Yamaha i88x Manual de utilizare

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PLEASE KEEP THIS MANUAL

This product utilizes batteries or an external power supply (adapter). DO

NOT connect this product to any power supply or adapter other than one

described in the manual, on the name plate, or speciﬁcally recom-

mended by Yamaha.

WARNING:

Do not place this product in a position where anyone could

walk on, trip over ,or roll anything over power or connecting cords of any

kind. The use of an extension cord is not recommended! If you must use

an extension cord, the minimum wire size for a 25’ cord (or less ) is 18

AWG. NOTE: The smaller the AWG number ,the larger the current han-

dling capacity. For longer extension cords, consult a local electrician.

This product should be used only with the components supplied or; a

cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is

used, please observe all safety markings and instructions that accom-

pany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the

time of printing. However, Yamaha reserves the right to change or modify

any of the speciﬁcations without notice or obligation to update existing

units.

This product, either alone or in combination with an ampliﬁer and head-

phones or speaker/s, may be capable of producing sound levels that

could cause permanent hearing loss. DO NOT operate for long periods

of time at a high volume level or at a level that is uncomfortable. If you

experience any hearing loss or ringing in the ears, you should consult an

audiologist.

IMPORTANT: The louder the sound, the shorter the time period before

damage occurs.

Some Yamaha products may have benches and / or accessory mount-

ing ﬁxtures that are either supplied with the product or as optional

accessories. Some of these items are designed to be dealer assembled

or installed. Please make sure that benches are stable and any optional

ﬁxtures (where applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No other

uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a

function or effect works (when the unit is operating as designed) are not

covered by the manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and consult your dealer

before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environ-

mentally friendly. We sincerely believe that our products and the produc-

tion methods used to produce them, meet these goals. In keeping with

both the letter and the spirit of the law, we want you to be aware of the

following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

applicable) is soldered in place. The average life span of this type of bat-

tery is approximately ﬁve years. When replacement becomes necessary,

contact a qualiﬁed service representative to perform the replacement.

This product may also use “household” type batteries. Some of these

may be rechargeable. Make sure that the battery being charged is a

rechargeable type and that the charger is intended for the battery being

charged.

When installing batteries, do not mix batteries with new, or with batteries

of a different type. Batteries MUST be installed correctly. Mismatches or

incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batter-

ies away from children. Dispose of used batteries promptly and as regu-

lated by the laws in your area. Note: Check with any retailer of

household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason

its useful life is considered to be at an end, please observe all local,

state, and federal regulations that relate to the disposal of products that

contain lead, batteries, plastics, etc. If your dealer is unable to assist

you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the top panel of the product. The name

plate lists the product’s model number, power requirements, and other

information. The serial number is located on the name plate. Please

record the model number, serial number, and date of purchase in the

spaces provided below, and keep this manual as a permanent record of

your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

92-BP

(others)

English

3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from

electrical shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to,

the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-5D or an equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or

radiators, and do not excessively bend or otherwise damage the cord, place

heavy objects on it, or place it in a position where anyone could walk on, trip

over, or roll anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If

it should appear to be malfunctioning, discontinue use immediately and have

it inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power

switch, disconnect the adaptor plug from the outlet, and have the instrument

inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or

damage to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-

connector. Doing so can result in lower sound quality, or possibly cause

overheating in the outlet.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold

or heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or

radio may generate noise.

• Do not place the instrument in an unstable position where it might

accidentally fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• Use only the rack speciﬁed for the instrument. When attaching the rack, use

the provided screws only. Failure to do so could cause damage to the internal

components or result in the instrument falling over.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor

Location

(3)-7

1/2

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4

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the

volumes of all components at their minimum levels and gradually raise the

volume controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the

panel. If this happens, turn off the power immediately and unplug the power

cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this

might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do

not use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If

you experience any hearing loss or ringing in the ears, consult a physician.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the instrument for a

long time, make sure you unplug the AC power adaptor from the wall AC outlet.

Removing rubber stoppers for rack

mount installation

The i88X has four removable rubber stoppers. If the i88X does not ﬁt in your rack mount cabinet

because the stoppers hit against another device, remove the stoppers as described below.

Before removing the stoppers, make sure you have a sharp, thin tool — such as a safety pin or straight-

ened paper clip.

Do not use any tool that easily snaps or bends, such as a toothpick or thin wire.

1. Turn the i88X upside down.

2. Insert the tool between the rubber stopper

and the plastic rivet (as shown).

3. Pull the rivet up and out of the panel.

4. Pull out the rubber stoppers.

To re-attach the removed stoppers, reverse the

procedure above, inserting the rivets perpendic-

ularly.

Connections

Maintenance

Handling caution

CAUTION

Sharp tool

Rubber stopper

Rivet

(3)-7

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5

Introduction

Thank you for purchasing the Yamaha i88X Audio/MIDI Interface.

Connecting the i88X to a computer expands music production environments that utilize an audio

sequencer on the computer.

The i88X supports mLAN, a digital music network based on the IEEE1394 high performance serial

bus and data protocol. The i88X makes it easy to construct sophisticated networks for IEEE1394

audio and MIDI signals without having to re-conﬁgure complicated cabling, as was necessary on

earlier conventional systems.

In order to take full advantage of the i88X’s functionality, please read this manual carefully. After

reading this manual, please keep it available for future reference.

Package Contents

•

i88X unit

•

Tools for i88X/mLAN16E (CD-ROM)

•

Plug-in Effect (CD-ROM)

•

mLAN cable (IEEE1394 cable) (6-pin to 6-pin)

•

AC Adaptpr: PA-5D

•

Owner’s Manual (this document)

•

Tools for i88X/mLAN16E Installation Guide

•

User’s Card (containing the serial number for the included Plug-in software effects)

•

The illustrations and LCD screens shown in this Owner’s Manual are for instructional purposes

only and may appear somewhat different from those on your device.

•

MIDI is a registered trademark of the Association of Musical Electronics Industry (AMEI).

•

mLAN is a trademark of Yamaha Corporation.

•

Company and product names in this Owner’s Manual are the trademarks or registered trade-

marks of their respective owners.

About the included CD-ROM

The i88X is shipped with a CD-ROM that contains software that is useful when used in conjunc-

tion with the i88X. This software includes drivers that are required to connect the i88X to a com-

puter. It also includes software that enables you to route audio and MIDI signals between mLAN

devices and plug-in effects. For more information, refer to the separate “Tools for i88X/mLAN16E

Installation Guide” and the software online manuals.

Yamaha is not responsible for damage caused by improper use or modiﬁcations to the

device or for data that is lost or destroyed.

English

6

Features

■

Fast data transfer via mLAN

Connecting the i88X to a computer and other mLAN devices via IEEE1394 (FireWire/i.LINK) cables

enables you to transfer multi-channel audio data and multi-port MIDI signals to and from a com-

puter-based DAW (Digital Audio Workstation) and connected mLAN devices (at a transfer rate of

400Mbps [S400]).

■

Up to 18 audio channel I/O

•

The i88X features two MIC/LINE inputs and six LINE inputs. Inputs 1 and 2 feature two sonically

transparent mic preamps (derived from DM2000) and phantom power, and accept both XLR

and TRS phone plugs. Inputs 3-8 accept TRS phone plugs (pages 8 and 11).

•

Input 1 also features a HI-Z (high impedance) jack to connect high-impedance instruments, such

as guitar or bass (page 8).

•

The Insert I/O jacks enable you to connect an external effects processor (page 11).

•

The i88X also features a sampling rate converter that supports sampling frequencies from

44.1 kHz through 96 kHz. It also features coaxial DIGITAL STEREO IN and OUT jacks and the

optical IN and OUT jacks that are switchable between STEREO and ADAT.

•

The MIDI IN and OUT ports enable you to connect external MIDI devices in the mLAN system

(page 11).

•

The i88X can process up to 18-channel input and output data when running at a sampling fre-

quency of 48 kHz or 44.1 kHz, and up to 14-channel input and output data when running at a

sampling frequency of 96 kHz or 88.2 kHz.

■

Audio Characteristics

•

Compatible sampling frequencies: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

•

Linear 24-bit, 128-times (at a sampling frequency of 48 kHz or 44.1 kHz) or 64-times (at a sam-

pling frequency of 96 kHz or 88.2 kHz) oversampling A/D and D/A converters

•

Frequency response: 20 Hz – 20 kHz, Standard dynamic range: 110 dB

■

Direct Monitoring Function

•

Enables you to monitor the sound being recorded to the DAW without latency (sound delay)

(page 17).

■

Integrated Package Containing Plug-in Effects

•

Four VST/AU plug-in effects, including equalizer, vocal and mastering effects, etc.

Table of Contents

Removing rubber stoppers for rack mount installation....................................................... 4

Introduction .......................................................................................................................... 5

Package Contents.................................................................................................................. 5

Features ................................................................................................................................. 6

Fundamentals of mLAN......................................................................................................... 7

Operational Flow for Sound Output..................................................................................... 7

Names and Functions............................................................................................................ 8

Front Panel.................................................................................................................... 8

Rear Panel .................................................................................................................... 11

Turning the Power to the i88X and Connected Devices On and Off ................................. 12

Connecting External Devices ............................................................................................... 13

Connecting Musical Instruments and Microphones and Adjusting the Input Level.......... 16

Direct Monitoring ................................................................................................................ 17

System Examples.................................................................................................................. 18

Making mLAN Connections ................................................................................................. 20

LED Indicators ...................................................................................................................... 21

Troubleshooting................................................................................................................... 22

Specifications ....................................................................................................................... 25

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7

Fundamentals of mLAN

mLAN is a digital network for music that was developed based on IEEE1394, an industry-standard

high-performance data communications protocol.

Digital music environments that do not feature mLAN require dozens of cables for various devices

and purposes, including MIDI cables and audio cables to route MIDI and audio signals. If you wish

to make changes to such systems, you must physically disconnect and re-connect these cables.

For example, adding another synthesizer to a system requires two MIDI cables and two or more

cables for audio (for stereo equipment). Making the appropriate connections may require special

knowledge of inputs, outputs, stereo settings, and perhaps connector impedance.

The larger the system, the more complicated and expensive these connections become, increasing

the likelihood of errors and difﬁculties. It takes time and effort to investigate such errors and their

underlying causes. You may have already experienced the unpleasantness of tracking various cables

through a spider’s web of connections.

mLAN simpliﬁes cable connections by using only one type of IEEE1394 cable, thus enabling you to

conﬁgure extremely sophisticated systems. There is no need to re-patch cables to change routings

of MIDI and audio signals between mLAN devices.

Operational Flow for Sound Output

1. Install Tools for i88X/mLAN16E.

........... See “Installing the Software” in the Installation Guide.

2. Connect the computer and mLAN devices using the IEEE1394 cables.

........... See page 13.

3. Turn on mLAN Manager (Windows only).

........... See “Conﬁrming the installation” in the Installation Guide.

4. To connect a computer to a single mLAN device directly, ﬁrst start mLAN Auto Connector.

To connect a computer to multiple mLAN devices, start mLAN Graphic Patchbay.

........... See page 20

5. Conﬁgure connections in mLAN Auto Connector or mLAN Graphic Patchbay.

........... Using Auto Connector: See “Connecting a Computer to an mLAN device via

mLAN” in the Installation Guide.

........... Using Graphic Patchbay: See “mLAN Connection Settings” in the Graphic Patch-

bay Online Manual.

6. Specify the audio and MIDI inputs and outputs, following the owner’s manual for your

DAW, audio sequencer and connected devices.

For subsequent steps, refer to the owner’s manual for the software and connected devices.

In this manual, setting up audio, MIDI, and wordclock routings is referred as “mLAN connec-

tion.”

NOTE

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8

Names and Functions

Numbers indicated to the left of the names (

1

-

5

,

7

-

A

,

E

-

K

, and M) correspond the

numbers indicated in the block diagram on back cover page.

Front Panel

1 [PHANTOM +48V] switch

This switch supplies +48 V phantom power to

XLR and TRS phone compatible INPUT jacks 1

and 2 (3). Note that phantom power will not

be supplied if you have connected an external

device to the INPUT 1 and 2 TRS phone jacks

(3). Turn this switch on if you are connecting a

condenser microphone that requires external

+48 V power to INPUT jack 1 or 2 (3). When

the switch is turned on, the switch indicator

lights up.

• Be sure to turn this switch off if you

connect a device that does not require

an external power supply to the INPUT

1 or 2 XLR jack. Otherwise, phantom

power will be supplied to the device,

possibly causing damage to the

device.

• If you connect a device that requires

an external power supply, ﬁrst connect

the device to an XLR connector, then

turn on the phantom power.

• When phantom power is turned on,

power will be supplied to both INPUT

jacks 1 and 2.

• Phantom power is not supplied to TRS

phone connectors.

If the [HI-Z/LINE/MIC] switch (2) is

set to HI-Z, phantom power is not sup-

plied to INPUT jack 1 (3).

2 [(HI-Z)/LINE/MIC] switch

This switch enables you to select high-imped-

ance input, mic input, or line input for XLR and

TRS phone compatible INPUT jacks 1 and 2

(

3).

HI-Z: Use this setting to connect a high-

impedance musical instrument, such

as a guitar with passive pickups or a

bass guitar.

LINE: Use this setting to connect a line-level

instrument, such as a synthesizer, key-

board, or audio equipment.

MIC: Use this setting to connect a mic-level

device.

Select HI-Z, LINE, or MIC for INPUT

jack 1. Select LINE or MIC for INPUT

jack 2.

When the [HI-Z/LINE/MIC] switch is

set to HI-Z, phantom power is not sup-

plied to INPUT jack 1 (3).

3 XLR/TRS Phone Compatible INPUT 1 and

2 jacks

These balanced input jacks accept both XLR-3-

31 and TRS phone (1/4") plugs and can be used

for high-impedance, line or mic inputs. You can

also connect musical instruments with unbal-

anced outputs, such as a synthesizer or rhythm

machine. Setting the [HI-Z/LINE/MIC] switch

(2) appropriately enables you to connect a

high-impedance instrument, line-out instru-

ment or microphone to INPUT jack 1. Setting

the [LINE/MIC] switch (2) appropriately

enables you to connect a line-out instrument or

microphone to INPUT jack 2.

Nominal input levels:

MIC: –60 dBu to –16 dBu

LINE: –34 dBu to +10 dBu

HI-Z: –56 dBu to –12 dBu

NOTE

1 2 3 4 3 4 5 76 8 9 0 A CB D5

NOTE

1/4"TRS phone plug

Ring (Cold)

Tip (Hot)

Sleeve (Ground)

Male XLR plug

1 (Ground)

3 (Cold)

2 (Hot)

English

9

4 [PEAK] indicators

A [PEAK] indicator lights up red if the input sig-

nal that has passed through the [GAIN] control

(5) reaches a level 3 dB below the clipping

point. In order to record at the optimal level,

adjust the [GAIN] control (5) so that this indi-

cator ﬂickers brieﬂy when you play at your loud-

est level.

5 [GAIN] controls

These controls enable you to adjust the input

sensitivity (head amp gain) of INPUT jacks 1, 2,

3, 4, 5/6 and 7/8. (page 16)

Setting range:

Ch 1 & 2

MIC: –16 dBu to –60 dBu

LINE: +10 dBu to –34 dBu

HI-Z,: –12 dBu to –56 dBu

Ch 3–8 +10 dBu to –20 dBu

6 MONITOR [1/2 (44k)] - [7/8 (96k)] indi-

cators

When the monitoring channels selected via the

[SELECT] switch (7) output signals, the corre-

sponding [1/2] - [7/8] indicators in the MONI-

TOR section light up red.

When you press and hold down the [SELECT]

switch for one second or longer, the indicator

for the current operating sampling frequency

(44k, 48k, 88k, or 96k) ﬂashes red.

The [44k] indicator represents a sam-

pling frequency of 44.1 kHz, and the

[88k] indicator represents a sampling

frequency of 88.2 kHz.

7 MONITOR [SELECT] switch

This switch enables you to select a monitoring

channel that outputs signals from the MASTER

OUT L and R jacks on the rear panel (page 17).

Press the switch brieﬂy (less than one second)

repeatedly to select monitoring channels in the

following sequence:

Off → CH1/2 → CH3/4 → CH5/6 → CH7/8 →

DIGITAL STEREO → Off

The MONITOR indicator (6) for the selected

channels lights up.

Also, when you press and hold down this switch

for one second or longer, the MONITOR indica-

tor for the current operating sampling fre-

quency ﬂashes red.

You cannot route a signal input from the

ADAT NORMAL/DOUBLE jack to a

monitoring channel.

The monitoring channel selection is

reset to Off when you turn the power

to the i88X off and then back on.

8 [MONITOR VOLUME] control

This control adjusts the signal volume level of

the monitoring channel selected via the

[SELECT] switch (7). The monitoring signal is

output from the OUTPUT/MASTER 1/L and 2/R

jacks and MASTER PHONES jack (page 17).

9 MASTER PHONES jack

You can connect a set of stereo headphones to

this stereo phone jack. The signals output from

the OUTPUT/MASTER 1/L and 2/R jacks are also

output from this jack.

0 [MASTER VOLUME] control

This control adjusts the level of the signals out-

put from the OUTPUT/MASTER 1/L and 2/R

jacks.

To output mLAN INPUTS audio level

signals from the OUTPUT/MASTER 1/

L and 2/R jacks (G) at line level

(+4 dBu), turn the [MASTER VOL-

UME] control all the way to the right.

The signals will be output at the same

level as those output from the OUT-

PUT 3-8 jacks.

A [OPTICAL SELECT] switch

This switch enables you to select the function of

the OPTICAL IN and OUT jacks on the rear

panel. For more information, refer to “About

the OPTICAL SELECT switch, MASTER CLOCK

indicator, and wordclock master” on page 10.

ADAT DOUBLE:

Select this option for a high sampling rate

(88.2 kHz or 96 kHz). The OPTICAL IN and

OUT jacks function as ADAT IN and OUT jacks

that receive and transmit digital audio signals

of up to four channels at the same time. A sin-

gle optical cable combines eight-channel,

44.1 kHz or 48 kHz digital audio signals into

four-channel, 88.2 kHz or 96 kHz digital audio

signals.

ADAT NORMAL:

Select this option for a normal sampling rate

(44.1 kHz or 48 kHz). The OPTICAL IN and

OUT jacks function as ADAT IN and OUT jacks

that receive and transmit up to eight-channel

digital audio data. This is the standard ADAT

format.

DIGITAL:

The OPTICAL IN and OUT jacks function as a

digital stereo input and output.

If you select DIGITAL, the COAXIAL IN

jack is disabled.

Before you select ADAT DOUBLE,

make sure that your ADAT-compatible

device supports ADAT DOUBLE

mode.

B MASTER CLOCK indicators

These indicators light up to indicate the word-

clock to which the i88X is locking. For more

information, refer to “About the OPTICAL

SELECT switch, MASTER CLOCK indicator, and

NOTE

English

10

wordclock master” on page 10. You can select

the sampling frequency using mLAN Auto Con-

nector or mLAN Graphic Patchbay (page 20).

INT: The i88X uses the internal clock at

44.1 kHz.

ADAT: The i88X uses the incoming ADAT sig-

nal as the master clock.

mLAN: The i88X uses the incoming mLAN

signal as the master clock.

Lit green: The i88X locks to the word-

clock master.

Flashing green: The i88X is not locking to the

wordclock master.

C [mLAN ACTIVE] indicator

This indicator lights up when the i88X is operat-

ing.

The indicator turns off when an error occurs

during an mLAN operation.

When you click the [ID] button in mLAN Auto

Connector or mLAN Graphic Patchbay

(page 20) to identify the corresponding mLAN

device in the network, the indicator ﬂashes.

The indicator also lights up if an mLAN

cable is not connected to the unit.

D [STANDBY/ON] switch

This switch turns the power to the unit on

or off (Standby).

Be sure to follow the procedures described in

“Turning the Power to the i88X and Connected

Devices On and Off” on page 12 when you

turn the power to the i88X on or off.

Even when the switch is in the STANDBY posi-

tion, a small amount of electricity is still ﬂowing

to the unit. When you do not plan to use the

i88X for an extended period of time, be sure to

unplug the AC power adapter from the AC out-

let.

■ About the OPTICAL SELECT Switch, MASTER CLOCK Indicators, and Wordclock

The function of the OPTICAL IN and OUT jacks (J) speciﬁed by the [OPTICAL SELECT] switch (7), and

which MASTER CLOCK indicator (B) will light up, varies depending on which mLAN device in the mLAN

network is being used as the wordclock master.

1. When the wordclock master in an mLAN

network is an mLAN device other than

the computer and i88X (that is, when the

i88X is using the incoming mLAN signal

as the master clock):

MASTER CLOCK indicators

The [mLAN] indicator lights up.

[OPTICAL SELECT] switch

DIGITAL:

The OPTICAL IN and OUT jacks function as a

digital stereo input and output.

ADAT NORMAL or ADAT DOUBLE:

The sampling frequency in the mLAN network

determines the operating mode (NORMAL or

DOUBLE). You can select either mode when

the OPTICAL IN and OUT jacks are used as the

ADAT input and output.

2. When the i88X is referencing the incom-

ing ADAT master clock signal and the

i88X has been speciﬁed as the clock mas-

ter in the mLAN network (that is, when

the i88X is using the signal from ADAT as

the master clock):

MASTER CLOCK indicators

The [ADAT] indicator lights up.

[OPTICAL SELECT] switch

DIGITAL:

The OPTICAL IN and OUT jacks function as a

digital stereo input and output, but the IN jack

is unable to receive the ADAT wordclock sig-

nal. Therefore, the i88X automatically switches

to its internal clock running at 44.1 kHz. (Refer

to Case 3.)

ADAT NORMAL:

The OPTICAL IN and OUT jacks function in

ADAT NORMAL mode.

ADAT DOUBLE:

The OPTICAL IN and OUT jacks function in

ADAT DOUBLE mode.

3. When the i88X is not receiving the cor-

rect wordclock:

MASTER CLOCK indicators

The [INT] indicator lights up, and the i88X ref-

erences its internal clock running at 44.1 kHz.

In Case 1, the [mLAN] indicator also lights up.

In Case 2, the [ADAT] indicator also lights up.

[OPTICAL SELECT] switch

DIGITAL:

The OPTICAL IN jack functions as the digital

stereo input. In this case, you can still monitor

analog inputs (from INPUTs 1-8) and digital

stereo input (from OPTICAL IN). Therefore,

you can monitor the sound from a musical

instrument or microphone connected to the

i88X without running the computer.

ADAT NORMAL or ADAT DOUBLE:

ADAT signals are unavailable, although you

can still monitor analog input (from INPUTs 1-

8).

NOTE

CAUTION

English

11

Rear Panel

E INSERT I/O 1 & 2 (TRS phone) jacks

These unbalanced TRS phone-type 1/4" connec-

tors are used for channel insert ins and outs. Use

a split cable to insert an external effects proces-

sor to INPUT 1 & 2 (3) on the front panel.

INSERT I/O 1 corresponds to INPUT 1, and

INSERT I/O 2 to INPUT 2.

The pin configuration is shown below.

F INPUT 3-8 (TRS phone) jacks

These are TRS phone type 1/4" input jacks (bal-

anced). The nominal input level is –20 dBu

through +10 dBu. You can also connect devices

such as synthesizers or rhythm machines with

unbalanced outputs here.

G OUTPUT 1 & 2 / MASTER OUT L & R (TRS

phone) jacks

These TRS phone type 1/4" output jacks (bal-

anced) output an audio analog signal, which is

the combination of mLAN input channels 1 & 2,

and audio monitoring output selected via the

[SELECT] (7) switch on the front panel. The

nominal output level is +4 dBu (pages 16 and

17).

H OUTPUT 3-8 (TRS phone) jacks

These TRS phone type 1/4" output jacks (bal-

anced) output audio analog signals from mLAN

input channels 3-8 respectively. The nominal

output level is +4 dBu.

I DIGITAL STEREO COAXIAL IN & OUT

jacks

These coaxial jacks (RCA pin connectors) input

and output IEC-60958 consumer format digital

audio signals. Connect these jacks to the stereo

input and output of a DAT recorder, MD

recorder, etc., using RCA pin cables for digital

audio.

J OPTICAL IN & OUT jacks

These optical jacks input and output digital ste-

reo or ADAT audio signals. Use the [OPTICAL

SELECT] (A) switch on the front panel to select

DIGITAL STEREO, ADAT NORMAL, or ADAT

DOUBLE mode.

The coaxial and optical digital stereo

input jacks feature a built-in sampling

rate converter (SRC), which enables

audio signals at different sampling fre-

quencies to be input from connected

devices.

K MIDI IN & OUT ports

Connect MIDI equipment here. These ports

enable you to transmit MIDI messages between

a computer or mLAN devices in an mLAN net-

work and a MIDI instrument connected to the

i88X.

L DC IN terminal

Connect the included AC adapter (PA-5D) here.

Be sure to use the included adapter. Using an

AC adapter other than the PA-5D may cause

damage to the i88X, and may even pose a seri-

ous electrical shock hazard. Connect the

adapter to an AC outlet of the speciﬁed volt-

age.

M mLAN 1 & 2 connectors

These 6-pin IEEE1394 connectors enable you to

connect the i88X to an mLAN device or

IEEE1394-compatible (FireWire/i.Link) device.

The operation is identical regardless of which

connector is used (mLAN 1 or mLAN 2). If the

target device has a 4-pin connector, use a com-

mercially available 4-pin to 6-pin IEEE1394

cable. Avoid creating a connection loop

(page 23) when connecting the devices.

Yamaha recommends that you use an

IEEE1394 cable with a length of 4.5

meters or less.

21

DC IN

OUT

MIDI

OUTIN IN

DIGITAL

STEREO

OPTICAL

DIGITAL STEREO

COAXIAL

876543

21

INPUT

(BAL)

INSERT I/O

2/ R 1/ L

OUTPUT / MASTER

+4dB(BAL)

M HK GJ IL

F E

To INSERT I/O

To external processor input

Sleeve

Ring

Tip

To external processor output

NOTE

WARNING

NOTE

English

12

Turning the Power to the i88X and

Connected Devices On and Off

Before you connect the power adapter, make

sure that the i88X [STANDBY/ON] switch is set

to STANDBY (Off).

A Connect the plug of the power adapter

(PA-5D) to the DC IN terminal on the

rear panel of the i88X.

B Plug in the AC cable to an appropriate

AC outlet.

Follow this procedure in reverse order

to disconnect the power adapter.

• Be sure to use the included adapter. Using an

AC adapter other than the PA-5D may cause

damage to the i88X, and may even pose a

serious electrical shock hazard.

• Connect the adapter to an AC outlet of the

speciﬁed voltage.

Even when the [STANDBY/ON] switch is in the

STANDBY position, a small amount of electric-

ity is still ﬂowing to the unit. When you do not

plan to use the i88X for an extended period of

time, be sure to unplug the AC power adapter

from the AC outlet.

After you connect the i88X and external

devices (page 13), make sure that the volume

setting on the i88X and external audio equip-

ment is lowered to minimum, then turn on the

power to the devices in the following

sequence.

Install mLAN Driver (for Windows)

while the power to the i88X remains off.

(See the separate Installation Guide.)

After you turn on the power to the i88X

again, restart the DAW.

To turn off the power to the devices,

ﬁrst lower the volume of the audio

equipment, then turn off the power in

the reverse sequence.

To protect your speakers, before you turn the

power to the i88X on or off, lower the volume

setting on the i88X and connected audio

equipment.

A Press the i88X [STANDBY/

ON] switch to turn on the

power to the unit.

B Raise the volume of the ampliﬁer to an

appropriate level.

C Set the i88X [GAIN] con-

trols, [MONITOR VOLUME]

control, and [MASTER VOL-

UME] control to an appro-

priate level.

Preparation

Sequence of turning on and off the

power to the connected devices

DC IN

OUT

MIDI

IN

DC IN

terminal

Rear panel

Power adapter

PA-5D

AC outlet

2

1

NOTE

WARNING

CAUTION

NOTE

Turning on the power to the i88X

POWER

ON!!

1. Turn on the power to the external

devices, such as a sound source or effects

processor connected to the input and

output of the i88X.

2Turn on the

power to

the i88X.

3Turn on the power to

the external audio

equipment connected

to the output of the

i88X. (mixer → ampli-

ﬁer)

NOTE

CAUTION

English

13

Connecting External Devices

Before you connect external devices to the i88X, turn off the power to all devices. Also, before you turn on

or off the power to the devices, lower the volume setting on all connected devices to minimum. Otherwise,

electrical shock or damage to the devices may result.

The following diagram illustrates a typical connection example. Refer to this diagram to connect

microphones, musical instruments, a computer, and other external devicves.

CAUTION

21

DC IN

OUT

MIDI

OUTIN IN

DIGITAL

STEREO

OPTICAL

DIGITAL STEREO

COAXIAL

876543

21

INPUT

(BAL)

INSERT I/O

2/ R 1/ L

OUTPUT / MASTER

+4dB(BAL)

88

VOL

Effects processor

mLAN device

such as 01X

IEEE1394-compatible

computer

Electric guitar/

Bass/Microphone

Analog mixer

Synthesizer/Tone generator

Monitor system

CD recorder/

ADAT-compatible mixer

HeadphonesMicrophone

VOL

English

14

For information on system requirements and settings for making mLAN connections, refer to

the separate Installation Guide and mLAN Graphic Patchbay Online Manual.

Wordclocks

In a system that features multiple digitally-connected devices, all digital devices must be synchro-

nized when digital audio signals are transferred from one device to another.

Even if the devices use matching sampling frequencies, if their audio processing timing is not

synchronized, they might not receive signals correctly, and audible noise, glitches or clicks may

occur. Synchronization is achieved using a wordclock (a clock signal that synchronizes all digital

audio signals in a system).

In a typical digital audio system, one device operates as the wordclock “master” and transmits a

wordclock signal. The other devices operate as wordclock “slaves,” synchronizing to the word-

clock master.

To connect the i88X to external devices via mLAN, in mLAN Auto Connector or mLAN Graphic

Patchbay, select a device to be the master, then set the other devices as slaves. The i88X can

operate at a sampling frequency of 44.1 kHz, 48 kHz, 88.2 kHz or 96 kHz as either the wordclock

master or slave.

Using the i88X as the wordclock master in an mLAN network

(Using an ADAT-compatible device as the wordclock master in an mLAN network)

1. On the ADAT-compatible device connected to the i88X, specify the ADAT-compatible

device as the wordclock master.

2. Set the [OPTICAL SELECT] switch on the front panel to ADAT DOUBLE or ADAT NORMAL

(page 10).

3. In mLAN Auto Connector or mLAN Graphic Patchbay, assign the i88X as the wordclock

master in the mLAN network.

Using the i88X as the wordclock slave in an mLAN network

In mLAN Auto Connector or mLAN Graphic Patchbay, assign an mLAN device other than the

computer or i88X as the wordclock master.

Use an ADAT-compatible device or digital device (if it is connected to the i88X) to assign

the device as a wordclock slave.

For information on setting the sampling frequency and wordclock, refer to the Installation Guide,

or to the mLAN Graphic Patchbay Online Manual, or the owner’s manual for your ADAT-compat-

ible device.

Saving mLAN connection settings to the corresponding mLAN device

When you make mLAN connections on the computer, the connection settings will be automati-

cally saved in the corresponding mLAN devices. Therefore, if you used mLAN Graphic Patchbay

to conﬁgure a network that excludes a computer, the next time you use the network, you will be

able to activate the network just by turning on the power to the network’s mLAN devices (with-

out starting the computer).

NOTE

English

15

About connections with external devices when using the i88X with a computer

When using audio devices, musical instruments and computers at the same time, there is bound to

be some noise in the system, the amount of which depends on the connections. Knowing how to

minimize noise is extremely important when designing and setting up a studio.

As advanced as the i88X is, it too is susceptible to noise. Various types of noise may be generated

and recorded to your audio sequencer, depending on the power sources/grounding scheme and

how the various devices are connected.

There is no ideal way to completely eliminate such noise. However, one can decrease noise by iso-

lating the cause and applying a suitable remedy. Below are a couple of examples that may apply.

• High-pitched buzzing or whirring operation noise in the computer

This is caused by operation noise of the computer leaking to other devices through the mLAN

cable or audio cable, and may be caused by improper grounding of the power source.

• Low humming noise

Noise of this type is generally due to improper grounding of the power source.

The noise may differ depending on the circumstances (speciﬁcations of each device and loca-

tions of use).

If problems like these happen, try the following measures to minimize the noise.

If the noise disappears when turning down the volume of the i88X and/or if the noise persists

even when disconnecting the mLAN cable or turning off the computer, other reasons for the

noise are likely. Refer to the Troubleshooting section in the Owner’s Manual.

1. Use balanced cable connections when connecting analog audio.

By using proper balanced connections, you can minimize the noise.

This may have no effect depending on the speciﬁcations of the connected device.

■ Recommended Cables

i88X Inputs

i88X Outputs

2. Insert a conventional direct box (passive, with transformer and ground lift switch) for con-

necting the audio (analog) cable.

You may want to use several direct boxes when connecting multiple devices.

Example:

OUTPUT 1/2 of i88X – [direct box] – powered speaker

Synthesizer – [direct box] – i88X

3. Changing the power source for each device.

Attempting this remedy is extremely dangerous and may result in electric shock. It should be done only by

qualiﬁed, experienced personnel. Contact your nearest Yamaha representative or an authorized distribu-

tor (see the last page of the Owner’s Manual).

Outputs of connected devices / i88X inputs (balanced) i88X inputs

Balanced

(mixer, mic preamp, etc.)

TRS 1/4" phone / XLR ↔ TRS phone / XLR balanced cable Ch. 1-2

TRS 1/4" phone / XLR ↔ TRS phone balanced cable Ch. 3-8

Unbalanced

(MIDI tone generator, etc.)

Unbalanced 1/4" phone ↔ TRS phone / XLR balanced cable Ch. 1-2

Unbalanced 1/4" phone ↔ TRS phone balanced cable Ch. 3-8

i88X outputs (OUTPUT1-OUTPUT8) / Inputs of connected devices (balanced)

—

Balanced

Balanced TRS 1/4" phone ↔ TRS phone / XLR balanced cable —

NOTE

WARNING

English

16

Connecting Musical Instruments and

Microphones and Adjusting the Input Level

Signals input at INPUT 1-8 jacks are routed to mLAN output channels 1-8 respectively. If you have

selected any pair from channels 1/2 through 7/8 for monitor output, you can monitor the corre-

sponding input signals from MASTER L & R and MASTER PHONES (page 17).

This section describes connecting musical instruments and microphones to the INPUT 1-8 jacks and

adjusting the level of input signals.

1. Turn the [MASTER VOLUME] control and the [MONITOR VOLUME] control all the way to

the minimum (rotate the controls counter-clockwise until the knob will not turn further).

To connect devices to INPUT 1 & 2, set the [(HI-Z)/LINE/MIC] switch to a setting that is appro-

priate for the connected devices (page 8).

You can insert an effects processor via the INSERT I/O jacks into analog input channels 1 and

2 (INPUT 1 & 2).

2. Connect the musical instruments and microphones to the INPUT 1-8 jacks.

3. Adjust the [GAIN] control for the INPUT jacks to which you connected the musical instru-

ments and microphones.

4. Adjust the [MASTER VOLUME] control and the [MONITOR VOLUME] control.

INPUT 1 & 2 jacks:

In order to record at the optimal level, adjust the [GAIN] controls so that the [PEAK] indicator for

each input ﬂickers brieﬂy when you play at your loudest level.

INPUT 3 - 8 jacks

Observe the input level meters of your DAW or audio sequencer while adjusting the [GAIN] controls

to raise the level to a point just before the signal starts clipping.

ANALOG

INPUTS

1, 2, 3/4,

5/6, 7/8

MONITOR

SELECT

MONITOR

VOLUME

MASTER

VOLUME

mLAN

OUTPUTS

mLAN INPUTS

3-8

ANALOG

OUTPUTS

3-8

GAIN

INSERT I/O

ANALOG

OUTPUTS

1/L, 2/R

PHONES

mLAN INPUTS

1, 2

(from DAW master output)

(from DAW output)(to DAW output)

(Only Ch 1 & 2)

NOTE

English

17

Direct Monitoring

Through the MASTER L & R jacks and the MASTER PHONES jack, you can directly monitor signals

input at INPUT 1-8 jacks or COAXIAL or OPTICAL DIGITAL STEREO INPUT jacks.

When an audio input signal, such as a guitar or vocal signal, is output through the computer,

latency (delay) may occur. However, this Direct Monitoring function enables you to monitor a sig-

nal before it is output to the connected computer, and thus avoids latency in the monitoring signal.

If you wish to record to the DAW your vocal or musical instrument performance accompanying

the DAW’s background tracks, while listening to the sound through the i88X, turn off the mon-

itoring function on the DAW. Otherwise, you will have to listen to a delayed sound (from the

DAW) and to a non-delayed sound (monitoring sound from the i88X) at the same time, result-

ing in a garbled sound.

1. Follow Steps 1 and 2 in “Connecting Musical Instruments and Microphones and Adjusting

the Input Level” on page 16 to connect the musical instruments and microphones to the

INPUT 1-8 jacks or COAXIAL or OPTICAL DIGITAL SETEREO INPUT jacks.

2. Press the [SELECT] button on the front panel (page 9) repeatedly to select a an input chan-

nel for direct monitoring through the MASTER OUT L & R jacks on the rear panel.

Press the switch brieﬂy (less than one second) repeatedly to select monitoring channels in the

following sequence:

Off → CH1/2 → CH3/4 → CH5/6 → CH7/8 → DIGITAL STEREO -> Off

The MONITOR indicator (page 9) for the selected channels lights up red.

3. Adjust the [GAIN] controls for the INPUT channels (to which the musical instruments and

microphones are connected) and the [MASTER VOLUME] control.

4. Adjust the [MONITOR VOLUME] control.

Monitoring signals are output from the MASTER L & R jacks and the MASTER PHONES jack.

The [MONITOR VOLUME] control enables you to adjust the volume of the monitoring signals

without changing the recording level (input gain).

NOTE

ANALOG

INPUTS

DIGITAL STEREO

INPUTS

5/6

7/8

1/2

3/4

MONITOR

SELECT

MONITOR

VOLUME

MASTER

VOLUME

mLAN INPUTS

1, 2

ANALOG

OUTPUTS

1/L, 2/R

PHONES

English

18

System Examples

1. Connecting the i88X to the computer

Connect the IEEE1394 connector on an IEEE1394-compatible computer to the mLAN connector

on the i88X using an IEEE1394 cable. In mLAN Auto Connector or mLAN Graphic Patchbay

(page 20), route the audio and MIDI signals between the computer and the i88X and set up the

wordclock.

This system enables you to transfer multiple audio streams from the connected musical instru-

ments and mixer to the computer simultaneously, and transfer multiple audio outputs from the

computer to the mixer simultaneously.

mLAN IN/OUT

Guitar/

Bass

IEEE1394-compatible computer IEEE1394-compatible computer

Synthesizer

Computer

Mixer

MTR

i88X i88X

IEEE1394 cable

11-18ch

(44.1kHz/48kHz)

11-14ch

(88.2kHz/96kHz)

IEEE1394 cable

Microphone

PHANTOM +48V

OFF

ON

PHANTOM +48V

INPUT (BAL)

2TR

PHONES

L

R

IN

LEVEL LEVELGAIN

13/14 15/16 PHONES

MONITOR

OUT

MONITOR

2TR IN

15/16

2TR IN

13

14

15

16

26dB

1

26dB

2

26dB

3

26dB

4

26dB

5

26dB

6

26dB

7

26dB

8

26dB

9

26dB

10

26dB

11

26dB

12

PAD

DIGITAL MIXING CONSOLE

L STEREO R

CLIP

–3

–6

–9

–12

–15

–18

–24

–30

–36

–42

–48

EQ

SOLO

1 RETURN 2

PARAMETER

HIGH

SELECTED CHANNEL

1 RETURN 2

FUNCTION

MEMORY

HI-MID

LO-MID

LOW

PAN

F

G

PAN

F

G

UTILITY MIDI SETUP VIEW

EFFECT 1 EFFECT 2 OPTION I/O REMOTE

AUX 1

HOME

AUX 2 AUX 3 AUX 4

DYNAMICS EQ/ATT Ø/DELAY

PAN/

ROUTING

SELSEL

MASTER

STEREO

MASTER

SEL

SOLO SOLO

MEMORY

ON

–1/DEC

ENTER

+1/INC

CURSOR

ON ON

0

–5

–10

–15

–20

–30

–40

–50

–70

– ∞

15/16

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

13/14

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

12

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

11

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

10

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

9

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

8

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

7

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

6

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

5

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

4

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

3

SEL

SOLO

ON

6

0

5

10

20

40

60

∞

2

SEL

232221201918

SOLO

ON

6

0

5

10

20

40

60

∞

1

SEL

17

SOLO

ON

6

0

5

10

20

40

60

∞

17 18 19 20 21 22 23 24

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

GAIN

+10 –34

–60–16

–20+10 100 100

GAIN

–20+10

GAIN

+10 –34

–60–16

GAIN

OFF

ON

FADER MODE

24

–10dBV (UNBAL)

MIDI

IN/OUT

INPUT/

OUTPUT

1-8

DIGITAL

STEREO

IN/OUT

ADAT

IN/OUT

MASTER OUT

L/R

MONITOR

SELECT

mLAN

IN/OUT

mLAN MIDI

IN/OUT

mLAN IN/OUT

9-10ch

mLAN IN/OUT

1-8ch

Connecting musical instruments

and a microphone Connecting a mixing console

English

19

2. Using multiple mLAN devices

Connect the mLAN (IEEE1394) connector on the IEEE1394-compatible computer and the mLAN

(IEEE1394) connector on the 01X Digital Mixing Studio and on the i88X using IEEE1394 cables.

In mLAN Graphic Patchbay (refer to the mLAN Graphic Patchbay Online Manual), route the

audio and MIDI signals between the computer and the i88X and set up the wordclock.

This system enables you to make best use of the 01X Digital Mixing function (up to 28-channel

digital mixing). Using eight A/D inputs on the 01X and eight A/D inputs on the i88X enables you

to transfer 16-channel analog audio data to the 01X. Eight D/A outputs on the i88X are avail-

able, as well as MONITOR OUT (stereo) and STEREO/AUX OUT (stereo) on the 01X. These ana-

log interface and the i88X COAXIAL and OPTICAL DIGITAL STEREO jacks expand analog and

digital input and output on the 01X.

The number of available input and output channels may vary depending on the speciﬁc mLAN

devices connected. For the best performance, it is recommended that you connect up to four

mLAN devices (including a computer) in a network. If the network contains an mLAN device

that is only compatible with a low transfer rate (200 Mbps (S200)), the number of devices and

channels available for connection will be reduced.

NOTE

Guitar

Synthesizer

Sampler

MTR

ADAT recorder

i88X

IEEE1394-compatible

computer

IEEE1394 cable

Microphones

01X

i88X

Bass

ADAT

mLAN IN/OUT

11-18ch

(44.1kHz/48kHz)

11-14ch

(88.2kHz/96kHz)

mLAN

IN/OUT

mLAN

IN/OUT

MIXER

mLAN OUT

1-16ch

mLAN IN

1-18ch

mLAN

IN/OUT

1-8ch

mLAN

IN/OUT

9-10ch

Computer

INPUT

1-8

INPUT/

OUTPUT

1-8

DIGITAL

STEREO

IN/OUT

ADAT

IN/OUT

English

20

Making mLAN Connections

In an mLAN system, you can easily conﬁgure and maintain the system, connect or disconnect the

mLAN connectors on the computer and each mLAN device (virtual audio /MIDI input and output

connectors), and make various mLAN connection settings (such as synchronization) by using the

mLAN Graphic Patchbay and mLAN Auto Connector software applications. There is no need to re-

patch audio and MIDI cables to accommodate various music production environments.

mLAN Auto Connector

This software application enables you to connect a computer to a single mLAN device.

It enables you to easily select wordclock and audio input and output channels.

For information on installing and using the software, refer to the separate Installation Guide.

You can also use mLAN Graphic Patchbay to connect a computer to a single mLAN device.

mLAN Graphic Patchbay

This graphic software application enables you to manage mLAN connection settings for the con-

nected computer and multiple mLAN devices. You can immediately grasp connections in their

entirety by viewing displayed mLAN system conﬁguration graphics. You can also intuitively mod-

ify wordclock settings and audio and MIDI signal routing, much as if you were connecting phys-

ical cables.

For information on installing and using the software, refer to the separate Installation Guide and

the mLAN Graphic Patchbay Online Manual.

NOTE

Windows Macintosh

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