key (Windows) or the

<command> key (Mac) and click on the

control. Click “MUTE” to mute.

Lip Sync Delay

Drag or use the mouse wheel to set the lip

sync delay. Double click to enter a value.

Out-of-range values entered will be

corrected to the maximum or minimum

value allowed. To return the setting to 0 ms,

simultaneously hold down the <Ctrl> key

(Windows) or the <command> key (Mac)

and click on the control.

LFE Trim

Click to turn the LFE Trim on (green) or off.

Turn this on to add an LFE Trim Level to all

channels where the CH Type has been set

to “LFE” in the “Speaker Matrix” tab of the

“Scene” tab on the Settings screen.

NOTE

• You can set the CH Type in the “Speaker

Matrix” tab of the “Scene” tab on the

Settings screen.

• You can set the LFE Trim Level in the

“MISC” tab of the “Scene” tab on the

Settings screen.

LFE Filter

Click to turn the LFE Filter on (green) or off.

Turn this off to change the crossover filter

for LFE channels in the following ways.

FIR  THRU

IIR  (Bypass)

THRU  THRU (Unchanged)

NOTE

Note that while filters will not be applied

when the crossover filter is set to “THRU,”

the same delay as that applied to the main

channel will be added.

4. Screens

MMP1 Operation Manual 17

Oscillator Trim

Drag or use the mouse wheel to set Oscillator levels.

Double click to enter a value. Out-of-range values entered

will be corrected to the maximum or minimum value

allowed. To return the setting to -20 dB, simultaneously

hold down the <Ctrl> key (Windows) or the <command>

key (Mac) and click on the control.

4-1-3d. Snapshot section

Here you can store parameters at a set point in time as

Snapshots to be loaded later as desired or needed.

NOTE

Up to 20 Snapshots can be stored per Scene.

NOTE

To bring up the context menu, (for Windows) right click anywhere

within the section, or (for Mac) hold down the <control> key and

then click in the section.

4-1-3e. Talkback section

Here you can select Talkback interrupt destinations and

adjust Talkback output levels.

NOTE

You can set the amount that the audio output of interrupt

destination is reduced (dimmed) when Talkback is turned on by

using “Talkback Dim Level” in the “MISC” tab of the “Scene” tab

on the Settings screen.

Store

Click to store a Snapshot at the selected

location.

Recall

Click to recall (load) the selected Snapshot.

Name

Click to select a Snapshot (or an empty field).

Double click to change the name entered.

Enter a channel name up to 17 alphanumeric

characters and symbols.

Click to lock or unlock a Snapshot.

Locked Snapshots cannot be overwritten by

selecting Store.

Talkback

Click to turn the Talkback on (green) or off.

NOTE

Set Talkback inputs and interrupt destinations

in the “Talkback Mic In” of the “Input Patch”

tab on the “Patch” screen and “Talkback

Destination” tab of the “Scene” tab on the

Settings screen.

Trim

Drag or use the mouse wheel to adjust

Talkback levels. Double click to enter a value.

Out-of-range values entered will be corrected

to the maximum or minimum value allowed.

To return the setting to 0 dB, simultaneously

hold down the <Ctrl> key (Windows) or the

<command> key (Mac) and click on the

control.

4. Screens

MMP1 Operation Manual 18

4-1-4. Monitor Matrix screen

This screen is used for routing monitor signals.

NOTE

• You can use this screen when logged in as an “Administrator” or “Advanced User.”

• This matrix is set to 40x36 when the MMP1’s sample rate is 96 kHz or less, and 20x20 when the MMP1’s sample rate being used is higher

than 96 kHz. You can change the sample rate in the “MISC” tab of the “Scene” tab on the Settings screen.

Monitor Matrix In

Monitor Matrix Out

Monitor Matrix Out names appear here. Adjust output levels here

Monitor Matrix In

For selecting input sources, and

adjusting the levels of the selected

input sources

Monitor matrix

For turning the Send output from Monitor Matrix In to Out on (green) or off,

and setting Send levels

Source

For selecting monitor matrix input sources.

NOTE

The same items can be configured on the

“Input Patch” tab on the Patch screen.

Type & No

The Monitor Matrix In input type. Monitor

Sources 1-8 will appear as Monitor 1-8, Cue

Sources 1-8 as Cue 1-8, and other inputs will

be “---” and blank.

NOTE

You can select the format for Monitor 1-8 and

Cue 1-8 in the “Monitor Matrix” tab of the

“Scene” tab on the Settings screen.

Source Label

If the Type is “Monitor” or “Cue,” double click

to add a name (label). Enter a channel name

up to 17 alphanumeric characters and

symbols. To insert a line break at any point,

simultaneously hold the <Alt> key and press

<Enter> (Windows), or hold the <option> key

and press <return> (Mac).

Trim

Double click or use the mouse wheel to

adjust input levels. Out-of-range values

entered will be corrected to the maximum or

minimum value allowed.

4. Screens

MMP1 Operation Manual 19

Monitor Matrix Out Monitor matrix

• Click to turn Send on (green) or off. When a cell has

been turned on, a signal will be sent from the cell row

(the input source) to the cell column (output).

• To turn multiple cells on or off at the same time,

simultaneously hold down the right mouse button

(Windows) or the <control> key (Mac) and then drag

and release the button (key).

Quick Assign:

Criss cross from dragging origin point

On:

Turns entire dragged area on (green)

Off:

Turns entire dragged area off

• Right click (Windows), or hold down the <control> key

and then click (Mac) on a cell that has been turned on

(appearing in green) to set Send levels. Out-of-range

values entered will be corrected to the maximum or

minimum value allowed.

• If the input source is the channel strip (Ch 1-8), right

click (Windows), or hold down the <control> key and

then click (Mac) to select either “Mono,” “L,” or “R.”

• If the Monitor Source format has been selected in the

“Monitor Matrix” tab of the “Scene” tab on the Settings

screen, you cannot set Monitor Sources 1-8 to send to

the Main Monitor, Downmix L/R, or Headphone L/R on

this screen.

Use the “Monitor Control” tab on the Main screen to turn

these Send signals on or off (described in detail below).

Send signals to the Main Monitor: Use the “Monitor

Source” selection button to turn Send on or off.

Send signals to Downmix L/R: Use the “Monitor

Source” selection button to turn Send on or off.

Send signals to Headphone L/R: Set the target to

headphone output, and then use the “Monitor Source”

selection button to turn Send on or off.

Name (Label)

Displays Monitor Matrix Out names.

NOTE

• The breakdown of Monitor Matrix Out is

based on the format selected in the

“Monitor Matrix” tab of the “Scene” tab on

the Settings screen.

• You can add Monitor Matrix Out names

(labels) in the “MISC” tab of the “Scene”

tab on the Settings screen.

Trim

Double click or use the mouse wheel to

adjust output levels. Out-of-range values

entered will be corrected to the maximum or

minimum value allowed.

NOTE

When the Cue and Studio Speaker format is

set to stereo, the same settings will be

applied to both L/R.

4. Screens

MMP1 Operation Manual 20

4-1-5. Speaker Matrix screen

This screen is used for routing input signals and speakers.

NOTE

• You can use this screen when logged in as an “Administrator” or “Advanced User.”

• Cells with black backgrounds can be used in the “Speaker Matrix” tab of the “Scene” tab on the Settings screen when logged in as an

Administrator.

• This matrix is 32x32 when the MMP1's sample rate is 96 kHz or less, and 16x16 when the MMP1's sample rate being used is higher than

96 kHz. You can change the sample rate in the “MISC” tab of the “Scene” tab on the Settings screen.

NOTE

Refer to page 60 when configuring bass management.

Speaker Matrix In

Speaker Matrix Out

Displays Speaker Matrix Out names

Speaker Matrix In

For selecting input sources, and

adjusting the levels of the selected input

sources

Speaker matrix

Click to turn Send on (purple) or off from Speaker Matrix In to Out

Source

For selecting speaker matrix input sources.

NOTE

The same items can be configured on the

“Input Patch” tab on the Patch screen.

Type

The input type to the speaker matrix (“Monitor”

or “LFE”) will appear here.

NOTE

You can set the Type (CH Type) in the

“Speaker Matrix” tab of the “Scene” tab on the

Settings screen.

Trim

Double click or use the mouse wheel to adjust

input levels. Out-of-range values entered will

be corrected to the maximum or minimum

value allowed.

NOTE

When the Type (CH Type) is “LFE,” and the

“LFE Trim” button in the “Monitor” section on

the Sub screen is set to on, the LFE Trim Level

will be added to the input value.

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