Yamaha MODX7 Manual de utilizare

MUSIC SYNTHESIZER

Contents

Using the MODX Manuals..........................................2

Basic Structure 3

Functional Blocks ......................................................3

Tone Generator Block................................................4

Tone Generator block ...................................................... 4

A/D Input Block ........................................................10

Sequencer Block ......................................................10

Arpeggio Block.........................................................11

Arpeggio categories....................................................... 11

Sub categories............................................................... 11

Arpeggio Type Name..................................................... 12

Arpeggio-related settings............................................... 13

Arpeggio playback types................................................ 14

Creating an Arpeggio..................................................... 16

Motion Sequencer Block .........................................17

Effect Block ..............................................................19

Effect structure............................................................... 19

Effect connection ........................................................... 20

About the Vocoder Effect............................................... 20

Envelope Follower Block.........................................21

Controller Block .......................................................22

Keyboard ....................................................................... 22

Pitch Bend wheel ........................................................... 22

Modulation wheel........................................................... 22

Assignable Switches...................................................... 22

Knobs and Control Sliders ............................................. 22

Super Knob.................................................................... 22

Internal Memory .......................................................23

Reference 25

Display (touch panel) configuration ...................... 25

Performance Play (Home)....................................... 27

Motion Control......................................................... 33

Mixing ....................................................................... 50

Scene........................................................................ 55

Play/Rec ................................................................... 60

Normal Part (AWM2) Edit........................................ 66

Element Common Edit (Common) .................................66

Element Edit (Element) ................................................107

Element All (All Element) .............................................130

Drum Part Edit ....................................................... 133

Key Common Edit (Common) ......................................133

Key Edit (Key) ..............................................................140

Normal Part (FM-X) Edit ........................................ 145

Operator Common Edit (Common) ..............................145

Operator Edit (Operator) ..............................................155

Common/Audio Edit (Common/Audio)................ 159

Category Search.................................................... 176

Performance Category Search.....................................176

Arpeggio Category Search (Arp Category Search)......180

Waveform Category Search (Waveform Search).........182

Rhythm Pattern ............................................................184

Utility ...................................................................... 187

Live Set................................................................... 212

Live Set ........................................................................212

Live Set Edit (Edit) .......................................................213

Live Set Register (Register).........................................216

Connecting an iPhone or iPad ............................. 217

Reference Manual

EN

MODX Reference Manual

2

Using the MODX Manuals

Your MODX6/MODX7/MODX8 synthesizer comes with four different reference guides—the Owner’s Manual, the Reference

Manual (this document), the Synthesizer Parameter Manual, and the Data List. While the Owner’s Manual is packaged together

with the synthesizer as a hardcopy booklet, this Reference Manual, the Synthesizer Parameter Manual, and the Data List are

available for download from our web page as PDF documents.

Owner’s Manual (hardcopy booklet)

Describes how to set up your MODX6/MODX7/MODX8 and how to perform basic operations.

• This manual explains the following operations.

• Selecting Performances

• Playing the Keyboard

• Creating Your Own Live Sets

• Editing the Settings

• Recording and Playback

• Using as a Master Keyboard

• Connecting a Microphone or Audio Equipment

• Making Global System Settings

• Connecting External MIDI Instruments

• Using a Connected Computer

• Saving/Loading Data

Reference Manual (this PDF document)

Describes the internal design of your MODX6/MODX7/MODX8 and the various parameters that can be adjusted and set.

Synthesizer Parameter Manual (PDF document)

Explains the Part parameters, effect types, effect parameters, and MIDI messages that are used for synthesizers incorporating

the Yamaha AWM2 and FM-X tone generators. Read the Owner’s Manual and Reference Manual first and then use this

parameter manual, if necessary, to learn more about parameters and terms that relate to Yamaha synthesizers.

Data List (PDF document)

Provides lists such as the Waveform List, Performance List, Effect Type List, Arpeggio Type List, as well as reference materials

such as the MIDI Implementation Chart.

Using the Reference Manual

• Using the display name tabs along the upper part of each page from the

Reference section, you can jump to the page for parameter

explanations of the corresponding display.

• You can click on any page number from the Table of Contents or within

descriptive text to jump to the corresponding page.

• You can also click on desired items and topics you want to refer to in the

“Bookmarks” index to the left of the main window, and jump to the

corresponding page. (Click the “Bookmarks” tab to open the index if it is

not displayed.)

• If you want to find information on a specific topic, function or feature,

select “Find” or “Search” from the Adobe Reader “Edit” menu and enter

a key word to locate the related information anywhere in the document.

NOTE The most-recent version of Adobe

®

Reader

®

can be downloaded from the

following web page.

http://www.adobe.com/products/reader/

NOTE The names and positions of menu items may vary according to the version

of Adobe Reader being used.

Information

• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat

different from those on your instrument.

• All other trademarks are the property of their respective holders.

• iPhone, iPad, and Lightning are trademarks of Apple Inc., registered in the U.S. and other countries.

Edit Search Utility Live SetPerformance

Normal Part (AWM2) Drum Part Normal Part (FM-X) Common/Audio

MODX Reference Manual

Normal Part (AWM2) Edit

Common

Part S ettin gs

General

Pitch

Zone Settings

Zone Transmit

Effect

Routing

Ins A

Ins B

EQ

Ins Assign

Arpeggio

Common

Individual

Advanced

Motion Seq

Common

Lane

Mod / Control

Part LF O

Control Assign

Receive SW

Element

Osc / Tune

Pitch EG

Filter

Typ e

Filter EG

Scale

Amplitude

Level / Pan

Amp EG

Scale

Element LFO

Element EQ

All Element

Osc

Balance

Copy or Exchange

Elements

66

Reference

Normal Part (AWM2) Edit

A Normal Part (AWM2) (having pitched musical instrument sounds) can consist of up to eight Elements.

An Element is the basic, smallest unit for a Part. There are two types of Normal Part (AWM2) Edit displays:

Element Common Edit display, for editing settings common to all eight Elements; and Element Edit display,

for editing individual Elements.

Element Common Edit (Common)

From the General display you can set various parameters such as Part Name, Volume, and Pan.

Part Category Main (Part Main Category)

Part Category Sub (Part Sub Category)

Determines the Main category and the Sub category for the selected Par t.

Settings: See the Data List PDF document.

Part Name

Determines the Part name of the selected Part. Part names can contain up to 20 characters. Touching the

parameter calls up the input character display.

Volume (Part Volume)

Determines the output level of the selected Part.

Settings: 0–127

Pan

Determines the stereo pan position of the selected Part.

Settings: L63–C–R63

Part Settings

General

Operation

[PERFORMANCE (HOME)] Æ [EDIT] Æ Part selection Æ Element [Common] Æ [Part Settings] Æ

[General]

Select the display name tab Select the function

MODX Reference Manual

3

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Basic Structure

Functional Blocks

The MODX6/MODX7/MODX8 system consists of eight main functional blocks: Tone Generator, A/D Input,

Sequencer, Motion Sequencer, Arpeggio, Controller, Effect, and Envelope Follower.

AWM2 (Advanced Wave Memory 2)

This instrument is equipped with an AWM2 tone generator block. AWM2 (Advanced Wave Memory 2)

is a synthesis system based on sampled waves (sound material), and is used in many Yamaha

synthesizers. For extra realism, each AWM2 Voice uses multiple samples of a real instrument’s

waveform. Furthermore, a wide variety of parameters—envelope generator, filter, modulation, and

others—can be applied.

MIDI IN AUDIO IN AUDIO OUTMIDI OUT

[USB TO HOST]

MIDI [OUT]

[USB TO HOST]

MIDI [IN]

[USB TO HOST]

A/D INPUT [L/MONO] [R]

[USB TO HOST]

OUTPUT [L/MONO] [R]

Controller Block (

page 22

)

Keyboard

Controllers

(such as Super Knob)

Tone Generator (page 4)

AWM2 Tone Generator

FM-X Tone Generator

16 Parts

Performances

Sequencer Block

(page 10)

16-Track

MIDI Sequencer

Songs

Effects (page 19)

System Effects

13 Insertion Effects

Element EQ

Part EQ

Master Effect

Master EQ

A/D Input

(page 10)

Motion Sequencer Block

(page 17)

Envelope

Follower Block

(page 21)

Arpeggio Block

(page 11)

Arpeggio Playback x 8

Preset Arpeggio

User Arpeggio

Computer

External MIDI equipment

Computer Computer Powered

speakers, etc.

Control Message Flow

Audio Signal Flow

Microphone,

audio equipment,

etc.

MODX Reference Manual

4

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Tone Generator Block

The tone generator block is what actually produces sound in response to the MIDI messages received

from the Sequencer block, Controller block, Arpeggio block and from the external MIDI instrument. The

MIDI messages are assigned to sixteen independent channels, and the instrument is capable of

simultaneously playing sixteen separate Parts, via the sixteen MIDI channels. However, the sixteen-

channel limit can be overcome by using separate MIDI “ports,” each supporting sixteen channels. The

tone generator block of this instrument can handle MIDI messages over Port 1.

Tone Generator block

A Performance is a single set of sounds consisting of multiple Parts. You can change sounds as desired by

selecting the appropriate Performance. Each Performance has two types of parameters; parameters

unique to each Part and parameters common to all Parts. You can edit the entire Performance in the

Common/Audio Edit display (page 159).

A Performance consists of 16 Parts and you can create Performances (in which multiple Parts or Parts are

combined—in a layer, or in other configurations) using the keyboard.

Internally, there are three Part types: Normal Parts (AWM2), Normal Parts (FM-X), and Drum Parts. Normal

Parts (AWM2) are mainly pitched musical instrument type sounds that can be played over the full range of

the keyboard. Normal Parts (FM-X) are also mainly pitched musical instrument type sounds, using FM

synthesis. Drum Parts are mainly percussion/drum sounds that are assigned to individual notes. A Normal

Part (AWM2) can consist of up to eight Elements, a Normal Part (FM-X) can consist of up to eight

Operators, and a Drum Part can consist of up to 73 Drum Keys.

An Element/Operator/Drum Key is the basic, smallest unit for a Part. By combining multiple Elements/

Operators/Keys, Parts can be created to produce even more realistic sounds or various richly textured

types of sound. Each Part is created by editing parameters unique to each (Element Edit parameters/

Operator Edit parameters/Key Edit parameters) and parameters common to all the Elements/Operators/

Keys (Element Common Edit, Operator Common Edit, and Key Common Edit parameters.)

NOTE For instructions on editing a Normal Part (AWM2), see page 66. For instructions on editing a Normal Part (FM-X),

see page 145. For instructions on editing a Drum Part, see page 133.

FM-X

This synthesizer also features an FM-X tone generator, in addition to the AWM2 block. The

abbreviation “FM” of FM-X stands for “frequency modulation,” which is a special tone generation

system that uses the frequency of one waveform to modulate another waveform, in order to produce a

completely new one. In this synthesizer, there are eight FM Operators and a full 88 different Algorithm

types. By changing the operator combination patterns, controlling the modulation with other

parameters such as levels and envelopes, and using high-quality filters, effects, and EQ commonly

with AWM2, you can create richly textured sounds that change in a highly complex fashion.

Performances

Part structure of a Performance

Parts

MODX Reference Manual

5

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Normal Parts (AWM2)

These Parts are played conventionally from the

keyboard, with standard pitches sounding for each key,

generated by AWM2. A Normal Part consists of up to

eight Elements. Depending on the settings in the Part

Edit, these Elements are sounded simultaneously, or

different Elements are sounded according to the note

range, velocity range and the XA (Expanded

Articulation) settings (page 6).

The illustration shows an example of a Normal Part (AWM2). Since the six Elements here are distributed

across both the note range of the keyboard and the velocity range, a different Element sounds depending

on which note you play and how strongly you play it. In the velocity distribution, Elements 1, 3 and 5 sound

when playing the keyboard softly, while Elements 2, 4 and 6 sound when playing it strongly. In the note

distribution, Elements 1 and 2 sound in the lower range of the keyboard, Elements 3 and 4 sound in the

middle range, and Elements 5 and 6 sound in the higher range. In the velocity distribution, Elements 1, 3

and 5 sound when playing the keyboard softly, while Elements 2, 4 and 6 sound when playing it strongly. In

a practical example of this in use, a piano Part could be composed of six different samples. Elements 1, 3

and 5 would be the sounds of the piano played softly, over the respective note ranges, while Elements 2, 4

and 6 would be strongly played sounds, for each respective note range. Actually, this instrument is even

more flexible than this, since it allows up to eight independent Elements.

Normal Parts (FM-X)

These Parts are also played conventionally from the keyboard, with standard pitches sounding for each

key, generated by FM synthesis. The sound for a Normal Part (FM-X) is created by modulating a frequency

of a fundamental waveform with another waveform. An operator that generates a fundamental waveform is

a “carrier,” and an operator that modulates these waveforms is a “modulator.” The combination of a

number of Operators is called “Algorithm.”

When the waveform output from the Operator is a simple sine wave, no harmonics are included other than

the fundamental tone. However, you can create harmonics by modulating the waveform with other

Operators. How harmonics can be created depends on the Modulators’ output levels and the frequency

rates of Carriers and Modulators. On the other hand, the basic pitch is determined by Carrier’s frequency,

and the output level is determined by the Carrier’s output level. The figure described below shows a basic

way to create FM sound by using an analog synthesizer.

Although the figure described above shows waveforms which are generated by two operators, the MODX

has eight Operators. The combination of a number of Operators is called an “Algorithm” and this

synthesizer has parameters for setting the Algorithm.

Drum Parts

Drum Parts are mainly percussion/drum sounds

that are assigned to individual notes on the

keyboard (C0 to C6). Unlike Elements, a Drum

key is equivalent to the corresponding note,

meaning that you cannot change its range.

Drum or percussion sounds are assigned to

each Drum Key. You can create various types of

Drum Parts by changing the drum or percussion sound assigned to each key and edit the parameters

such as pitch and EG.

Normal Parts (AWM2), Normal Parts (FM-X), and Drum Parts

Velocity

Element 1

Element 2

Element 3

Element 4

Element 5

Element 6

Modulator OP

Frequency ratio of the

Modulator and the Carrier

determines the base waveform

including specific harmonics by

the Oscillator.

Modulator output level

determines the Cutoff

Frequency of the Filter.

Carrier OP

Modulation

Modulator envelope determines

the Filter envelope.

Carrier frequency determines

the pitch of the Oscillator.

Carrier output level

determines the volume

by using the amplifier.

Carrier envelope determines

the amplifier envelope.

C0

C1 C6

Individual drum

sounds

(different for

each key)

MODX Reference Manual

6

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Expanded Articulation (XA) is a tone generation system that provides greater performance flexibility and

acoustic realism. This feature allows you to more effectively recreate realistic sound and natural

performance techniques—such as legato and staccato—and provides other unique modes for random

and alternate sound changes as you play.

Realistic legato performance

This instrument more accurately reproduces a legato effect by allowing specific Elements to be sounded

when playing legato and other Elements to be played normally (with the XA Control parameter settings

“Normal” and “Legato”).

Authentic note release sound

The MODX reproduces these special, characteristic sounds by setting the XA Control parameter of certain

Elements to “Key Off.”

Subtle sound variations for each note played

The MODX more accurately reproduces these subtle sound variations by using the XA Control parameter

settings “Cycle” and “Random.”

Switching among different sounds to recreate the natural performance on an

acoustic instrument

Acoustic instruments have their own unique characteristics—even specific, unique sounds that are

produced only at certain times in a performance. These include the flutter tonguing on a flute or the

playing of high harmonics on an acoustic guitar. The MODX recreates these by allowing you to switch

between the sounds while you play—using the [ASSIGN 1]/[ASSIGN 2] buttons and the XA Control

parameter settings, “A.SW1 On,” “A.SW2 On” and “A.SW Off.”

NOTE You can turn the [ASSIGN 1]/[ASSIGN 2] button on or off also by transmitting the Control Change number

specified in the Common/Audio Edit display ([Control]  [Control Number]) (page 167) from an external device.

New sounds and new styles of playing

The highly versatile functions above can be applied effectively not only to acoustic sounds but also to

synthesizer and electronic Parts as well. The XA feature opens up enormous potential for realizing

authentic sounds, performing expressively and coming up with creative new styles of playing.

The Motion Control System is a completely new feature for variably controlling Motions (rhythmical,

multidimensional sound changes) in real time. This amazingly powerful feature dramatically and

dynamically alters the sounds of the instrument in new, never-heard-before ways—changing texturally,

rhythmically with the beats, providing cool, colorful lighting effects, and responding expressively to your

creative passion. The Motion Control System has three main functions:

Super Knob:

For creating multi-dimensional sonic changes, and enhancing those changes with colorful, continually

shifting lighting changes. Multiple parameters can be controlled simultaneously.

Motion Sequencer:

For continually variable sound changes. The powerful Motion Sequencer feature lets you dynamically

change sounds by operating Parameters depending on sequences created in advance. It provides real

time control for changing sounds depending on various sequences such as Tempo, Arpeggio, or the

rhythm of external connected devices.

Envelope Follower:

Envelope Follower is a function for detecting the volume envelope of the input signal waveform and

modifying sounds dynamically.

NOTE Envelope Follower can be controlled not only by the audio signal from an external device, but also by the output

of all Parts.

Expanded Articulation (XA)

Motion Control System

MODX Reference Manual

7

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

For details on the Motion Control, refer to the website below:

http://www.yamaha.com/modx/

Motion Control System Structure

• Continuous control of

Motion changes

• Switch between Motions

• Trigger, Hold

Control the Motion

Sequencer in real time

AUDIO BEAT

• Part 1–16

• A/D Input Part

• Audio Beat Sync

• External MIDI

• Internal Tempo

Envelope Follower Motion Sequencer

Super Knob

Rhythmic change

Automation

Multi-dimensional

sonic change

Tone generator

Effect

MODX Reference Manual

8

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Elements/Drum Keys/Operators are the smallest “building blocks” in the MODX that comprise a Part.

These small sound units can be built, enhanced and processed by a variety of traditional synthesizer

parameters, such as Pitch EG, Filter EG, Amplitude EG, and LFO (shown below).

Oscillator

This unit allows you to assign the waveform (or basic sound material) to each Element/Operator/Key.

Oscillator-related parameters can be set as follows.

• For Normal Parts (AWM2) and Drum Parts

[EDIT]  Part selection  Element selection  [Osc/Tune] (page 107, page 140)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator selection  [Form/Freq] (page 155)

Pitch

This unit allows you to control how the pitch changes over time. Pitch-related parameters can be set as

follows.

• For Normal Parts (AWM2) and Drum Parts

[EDIT]  Part selection  Element selection  [Osc/Tune] (page 107, page 140)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator [Common]  [Pitch/Filter] (page 148)

Parameters related to Pitch EG can be set as follows.

• For Normal Parts (AWM2)

[EDIT]  Part selection  Element selection  [Pitch EG] (page 111)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator [Common]  [Pitch/Filter] (page 148)

Filter

This unit modifies the tone of the sound by cutting the output of a specific frequency portion of the sound.

Also, by setting the FEG (Filter Envelope Generator), you can control how the Cutoff Frequency of the Filter

changes over time. Parameters related to Filter and Filter EG can be set as follows.

• For Normal Parts (AWM2) and Drum Parts

[EDIT]  Part selection  Element selection  [Filter] (page 113, page 142)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator [Common]  [Pitch/Filter] (page 148)

Elements, Drum Keys and Operators

LFO

Low Frequency Oscillator

OSC (Oscillator)

Waveform (AWM2)

PITCH

Controls the pitch of

the sound.

Pitch EG

(Pitch Envelope

Generator)

FILTER

Changes the tonal

quality of the

sound.

AMP

Controls the output

level (amplitude) of

the sound.

Filter EG

(Filter Envelope

Generator)

Amplitude EG

(Amplitude Envelope

Generator)

MODX Reference Manual

9

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Amplitude

This unit controls the output level (amplitude) of the Element/Drum Key/Operator.

Parameters related to Amplitude and Amplitude EG can be set as follows.

• For Normal Parts (AWM2)

[EDIT]  Part selection  Element selection  [Amplitude] (page 121)

• For Drum Parts

[EDIT]  Part selection  Element selection  [Level/Pan] (page 143)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator selection  [Level] (page 157)

LFO (Low Frequency Oscillator)

As its name suggests, the LFO produces a wave of a low frequency.

These waves can be used to vary the pitch, filter or amplitude of each Element/Operator to create effects

such as vibrato, wah and tremolo. There are two LFO types: Part LFO, which is common to all Elements/

Operators, and Element LFO, which is unique for each Element.

Parameters related to Part LFO can be set as follows.

• For Normal Parts (AWM2)

[EDIT]  Part selection  Element [Common]  [Mod/Control]  [Part LFO] (page 96)

• For Normal Parts (FM-X)

[EDIT]  Part selection  Operator [Common]  [Mod/Control]  [Part LFO] or [2nd LFO] (page 152)

Parameters related to Element LFO can be set as follows.

[EDIT]  Part selection  Element selection  [Element LFO] (page 126)

Maximum Polyphony

Maximum polyphony refers to the highest number of notes that can be sounded simultaneously from

the internal tone generator of the instrument.

The maximum polyphony of this synthesizer is 128 for AWM2 and 64 for FM-X. When the internal tone

generator block receives a number of notes exceeding the maximum polyphony, previously played

notes are cut off. Keep in mind that this may be especially noticeable with Parts not having decay.

Furthermore, the maximum polyphony applies to the number of Elements/Drum Keys used, not the

number of Parts. When Normal Parts (AWM2) that include up to eight Elements are used, the

maximum number of simultaneous notes may be less than 128.

MODX Reference Manual

10

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

A/D Input Block

This block handles the audio signal input from the A/D INPUT [L/MONO]/[R] jacks. Various parameters

such as volume, pan, and effect can be set for the audio signal and the sound is output together with other

Parts. An Insertion Effect, the System Effects, the Master Effects, and the Master EQ can be applied to the

audio signal input via the A/D INPUT [L/MONO]/[R] jacks.

Parameters related to the A/D Input block can be set as follows.

[PERFORMANCE (HOME)]  [Mixing] (page 50)

[EDIT]  Part [Common]  [Audio In]  [Mixing] (page 161)

The Effect which is applied to the audio signal input from the A/D INPUT [L/MONO]/[R] jacks can be set as

follows.

[EDIT]  Part [Common]  [Audio In]  [Routing] (page 162)

The gain of the audio signal from the A/D INPUT [L/MONO]/[R] jacks can be adjusted via the A/D INPUT

[GAIN] knob on the panel. Moreover, the on/off setting of the audio signal from the A/D INPUT [L/MONO]/

[R] jacks can be turned on/off via the A/D INPUT [ON/OFF] button.

[UTILITY]  [Settings]  [Audio I/O]  “A/D Input” (page 190)

Sequencer Block

This lets you create Songs by recording and editing your performances as MIDI data (from the controller

block or an external device), allowing you to play the data back with the tone generator block.

A Song is created by recording your keyboard performance as MIDI sequence data to individual Tracks.

The MODX can store up to 128 Songs.

This is a memory location on the sequencer where your musical performances are stored. One Part can be

recorded to one track. Since the MODX has 16 tracks for one Song, you can record and play back a 16-

Part performance.

You can record your keyboard performance to the Song. You can record knob operations, controller

operations and Arpeggio playback as well as your keyboard playing to the specified Track as MIDI events.

Your keyboard performance and controller/knob operations will be recorded to the Track when the

corresponding Keyboard Control Switch for the Part is turned ON.

NOTE The Control Change messages and Parameter Change messages can be recorded by operating the Knobs. For

details on Control Change messages, see the Synthesizer Parameter Manual PDF document.

NOTE For detailed instruction, refer to the Owner’s Manual.

Songs

Tracks

MIDI recording

MODX Reference Manual

11

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Arpeggio Block

This block lets you automatically trigger musical and rhythmic phrases by simply pressing a note or notes

on the keyboard. Yamaha’s Arpeggio sequence also changes in response to the actual notes or chords

you play, giving you a wide variety of inspiring musical phrases and ideas—both in composing and

performing.

Arpeggio categories

The Arpeggio types are divided into 18 categories (including “No Assign” and “Control/Hybrid Seq”) as

listed below. The categories are based on instrument type.

Sub categories

The Arpeggio categories are divided into the sub categories listed below. Because the sub categories are

listed based on the music genre, it is easy to find the sub category appropriate for your desired music

style.

NOTE In the Category Search display, the Sub Categories marked with an asterisk (*) are displayed only when

“Control/Hybrid Seq” is selected as the Category type.

Arpeggio Type Category List

Piano Piano Pad Pad/Choir

Keys Keyboard SynCp Syn Comp

Organ Organ CPerc Chromatic Perc

Gtr Guitar Dr/Pc Drum/Perc

Bass Bass S.FX Sound FX

Str String M.FX Musical FX

Brass Brass Ethnc Ethnic

WW Woodwind --- No Assign

SynLd Syn Lead Ct/Hb Control / Hybrid Seq

Arpeggio Type Sub Category List

Rock Rock World World

Pop Rock Pop Rock General General

Ballad Ballad No Assign No Assign

Chill Chillout / Ambient Filter Filter *

Hip Hop Hip Hop Exprs Expression *

Funk Funk Pan Pan *

Modern R&B Modern R&B Mod Modulation *

Classic R&B Classic R&B PBend Pitch Bend *

House House / Dance Pop Assign Assign 1/2 *

Techno Techno / Trance Comb Comb *

Jazz Jazz / Swing Zone Zone Velocity *

D&B D&B / Breakbeats Z.Pad Zone Vel for Pad *

Latin Latin

MODX Reference Manual

12

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Arpeggio Type Name

The Arpeggio Types are named according to certain rules and abbreviations. Once you understand these

rules and abbreviations, you’ll find it easy to browse through and select the desired Arpeggio Types.

Arpeggio types with “_N” at the end of the type name (example: HipHop1_N)

These Arpeggios are for using with the Normal Part, and Arpeggios with complex notes can be created

even when triggered by one note (page 14).

Arpeggio types with “_C” at the end of the type name (example: Rock1_C)

These Arpeggios are for using with the Normal Part, and correct Arpeggios can be created corresponding

to the chord you play (page 14).

Arpeggio types with a normal name (example: UpOct1)

In addition to the above types, there are three playback types: the Arpeggios created for use of Normal

Parts and played back using only the played notes and their octave notes (page 14), the Arpeggios

created for use of Drum Parts (page 15), and Arpeggios containing mainly non-note events (page 15).

Arpeggio types with “_AF1”, “_AF2”, or “_AF1&2” at the end of the type name

(example: Electro Pop AF1)

When these Arpeggios are played, both of [ASSIGN 1] and [ASSIGN 2] buttons are automatically turned

ON and the phrase starts playback.

Arpeggio types with [Mg] at the beginning of the type name (example:

[Mg]HardRock1)

These Arpeggios are for using with a Mega Voice.

The Arpeggio Type List in the Data List PDF document contains the following columns.

NOTE Note that this list is for illustration purposes only. For a complete listing of the Arpeggio Types, see the Data List

PDF document.

Main Category

Indicates an Arpeggio Main Category.

Sub Category

Indicates an Arpeggio Sub Category.

ARP No (Arpeggio Number)

Indicates the Arpeggio type number.

ARP Name (Arpeggio Name)

Indicates the Arpeggio Name.

Mega Voices and Mega Voice Arpeggios

Normal sound uses velocity switching to make the sound quality and/or level of a Part change

according to how strongly or softly you play the keyboard—giving greater authenticity and natural

response to these Parts. However Mega Voices have a very complex structure with many different

layers that are not suitable for playing manually. Mega Voices were developed specifically to be

played by Mega Voice Arpeggios to produce incredibly realistic results. You should always use Mega

Voices with Mega Voice Arpeggios.

Main

Category

ARP

No.

ARP Name

Time

Signature

Length

Original

Tempo

Accent

Random

SFX

Sound Type

ApKb Rock 1 MA_70s Rock _ES 4 / 4 2 130 Acoustic Piano

ApKb Rock 2 MB_70s Rock _ES 4 / 4 1 130 :

ApKb Rock 3 MC_70s Rock 4 / 4 2 130

ApKb Rock 4 MD_70s Rock 4 / 4 4 130

ApKb Rock 5 FA_70s Rock 4 / 4 1 130

ApKb Rock 6 FB_70s Rock _ES 4 / 4 1 130

ApKb Rock 7 FC_70s Rock _ES 4 / 4 2 130

MODX Reference Manual

13

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Time Signature

Indicates the time signature or meter of the Arpeggio type.

Length

Indicates the data length (amount of measures) of the Arpeggio type. When the Loop parameter

*1

is

set to “off,” the Arpeggio plays back for this length and stops.

Original Tempo

Indicates the appropriate tempo value of the Arpeggio type. Note that this tempo is not set

automatically when selecting an Arpeggio type.

Accent

The circle indicates that the Arpeggio uses the Accent Phrase feature (page 14).

Random SFX

The circle indicates that the Arpeggio uses the SFX feature (page 14).

Sound Type

Indicates the sound type appropriate for the Arpeggio Type.

*1 The Loop parameter is set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Common] (page 82)

Arpeggio-related settings

There are several methods for triggering and stopping the Arpeggio playback. In addition, you can set

whether or not SFX sounds and special Accent Phrases are triggered along with the normal sequence

data.

The following three settings are available for turning the Arpeggio playback on/off.

NOTE “Hold” is set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Common] (page 82)

NOTE When receiving a MIDI sustain message (control change #64) with both of “Arp Master” and “Arp Part” set to

“On,” you can obtain the same result by setting “Hold” to “On.”

NOTE “Trigger Mode” is set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Advanced] (page 87)

By pressing the Knob Function [TONE]/[EG/FX]/[EQ]/[ARP/MS] button and selecting “ARP/MS,” you can

use the Knobs 1–2 to control Arpeggio playback. Try this out and listen for the changes in the sound. For

details regarding the effect of the Knobs 1–2, see Quick Edit (page 37).

Turning Arpeggio playback on/off

To play the Arpeggio only when the note is

pressed:

Set the “Hold” parameter to “Off” and the “Trigger

Mode” parameter to “Gate.”

To continue the Arpeggio even if the note is

released:

Set the “Hold” parameter to “On” and the “Trigger

Mode” parameter to “Gate.”

To toggle the Arpeggio playback on/off

whenever the note is pressed:

Set the “Trigger Mode” parameter to “Toggle.” The

“Hold” parameter can be set to either “On” or “Off.”

Using the Knobs to control Arpeggios

Arpeggio functions which can be controlled by Knob operations

Knob 1 Knob 2 Knob 3 Knob 4

MODX Reference Manual

14

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Accent Phrases are composed of sequence data included in some Arpeggio types, sounding only when

you play notes at a velocity higher (stronger) than that specified in the Accent Velocity Threshold

parameter.

If it is hard to play at velocities necessary to trigger the Accent Phrase, set the “Vel Threshold” (Accent

Velocity Threshold) parameter to a lower value.

NOTE “Vel Threshold” (Accent Velocity Threshold) parameter is set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Advanced] (page 87)

NOTE For information on Arpeggio types that use this function, refer to the “Arpeggio Type List” in the Data List PDF

document.

Some Arpeggio types feature a Random SFX function which will trigger special sounds (such as guitar fret

noises) when the note is released. The following parameters affecting Random SFX are provided.

NOTE “Random SFX,” “Velocity Offset,” and “Key On Ctrl” are set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Advanced] (page 87)

NOTE The Random SFX function is not available for the Arpeggio which stops when the note is released.

NOTE For information on Arpeggio types that use the Random SFX function, refer to the “Arpeggio Type List” in the

Data List PDF document.

Arpeggio playback types

There are three main Arpeggio playback types as described below.

Arpeggio types (belonging to all categories except for Drum/Perc and a part of Control/HybridSeq)

created for use of Normal Parts have the following three playback types.

Playback of played notes only

The Arpeggio is played back using only the played note(s) and octave notes.

Playback of a programmed sequence according to the played notes

These Arpeggio types have the several sequences each of which is suited for a certain chord type. Even if

you press only one note, the Arpeggio is played back using the programmed sequence—meaning that

notes other than the ones you play may be sounded. Pressing another note triggers a transposed

sequence using the pressed note as the new root note. Adding notes to those already held changes the

sequence accordingly. Arpeggios with this playback type have “_N” at the end of the type name.

Playback of a programmed sequence according to the played chord

These Arpeggio types created for use with Normal Parts are played back to match the chord type

determined by detecting the notes you play on the keyboard. Arpeggios with this playback type have “_C”

at the end of the type name.

NOTE When the “Key Mode” parameter is set to “Sort” or “Sort+Drct,” the same sequence is played back no matter

what order you play the notes. When the “Key Mode” parameter is set to “Thru” or “Thru+Drct,” a different

sequence is played back depending on the order you play the notes.

NOTE Since these types are programmed for Normal Parts, using them with Drum Parts may not produce musically

appropriate results.

Accent Phrases

Random SFX

For turning the Random SFX on/off: Random SFX parameter

For setting the volume of the SFX sound: Velocity Offset (Random SFX Velocity Offset)

parameter

For determining whether or not the volume of

the SFX sound is controlled by velocity:

Key On Ctrl (Random SFX Key on Control) parameter

Arpeggios for Normal Parts

MODX Reference Manual

15

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Arpeggio types in Drum/Perc categories are programmed specifically for use with Drum Parts, giving you

instant access to various rhythm patterns. Three different playback types are available.

Playback of a drum pattern

Pressing any note(s) will trigger the same rhythm pattern.

Playback of a drum pattern, plus additional played notes (assigned drum

instruments)

Pressing any note will trigger the same rhythm pattern. Adding notes to the one already held produces

additional sounds (assigned drum instruments) for the drum pattern.

Playback only of the played notes (assigned drum instruments)

Playing a note or notes will trigger a rhythm pattern using only the notes played (assigned drum

instruments). Keep in mind that even if you play the same notes, the triggered rhythm pattern differs

depending on the order of the notes played. This gives you access to different rhythm patterns using the

same instruments simply by changing the order in which you play the notes, when the “Key Mode”

parameter is set to “Thru” or “Thru+Drct.”

NOTE The three playback types above are not distinguished by category name or type name. You’ll have to actually

play the types and hear the difference.

NOTE Since these types are programmed for Drum Parts, using them with Normal Parts may not produce musically

appropriate results.

Arpeggio types (in Control/HybridSeq main categories with Filter, Expression, Pan, Modulation, Pitch

Bend, and Assign 1/2 sub categories) are programmed primarily with Control Change and Pitch Bend

data. They are used to change the tone or pitch of the sound, rather than play specific notes.

In fact, some types contain no note data at all. When using a type of this category, set the “Key Mode”

parameter to “Direct,” “Sort+Drct,” or “Thru+Drct.”

NOTE Settings related to Key Mode are set as follows.

[EDIT]  Part Selection  Element/Operator [Common]  [Arpeggio]  [Common] (page 82)

Arpeggios for Drum Parts

Arpeggios containing mainly non-note events

Tips for Arpeggio playback

Arpeggios not only provide inspiration and full rhythmic passages over which you can perform, they

give you quality MIDI data you can use in creating Songs, or fully formed backing parts to be used in

your live performances. For instructions on using Arpeggio, see the Owner’s Manual.

MODX Reference Manual

16

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Creating an Arpeggio

In addition to using the preset Arpeggios, you can also create your own original Arpeggio data. First,

record a phrase to Song Tracks (up to a maximum of four). Then, convert the Song (or the MIDI sequence

data) to Arpeggio data from the Put Track to Arpeggio display.

1 Record MIDI sequence data to a Song.

2 Convert the MIDI sequence data (recorded to the Song) to Arpeggio data.

Determining how Song/Pattern data is converted to an Arpeggio – Convert Type

MIDI sequence data (of Song Tracks) can be converted to Arpeggio data in one of three ways, according

to the Convert types below. These types can also be selected independently for each destination Track—

providing enormous flexibility and performance control.

Record the MIDI sequence data to a Song Track, referring to the previous instructions in this chapter as

needed. The examples listed below are used as reference.

Creating a rhythm pattern (using a Drum Voice)

Creating a bass line (using a Normal Voice)

Normal (Normal Arpeggio) The Arpeggio is played back using only the played note and its octave notes.

Fixed Playing any note(s) will trigger the same MIDI sequence data.

OrgNotes (Original Notes) Basically same as “Fixed” with the exception that the Arpeggio playback notes

differ according to the played chord.

Track 1 Record a basic rhythm pattern using various drum instruments. Convert via “Fixed.”

Track 2–4 Record a different rhythm pattern using a specific drum instrument to

each Track.

Convert via “Normal.”

Track 1 Record a bass line using a specific desired key

(root).

Convert via “OrgNote” after the OrgNotes Root is

set.

Track 2–4 off

Song

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

Track 7

Track 8

Track 9

Track 10

Track 11

Track 12

Track 13

Track 14

Track 15

Track 16

Recording

Convert

Arpeggio

User Arpeggio 256

User Arpeggio 001

Track 1

Track 2

Track 3

Track 4

After the above procedure, select tracks from the Put Track to

Arpeggio display (page 63) to convert the Song to your own

Arpeggio.

You can record MIDI sequence data for the

Arpeggio to any of the Tracks. After recording,

select four Tracks from all sixteen and convert

them to Arpeggio data.

[SONG] (Play) button

or

[PERFORMANCE (HOME)]  [Play/Rec]  [MIDI] 

Touch the Song Name  [User Arp]

MODX Reference Manual

17

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Motion Sequencer Block

The powerful Motion Sequencer feature lets you dynamically change sounds by operating Parameters

depending on sequences created in advance.

It provides real time control for changing sounds depending on various sequences such as Tempo,

Arpeggio, or the rhythm of external connected devices.

You can assign up to eight desired Sequence types for one Lane.

You can also set up to four Lanes corresponding to the Motion Sequencer function for one Part. Up to eight

Lanes can be used at the same time for the entire Performance.

The setting status (on or off) the Lanes in the entire Performance will be shown as follows.

[PERFORMANCE (HOME)]  [Motion Control]  [Motion Seq] (page 44)

Also, the parameters for each Lane are set as follows.

[PERFORMANCE (HOME)]  [EDIT]  Part selection  Element/Operator [Common]  [Motion Seq] 

[Lane] (page 91)

The following settings are available for turning the Motion Sequencer playback on/off.

NOTE “LaneSW” and “Trigger” are set as follows.

[EDIT]  Part selection  Element/Operator [Common]  [MOTION Seq]  [Lane] (page 91)

Turning the Motion Sequencer on/off

To play the Motion Sequence when the note is

pressed:

Set the “LaneSW” parameter to “On,” the “Trigger”

parameter to “Off,” and the” Sync” parameter to “Off.”

To play the Motion Sequence when the

[MOTION SEQ TRIGGER] button is pressed:

Set the “LaneSW” parameter to “On,” the “Trigger”

parameter to “On,” and the “Sync” parameter to “Off.”

Lane setting

Sequence Patterns for the Lane

Selected Sequence setting Lane setting

MODX Reference Manual

18

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

By pressing the Knob Function [TONE]/[EG/FX]/[EQ]/[ARP/MS] button and selecting “ARP/MS,” you can

use the Knobs 3–4 to control Motion Sequencer playback. Try this out and listen for the changes in the

sound. For details regarding the effect of the Knobs 3–4, see Quick Edit (page 37).

You can create a custom Motion Sequence consisting of up to sixteen steps. For details about Editing, see

page 93.

In this instrument, Motion Sequencer is considered as a virtual controller and can be selectable in the

“Source” parameter. The target parameter you want to control by Motion Sequencer is set in the

“Destination” parameter. For details, see page 100.

Using the Knobs to control Motion Sequencer

Editing Motion Sequences

Parameters related to Motion Sequencer

Motion Sequencer functions which can be controlled by Knob operations

Knob 1 Knob 2 Knob 3 Knob 4

MODX Reference Manual

19

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Effect Block

This block applies effects to the output of the tone generator block as well as audio input block,

processing and enhancing the sound. Effects are applied in the final stages of editing, letting you change

the sound as desired.

Effect structure

System Effects are applied to the overall sound. With System Effects, the sound of each Part is sent to the

effect according to the Effect Send Level for each Part. The processed sound (referred to as “wet”) is sent

back to the mixer according to the Return Level, and output—after being mixed with the unprocessed

“dry” sound. This instrument is equipped with Variation and Reverb as System Effects. In addition, you can

set the Send Level from Variation to Reverb. This parameter is used to apply Reverb to the signals output

from the Variation. You can get a natural effect by applying Reverb depth to the Variation sound with the

same level as that of the dry sound.

Insertion Effects can be applied individually to each of specified parts before merging signals of all parts.

It should be used for sounds for which you want to drastically change the character. You can set different

Effect types to the Insertion Effects A and B for each Part. These settings can be made from Part Edit 

[Effect] (page 75, page 136, page 150).

This synthesizer features 13 sets of Insertion Effects. They can be applied to Parts1–8 and four of the Parts

9–16 and A/D Input Part.

This block applies effects to the final stereo output signal of the entire sound. Multiple Effect types are

available.

Element EQ is applied to each Element of the Normal Part (AWM2) and each key of the Drum Part. You can

specify one of three different EQ shapes, including shelving and peaking.

NOTE Element EQ does not affect the Input signals from the A/D INPUT [L/MONO]/[R] jacks.

This EQ is applied to a Part before and after the Insertion Effect.

Master EQ is applied to the final (post-effect), overall sound of the instrument. In this EQ, all five bands can

be set to peaking, with shelving being available also for the lowest and highest bands.

System Effects—Variation and Reverb

Insertion Effects

Master Effect

Element EQ

Part EQ

Master EQ

Part

3-band

parametric EQ

2-band

parametric EQ

Insertion Effect

Part EQ Part EQ

MODX Reference Manual

20

Basic Structure

Functional blocks

Tone Generator block

A/D Input block

Sequencer block

Arpeggio block

Motion Sequencer block

Effect block

Envelope Follower block

Controller block

Internal Memory

Reference

Display (touch panel) config.

Performance Play (Home)

Motion Control

Mixing

Scene

Play/Rec

Normal Part (AWM) Edit

Drum Part Edit

Normal Part (FM-X) Edit

Common/Audio Edit

Category Search

Utility

Live Set

iPhone/iPad connection

Effect connection

Each EQ and Insertion Effect applied to each

Part

Variation and Reverb related parameters

Setting: Part Edit  [Effect]  [Routing] (page 75, page 136,

page 150)

Common/Audio Edit  [Effect]  [Routing] (page 169)

Master Effect related parameters

Setting: Common/Audio Edit  [Effect]  [Master FX]

(page 172)

Master EQ related parameters

Setting: Common/Audio Edit  [Effect]  [Master EQ]

(page 173)

NOTE Regarding the audio input signal from the A/D INPUT [L/

MONO]/[R] jacks, the effect is set in Common/Audio Edit

 [Audio In].

About the Vocoder Effect

MODX features a Vocoder effect. Vocoder is a distinctive, “robot voice” effect which extracts the

characteristic of the microphone sound and adds it to the sound via your keyboard performance. The

human voice consists of sounds generated from the vocal cords, and filtered by the throat, nose and

mouth. These resonant sections have specific frequency characteristics and they function effectively as a

filter, creating many formants (harmonic content). The Vocoder effect extracts the filter characteristics of

the voice from the microphone input and recreates the vocal formants by the use of multiple band pass

filters. The machine-like ‘robot’ voice is created by passing the pitched sounds of musical instruments

(such as a synthesizer sound) through the filters.

About Effect categories, Effect types, and Effect parameters

For information regarding the effect categories of this instrument and the effect types contained in

their categories, see the “Effect Type List” in the Data List PDF document. For information on the

effect parameters which can be set in the each effect type, see the “Effect Parameter List” in the Data

List PDF document. For information on the descriptions of each effect category, each effect type, and

each effect parameter, see the Synthesizer Parameters Manual PDF document.

About Preset settings

Preset settings for parameters of each effect type are provided as templates and can be selected in

the Effect Type selection display. To get a desired effect sound, try first selecting one of the Presets

close to your imagined sound, then change the parameters as necessary. Preset settings can be

determined by setting “Preset” in each effect parameter display. For information on each effect type,

see the Data List PDF document.

Performance

Part

Part EQ

Insertion A/B

Send Level

Variation

Reverb

Variation

to Reverb

System Effect

Return Level

Master

Effect

Master EQ

Mic Input or

Part Output

(Keyboard

Performance)

Extracting the characteristic

of the input sound

Creating formants

Vocoder

Robot-like

voice

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