Yamaha PM1D Manual de utilizare

Marca: Yamaha

Model: PM1D

Categorie: Mixere audio

Tip: Manual de utilizare

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PM1D System Software Version 2

Supplementary Manual

This supplementary manual primarily describes the additional and modiﬁed func-

tions that have been incorporated into PM1D System Software version 2.0.

Please read this manual in conjunction with the original manual that came with

your Yamaha PM1D digital audio mixing system.

■ Main changes..................................... 2

Auto Gain Adjustment function ......................2

PM1D Manager Remote Control function ......2

VCM Effects available .....................................3

Channel Move function in the CH COPY

screen .........................................................3

■ Changes in Scene Memories and

Libraries.............................................. 5

Expanding the Event Recall function

in the TC EVENT screen...............................5

Overwriting libraries during the Auto Store

operation ....................................................6

Unit settings can be included in the Recall

Safe channel settings...................................7

Additional preset scenes.................................7

Expanded user area for Input EQ/Channel

libraries .......................................................7

■ Changes and additions of screens..... 8

New FADER VIEW screen ................................8

Clock on the meter bridge .............................8

Displaying the GEQ routings ..........................8

Displaying the GR meters ...............................9

■ Other changes.................................. 10

Filtering during save or load operations ........10

Direct output just before the HPF ................ 11

Additional functions for the USER DEFINE

switches ................................................... 11

Inserting MIDI events from the event list ..... 12

CLEAR ALL button added to the OSCILLATOR

and TALKBACK screens............................. 13

Outputting the MONITOR and CUE signals

from the DSP1D ....................................... 13

No limitation in multiple selections for the

Global Paste function ............................... 14

Selecting WITH MIX SEND in the CH COPY

screen ...................................................... 14

Support for the MY8-DA96 card .................. 14

Compatibility of created data ...................... 14

■ Appendix .......................................... 15

Scene Memory Preset List ............................ 15

VCM Effect Parameter List............................ 18

Table of Contents

2 Main changes

Main changes

If you adjust the HA gain on the master CS1D (master for HA

control), the attenuation on a slave CS1D can automatically be

adjusted so that the channel output levels will remain

unchanged.

The master unit is the CS1D (or PM1D Manager) connected

via a DSP1D that is connected to the port through which the

AI8 is controlled. The slave unit is the CS1D (or PM1D Man-

ager) connected via a DSP1D that is connected to any port

other than the master. You can switch between the master and

slave.

■ Switching the Auto Gain Adjustment

function on and off

1. On the slave CS1D, display the ATT screen for the

IN EQ function.

2. In the upper left of the screen, click the AUTO

GAIN ADJUSTMENT button to enable the func-

tion.

The Auto Gain Adjustment function is now enabled.

3. Turn the GAIN ADJ button on or off to switch the

function for each channel on or off.

Note

• Click the SET ALL button to turn on the function for all channels

globally. Click the CLEAR ALL button to turn off the function for

all channels globally.

• In most cases, turn on the Auto Gain Adjustment function only on

the slave CS1D unit. If you turn on the function on the master

CS1D unit, the output level of the master CS1D will also be

adjusted automatically.

• The GAIN ADJ button’s on/off status is not linked even if the cor-

responding two channels are paired. Even if the GAIN ADJ but-

ton of either one of the paired channels is turned on, the

attenuators will not be linked.

• When you turn off the GAIN ADJ button for one of the paired

channels, the attenuator value for the even-numbered channel

will change to the value for the odd-numbered channel. In this

case, please note that the volume level might increase more than

expected.

• If the attenuator values are selected as one of the Recall Safe

items, and if the GAIN ADJ button for the recalled scene is set to

on, this function will apply to the recalled HA gain. The Recall

Safe function does not apply to the GAIN ADJ button and AUTO

GAIN ADJUSTMENT button settings. Therefore, you must ﬁrst

store these button settings in the scenes.

Connecting the PM1D Manager and a Yamaha digital mixing

console (DM2000, 02R96, or DM1000) via USB enables you to

remotely control the PM1D system from the digital mixing

console. For details, refer to the PM1D Manager V2 Owner's

Manual.

Auto Gain Adjustment function

CONTROL

PORT

ANALOG OUTPUT BOX

Output B

Output A

Slave

Console CS1D

Engine

DSP1D/

DSP1D-EX

Master

Console CS1D

Engine

DSP1D/

DSP1D-EX

AI8 (ID=1)

ATT

AUTO GAIN ADJUSTMENT button

SET ALL and CLEAR ALL buttons

GAIN ADJ buttons

PM1D Manager Remote Control func-

tion

Yamaha digital mixer

(DM2000 V2, 02R96 V2,

DM1000 V2)

PM1D Manager

Console CS1D

Engine

DSP1D/DSP1D-EX

USB

USB/RS232C

PM1D system

Main changes 3

Var ious effects sold as Add-On Effects packages for Yamaha

digital mixing consoles (such as DM2000) are now included as

standard. To use the VCM effects, you must ﬁrst specify the

number of VCM effects you wish to use to limit the number of

available GEQ modules.

The VCM effects employ Virtual Circuitry Modeling technol-

ogy, and include compressors and EQs that model the charac-

teristics of analog circuits, OpenDeck, which emulates tape

compression created by open reel tapes; and the REV-X reverb

effect, which is based on a newly-developed algorithm and

provides richly reverberant sound quality with smooth attenu-

ation. For more information on the VCM effects, please refer

to the Appendix on page 18.

To use the VCM effects, you must ﬁrst specify the number of

VCM effects you wish to use in the following DSP CONFIG

screen to limit the number of available GEQ modules.

Note

• To use VCM effects on a single effect module, you must

disable two GEQ modules.

• If you change this setting, the effect and GEQ output will be tem-

porarily muted.

• The disabled GEQ modules still enable you to control the param-

eters, but the output will be muted.

• You can recall these new effects in the same way as the existing

effects. That is, you recall the desired effects from the Effect

library.

• Please note that if you mix a signal processed with VCM effects

with a signal that utilizes a different routing, a difference in time

resulting from the different signal paths may cause a comb ﬁlter

effect (a phenomena in which the level of some frequencies

decreases).

In addition to the CH Copy function in the CH COPY screen,

which copies channels globally, a CH Move function that

moves channels is now available.

The CH Move function enables you to move any input or out-

put channels to speciﬁed channel locations. When the channels

are moved, the channels between the move source and destina-

tion channels will move forward or backward accordingly. To

use the CH Move function, you can either use the CH COPY

screen or operate the keys on the top panel.

VCM Effects available

EFFECT

DSP CONFIG

Value VCM effects

Conventional

effects

Available GEQ

——EFFECT 1–8 GEQ 1–24

1 EFFECT 1 EFFECT 2–8 GEQ 1–22

1-2 EFFECT 1–2 EFFECT 3–8 GEQ 1–20

1-3 EFFECT 1–3 EFFECT 4–8 GEQ 1–18

1-4 EFFECT 1–4 EFFECT 5–8 GEQ 1–16

1-5 EFFECT 1–5 EFFECT 6–8 GEQ 1–14

1-6 EFFECT 1–6 EFFECT 7–8 GEQ 1–12

1-7 EFFECT 1–7 EFFECT 8 GEQ 1–10

1-8 EFFECT 1–8 — GEQ 1–8

Channel Move function in the CH

COPY screen

CH COPY

CH MOVE button

4 Main changes

■ Moving the channels in the CH COPY

screen

1. Display the CH COPY screen for the IN CH View or

OUT CH View function.

2. In the CH COPY/CH MOVE section, turn on the

CH MOVE button.

If the CH COPY button is on, you can use the usual Chan-

nel Copy function.

3. Press the [SEL] switches to select the channels you

wish to move.

4. Select the destination channels in the DESTINA-

TION CH SELECT section.

5. Click the EXECUTE button.

The CH DATA MOVING pop-up window appears, indi-

cating the move source and destination channel numbers.

6. Click the OK button to execute the function.

The channels are now moved to the new locations.

■ Moving the channels from the top panel

1. Press the [SEL] switches to select the input chan-

nels you wish to move.

2. Press the [CHANNEL COPY] key.

3. Hold down the [SHIFT] key and press the [SEL]

switch of the destination channels.

The CH DATA MOVING pop-up window appears, indi-

cating the move source and destination channel numbers.

4. Click the OK button to execute the function.

The channels are now moved to the new locations.

Note

• The move source channel can be a single channel or two

channels that can be paired.

• You can move a single channel under the following conditions:

There are no paired channels between the move source and

destination channels, AND all the following parameters are

turned off: HA GAIN GANG, HA A/B LINK, GATE LINK, COMP

LINK, DELAY GANG, GANG PAN/INV PAN/BALANCE in PAN

MODE, and M/S DECODE.

• If you move two channels, the ﬁrst channel of the destination

channels will be the ﬁrst of the two channels that can be paired.

Therefore, moving two channels will never swap between the left

and right channels.

• You can move the channels only within the following channel

sections:

– Input channels 1–96

– Stereo input channels 1–8

– MIX channels 1–48

– STEREO A/B channels

–MATRIX channels 1–24

CH COPY

CH MOVE button

Move source channels Move destination channels

Changes in Scene Memories and Libraries 5

Changes in Scene Memories and Libraries

In the TC EVENT screen, you can now register scenes in the

order of use, so that these scenes can be recalled manually, or

automatically according to the speciﬁed interval time.

The TC EVENT screen features the following additional func-

tions:

1 EVENT RECALLING

Use the following three buttons to switch the event list

operation.

The upper part of the display will show indica-

tor if ENABLE [ALL MANUAL] is selected, or

indicator if ENABLE is selected.

2 EVENT TRIGGER

This column indicates the way in which each event is

recalled.

Click the button to display the TC EVENT pop-up

window, then click one of the following three buttons to

select the recall condition.

Expanding the Event Recall function in

the TC EVENT screen

Button function

DISABLE

The Event List function will not recall

scenes registered in the event list.

ENABLE

[ALL MANUAL]

Scenes registered in the event list will

be recalled only by manual operation. If

the list contains events for which a time

code has been speciﬁed, the candidate

event for recall will change as time

code progresses, but events will not

actually be recalled unless you recall

them manually.

ENABLE

Scenes registered in the event list will

be recalled according to the speciﬁed

condition (time code, interval, or man-

ual operation).

TC EVENT

Button function

MANUAL

You can use the EVENT RECALL button

in the EVENT RECALL section (4) or a

USER DEFINE switch to recall the event.

“[MANUAL]” appears in the EVENT TRIG-

GER column.

INTERVAL

The scene will be recalled when the spec-

iﬁed time has elapsed since the preceding

scene was recalled. If you select this but-

ton, specify the INTERVAL TIME parame-

ter in the range of 0.1 through 999.9sec.

An “ ” symbol and the interval time will

appear in the EVENT TRIGGER column

of the event list.

TIME CODE

The scene will be recalled when the time

code (LTC or internal time code) reaches

the speciﬁed time. If you select this but-

ton, specify the time code (hours/minutes/

seconds/frames). The speciﬁed time code

will appear in the EVENT TRIGGER col-

umn of the event list.

Event that will be recalled manually

Events that will be recalled when the time

code reaches the speciﬁed time

Event that is recalled when the speciﬁed time has

elapsed since the preceding scene was recalled

6 Changes in Scene Memories and Libraries

3 SCENE MEMORY

These are the number and title of the scene to be recalled.

Click the button to display the TC EVENT pop-up

window, then click the number of a scene to select it.

4 EVENT RECALL

These functions enable you to recall events. The following

three buttons are provided.

5 MOVE UP/MOVE DOWN

These buttons move the currently-selected event one posi-

tion earlier (MOVE UP) or later (MOVE DOWN) in the

event list.

Note

• If the EVENT TRIGGER column of the selected event shows a

time code, these buttons will be grayed-out and unavailable. To

change the order of each event that displays a time code,

change the time code.

When you store scenes using the Auto Store function, you can

now select an unused library or the original library as the ini-

tial store destination.

The following buttons are now available in the SCENE STORE

pop-up window that is displayed when you press the SCENE

MEMORY [STORE] switch (or the STORE button in the

MEMORY screen).

Note

• This setting is remembered when you close the pop-up

window.

Button Function

DIRECT

Recalls the speciﬁed scene. Specify a

scene to recall in the section to the

right.

INC

Recalls the subsequent scene (regis-

tered just after the current scene).

DEC

Recalls the previous scene (registered

just before the current scene).

DISABLE

Recalls no scene.

Button Function

When you click this button, the event pre-

ceding the last-recalled event in the list

will be recalled and selected.

DIRECT

When you click this button, the event cur-

rently selected in the event list will be

recalled.

When you click this button, the event fol-

lowing the last-recalled event in the list

will be recalled and selected. This button

is useful when you recall an event that

has been assigned as “[MANUAL]” in the

EVENT TRIGGER column.

Overwriting libraries during the Auto

Store operation

DEFAULT EDIT LIBRARY NO.

NEW

The lowest unused library numbers will be

selected. (This is the same as the previ-

ous software version.)

OVERWRITE

The number of the most-recently recalled

library will be selected. (If the scene was

speciﬁed as read-only, or if the corre-

sponding library is write-protected, the

lowest-numbered unused library will be

selected.) This selection is useful when

you wish to prevent a particular library

from becoming full or lacking space dur-

ing the Auto Store operation, or when you

wish to edit a particular library.

DEFAULT EDIT LIBRARY NO.

Changes in Scene Memories and Libraries 7

You can globally apply the Recall Safe function to settings for

units that are patched to Recall Safe channels, as well as to the

Recall Safe channel settings themselves.

Note

• Selecting the Recall Safe items using the SAFE [RECALL]

switch on the panel or the button in the IN CH VIEW screen

(when the CH+UNIT button is turned on) provides the same

result as turning on the SAFE ON/OFF button and UNIT button

on the screen (when the CH button is turned on).

• When the CH+UNIT button is turned on, the SAFE [RECALL]

switch on the panel or the button in the IN CH VIEW screen is

linked to the on/off operation of the SAFE ON/OFF and UNIT

buttons on the screen.

Factory-shipped preset scenes 00.0 – 00.9 in the scene memory

were reviewed and replaced with more practical scenes. For

details, please refer to the “Scene Memory Preset List” on

page 15.

Hint

• To use the preset scenes, follow the steps below:

1. Recall the desired preset scene.

2. In the INPUT PATCH screen, patch the input channels that

use the signals from the connected units. When you click the

AUTO SETUP button, the unit signals are patched from

Channel 1 in the order of the connected units.

3. In the OUTPUT PATCH screen, patch the buses to the sig-

nals of the connected units.

Note

• Please note that if you mix signals that have different paths, a

difference in the time taken via the different signal paths may

cause a comb filter effect (a phenomena in which the level of

some frequencies decreases).

The user area for the Input EQ library and Input Channel

libraries has been expanded.

•Input EQ library

#001 – 199 (#038 – 199 are the user area.)

•Input Channel library

#000 – 199 (#001 – 199 are the user area.)

Unit settings can be included in the

Recall Safe channel settings

SAFE KEY MODE SELECT

If you turn on or off the Recall Safe func-

tion for the selected channel from the

panel or in the IN CH VIEW screen, only

the Recall Safe function for the channel is

turned on or off. (This is the same as the

previous software version.)

CH+UNIT

If you turn on or off the Recall Safe func-

tion for the selected channel from the

panel or in the IN CH VIEW screen, the

Recall Safe function for both that channel

and the unit patched to the channel is

turned on or off.

RECALL SAFE

SAFE KEY MODE SELECT section

Additional preset scenes

Expanded user area for Input EQ/

Channel libraries

8 Changes and additions of screens

Changes and additions of screens

The FADER VIEW screen has been added to the IN CH View

function and OUT CH View function.

1 ON/MUTE

These buttons enable you to switch the channels on/off,

and switch DCA group muting on/off. They are linked to

the [ON] switches of the corresponding channels and the

[MUTE] switches of the DCA groups.

2 Level

These buttons enable you to adjust the level of the channels

and DCA groups. The current value is shown in the box

immediately below. They are linked to the encoder or fader

of the corresponding channel or DCA group.

3 CUE

These buttons enable you to switch cue monitoring on/off

for the channels and DCA groups. They are linked with the

[CUE] key of the corresponding channel or DCA group.

4 DISPLAY CH

Switches the channels that are shown in the FADER VIEW

screen.

• When you are using the IN CH View function:

• When you are using the OUT CH View function:

The TIME CODE indicator on the meter bridge block can now

display the current time. Also, an additional parameter enables

you to switch between the current time and time code.

When you select a GEQ module in the GEQ PARAMETER

screen, the GEQ SELECT pop-up window enables you to iden-

tify any GEQ modules that have already been patched.

This window displays the signal routing of already-patched

GEQ modules, and displays “NO ASSIGN” for unpatched

GEQ modules.

New FADER VIEW screen

INPUT [PANEL]

Channels speciﬁed via the Panel

Assign function, and DCA groups

1–12

CH 1-48/ST IN 1-4

Input channels 1–48, ST IN chan-

nels 1–4, DCA group 1–12

CH 49-96/ST IN 5-8

Input channels 49–96, ST IN

channel 5–8, DCA groups 1–12

MIX 1-48

MIX channels 1–48, STEREO A/

B channels, DCA groups 1–12

MATRIX

MATRIX channels 1–24, STE-

REO A/B channels, DCA groups

1–12

FADER VIEW

Clock on the meter bridge

TIME CODE DISPLAY

PRESENT TIME

Displays the current time in 24-hour for-

mat (hours/minutes/seconds).

TIME CODE

Displays the time code.

Displaying the GEQ routings

PREFERENCE

TIME CODE DISPLAY section

Changes and additions of screens 9

The INPUT GR screen and OUTPUT GR screen have been

added to the Meter function. These screens display the gain

reduction meters for Input channel gates and compressors, and

Output channel compressors.

1 DISPLAY CH

Switches the channels that are displayed in the INPUT GR

and OUTPUT GR screens.

INPUT GR screen:

OUTPUT GR screen:

2 GATE/COMP (Gate/Compressor)

These buttons select whether the meters will display gain

reduction for the Gate or Compressor. These buttons

appear only in the INPUT GR screen.

3 Meters

These peak level meters indicate the amount of gain reduc-

tion for each channel. The current fader value is shown in

the box below.

4 Pair icon

This icon indicates the pairing status of two adjacent odd-

numbered/even-numbered channels.

Displaying the GR meters

CH 1-48/ST IN 1-4

Input channels 1–48,

ST IN channels 1–4

CH 49-96/ST IN 5-8

Input channels 49–96,

ST IN channels 5–8

MIX 1-48

MIX channels 1–48

MATRIX 1-24/STEREO

MATRIX channels 1–24,

STEREO A/B channels

INPUT GR OUTPUT GR

10 Other changes

Other changes

You can speciﬁcally select any region of any scene or library

data to be saved to a memory card. You can also speciﬁcally

select any region of any scene or library data to be loaded from

a memory card.

In addition to BASIC mode (in which you can save the entire or

speciﬁed data in the scene memories or libraries to a memory

card, or load them from a memory card), ADVANCED mode

enables you to save or load a speciﬁed range of the data.

■ ADVANCED mode:

When you turn on the ADVANCED button in the LOAD/SAVE

screen, the left side of the screen will display the following

items:

1 MODE

Switches between BASIC and ADVANCED mode.

2 CATEGORY

Indicates the category of data that is selected for saving or

loading: scene memory or a type of library. Click the [ ]/

[] buttons at left and right or use the [DATA] encoder to

change the category.

3 SOURCE (save/load source numbers)

Indicates the starting and ending numbers of the scene

memory or library items that will be saved to or loaded

from the card. Click the [ ]/[ ] buttons at the left and

right in each box or use the [DATA] encoder to change the

numbers.

4 DESTINATION (save/load destination num-

bers)

Indicates the starting and ending numbers of the scene

memory or library items into which the speciﬁed data will

be saved or loaded. If you want to change the save/load

destination numbers, click the [ ]/[ ] buttons at the

left and right of the starting number box or use the [DATA]

encoder. (The value in the ending number box will change

automatically according to the starting number and the

source range.)

Note

• To format a memory card first, use a computer or other external

device and select the FAT16 format. The CS1D does not

support the FAT 32 format.

• You can load the data you saved using System Software older

than version 2.0.

• The preset effects in the Effects library of System Software ver-

sion 2.0 includes VCM effects. Therefore, if you try to load the

Effects library data of an older version, part of the data may not

be loaded. In such a case, change the load destination starting

number in the DESTINATION section, then load the data again.

■ BASIC mode:

In BASIC mode, you can now specify the range of data to be

saved or loaded for the Unit library, Patch library, and Name

library.

Filtering during save or load opera-

tions

LOAD/SAVE

CS1D

02.1

02.2

02.3

02.4

02.5

BBB

CCC

DDD

EEE

FFF

02.5

02.6

02.7

02.8

BBB

CCC

DDD

EEE

CS1D

02.0

02.1

02.2

02.3

02.4

AAA

BBB

CCC

DDD

EEE

01.0

01.1

01.2

01.3

01.4

01.5

AAA

BBB

CCC

DDD

EEE

FFF

When you change the save destination starting number:

Memory card

Starting

number

Ending

number

When you change the load destination starting number:

Memory card

Starting

number

Ending

number

SAVE

LOAD

SOURCE DESTINATION

SOURCE

DESTINATION

Starting

number

Starting

number

Other changes 11

The signal can be now directly output just before the Input

channel HPF. You can also adjust the direct output level.

To select a position just before the HPF as the direct output on

the INSERT/DIRECT POINT screen, turn on the PRE HPF

button for the corresponding channels in the DIRECT OUT

POINT column. The DIRECT OUT LEVEL column will indi-

cate the direct output levels. However, to adjust the level, use

the INSERT/DIRECT VIEW screen.

To select a position just before the HPF as the direct output in

the INSERT/DIRECT VIEW screen, turn on the DIRECT but-

ton located just before the HPF. Use the LEVEL knob located in

the lower right corner of the screen to change the direct output

level. The direct output levels are not linked even if the corre-

sponding two channels are paired.

Hint

• These settings are saved in scene memories.

• If you load data that was saved in a System Software version

older than version 2.0, the direct output level will be set to 0 dB.

The default direct output point is PRE EQ.

More functions are available that can be assigned to the USER

DEFINED [1]–[8] switches.

The following functions have been added:

* This function is enabled only when an effect that features the TEMPO

parameter is selected. The USER DEFINE switch LED ﬂashes at the

speciﬁed tempo while and after you set the tempo. For more information

on the Tap Tempo function, please refer to page 51 of the PM1D System

Software Version 1.5 Supplementary Manual.

Direct output just before the HPF

INSERT/DIRECT POINT

DIRECT OUT POINT column

PRE HPF buttonDIRECT OUT LEVEL column

INSERT/DIRECT VIEW

DIRECT button LEVEL knob

Additional functions for the USER

DEFINE switches

FUNCTION PARAMETER Explanation

GEQ SELECT

GEQ1–24

Display the GEQ PARAM-

ETER screen.

TAP TEMPO*

CURRENT

Uses the Tap Tempo func-

tion available on the dis-

played screen.

EFFECT1–8

Uses the Tap Tempo func-

tion available for the

speciﬁed effect.

TC EVENT

NEXT EVENT

RECALL

Recalls the subse-

quently-numbered event.

PREV EVENT

RECALL

Recalls the previously-

numbered event.

DIRECT EVENT

RECALL

Recalls the speciﬁed

event registered on the

TC EVENT screen.

ENABLE/DIS-

ABLE

Switches between the

ENABLE button and DIS-

ABLE button on the TC

EVENT screen.

ENABLE[ALL

MANUAL]/DIS-

ABLE

Switches between the

ENABLE [ALL MANUAL]

button and DISABLE but-

ton on the TC EVENT

screen.

TALKBACK

DIRECT

ASSIGN

MIX 1–48,

MATRIX 1–24,

STEREO,

MONITOR B

Send the talkback signal

to the speciﬁed output

channels. (If you turn it

off, the previous talkback

setting will be used.)

USER DEFINE

12 Other changes

In addition to entering hexadecimal values, you can also spec-

ify MIDI events for scene recall by entering the desired MIDI

events using the list in the new MIDI EVENT SETUP pop-up

window. To open this pop-up window, a MIDI EVENT button

has been added to the SCENE STORE pop-up window and the

SCENE TITLE pop-up window.

You can also delay the output of MIDI events by a speciﬁed

time.

1. Click the STORE button on the MEMORY screen for the Scene

function to display the SCENE STORE pop-up window. Alterna-

tively, click the TITLE EDIT button to display the SCENE TITLE

EDIT pop-up window.

2. Click the MIDI EVENT button to open the MIDI EVENT SETUP

pop-up window.

In this pop-up window, you can assign MIDI events using one

of the following two methods:

1 Directly inputting hexadecimal values

With this method, you directly input the message as hexadeci-

mal values.

In this window, you can input a message by clicking the desired

input box to select it (the box will be highlighted) and rotating

the [DATA] encoder. Use the [INC]/[DEC] switches to move

the input position.

When you click a box in which a hexadecimal value has been

input, the range of values that can be interpreted as a valid

MIDI message (including that box) will turn red. The lower

part of the window displays the MIDI channel (MIDI CH),

message type (TYPE), and data values (DATA 1, DATA 2) that

are interpreted from this MIDI message, enabling you to verify

that the appropriate MIDI message has been input.

You can use the following buttons to input or edit the message

in this window.

2 Specifying the type of message

With this method, you specify the desired MIDI channel, type

of message, and data value. This information will be converted

into the appropriate hexadecimal values.

Click the ﬁrst box into which you want to input data. Next,

click the [ ]/[ ] buttons at the left and right of the TYPE

box or use the [DATA] encoder to select the type of message.

Then use the MIDI CH, DATA 1, DATA 2, MIDI PORT boxes

to specify the MIDI channel, MIDI event settings, and output

port. The values that can be selected in the MIDI CH, DATA 1,

and DATA 2 boxes will depend on the type of message you

selected ﬁrst.

The DELAY TIME box enables you to set the amount of time

by which the MIDI event output is delayed after scene recall.

You can set this delay time in 0.1 sec steps.

When you have speciﬁed all of the values, click the “ ”

button in the screen. The hexadecimal values for that message

will be input in the input box of the MIDI EVENT SETUP

window. As necessary, you can edit the message by clicking an

input box and rotating the [DATA] encoder.

Note

• The maximum length of MIDI events you can enter is 32 bytes,

including the MIDI output destination port and other data and

comments. When the number of bytes exceeds the maximum,

the “LENGTH OVER!” message will appear.

Inserting MIDI events from the event list

MIDI EVENT button

[ ]/[ ]buttons

Move the highlighted area to left or right.

INS button

Inserts a space (blank) at the highlighted

position. Pressing the <Insert> key on a

PS/2 keyboard will produce the same

result.

DEL button

Deletes the character at the highlighted

position. Pressing the <Delete> key on a

PS/2 keyboard will produce the same

result.

CLEAR button

Erases the entire message that was input

in the MIDI message input boxes.

TYPE MIDI CH DATA 1 DATA 2

NOTE OFF

1–16

Note number

–

127)

Note-off velocity

(0–-127)

NOTE ON

Note-on velocity

(0–127)

KEY PRESSURE

Pressure value

(0–127)

CONTROL

CHANGE

Control number

(0–127)

Controller value

(0–127)

PROGRAM

CHANGE

Program number

(0–127)

—

CHANNEL

PRESSURE

Pressure value

(0–127)

—

PITCH BEND

Pitch bend MSB

(0–127)

Pitch bend LSB

(0–127)

EXCLUSIVE

MASSAGE

—

Other changes 13

• You can follow the steps below to set the DELAY TIME using the

SCENE STORE (or SCENE TITLE EDIT) pop-up window.

1. Move the cursor to the COMMENT/MIDI EVENT section,

then click the EVENT CODE SET button.

2. Click T and numbers 0-9 on the character palette to specify

the two-digit delay time in 100 msec steps. For example, if

you wish to delay the MIDI event output from scene recall by

500 msec, enter “T05.” You do not need to enter a value if you

do not want to delay the event output.

3. Click 1, 2 (Console 1 or 2), or E (Engine) on the character

palette to conﬁgure a MIDI port to output MIDI events.

The OSCILLATOR and TALKBACK screens now feature a

CLEAR ALL button that cancels all assignments to the buses.

The DSP1D OUTPUT 6 connector can now output MONI-

TOR A/B and CUE signals. This is convenient when you use

the PM1D Manager’s remote control function for the monitor/

cue operation.

When you turn on the MONITOR/CUE OUTPUT TO #6 but-

ton in the SYSTEM CONNECTION screen, the MONITOR A/

B and CUE 1/2 signals are output to the device connected to

the DSP1D’s OUTPUT 6 connector (channels 25-32). The fol-

lowing signals are output to the speciﬁed channels:

Note

• Even if you have set the output patch, when the MONITOR/

CUE OUTPUT TO #6 is turned on, the MONITOR/CUE signals

will have priority and will be output.

• The MONITOR/CUE signal output to the unit is the same as the

signal output from the engine to the console. The TALKBACK

DIMMER, CUE INTERRUPT, ON/OFF, and LEVEL controls on

the console are ineffective for the signals output from the unit.

Therefore, the meter indication does not necessarily reﬂect the

level of the output signals. For details on the signals output from

the engine, refer to the PM1D System Block Diagram.

CLEAR ALL button added to the

OSCILLATOR and TALKBACK screens

OSCILLATOR

TALKBACK

Outputting the MONITOR and CUE

signals from the DSP1D

Channel number Output signal

25/26

MONITOR A L/R

27/28

MONITOR B L/R

29/30

CUE 1 L/R (Console 1 CUE signals)

31/32

CUE 2 L/R (Console 2 CUE signals)

SYSTEM CONNECTION

MONITOR / CUE OUTPUT

TO #6 button

14 Other changes

In the previous software version, the Global Paste function

enabled you to select up to 100 scenes at a time. However, this

limitation has been removed. However, if you select 101 or

more scenes to paste, you will not be able to use the Undo

function. In this case, back up all important data using the

Select All function, then execute the Global Paste function.

In the previous software version, you could select WITH MIX

SEND only when the ALL parameter was selected in the CH

COPY screen for the Output CH View function. In the version

2.0 software, you can select WITH MIX SEND even if ALL is

not selected.

The MY8-DA96 card is now supported, and you can display

and edit the contents of the card using the CS1D or PM1D

Manager.

Any data created in System Software version 2.0 (such as

scenes, libraries, setup data, etc.) cannot be loaded to a unit

that runs System Software version 1 (i.e., all versions prior to

version 2.0). However, any data created in System Software ver-

sion 1 can be loaded to a unit that runs System Software ver-

sion 2.0.

No limitation in multiple selections for

the Global Paste function

Selecting WITH MIX SEND in the CH

COPY screen

Support for the MY8-DA96 card

Compatibility of created data

Appendix 15

Appendix

This front of house preset scene is designed by a famous American

front of house engineer. It features preset parameter values for the out-

put channels, including Front Fill, Delayed Speaker, as well as Stereo

Mix Send to the internal effects.

This monitor mix preset scene is designed by a famous American mon-

itor engineer. MIX 1-20 feature the inserted GEQ as Wedge monitor-

ing; MIX 25-44 emulate 10-channel in-ear monitoring. Four effects are

assigned to each monitoring path. The stereo output is designed as

Side Fill, featuring the inserted GEQ.

This preset covers the front of house and monitor on a single console.

The latter half of the mix is regarded as the monitor send, and the GEQ

is inserted for Wedge monitoring. This preset setting emulates Front

Fill and Delayed Speaker, with Matrix output.

Scene Memory Preset List

Scene # Title

00.1 Front of House

INPUT CH1-96

EQ ON, TO STEREO ON, MIX SEND ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN

TO STEREO ON, CH ON

MIX1-16: Internal EFFECT SEND

PAIR ON, MIX ON, LEVEL 0 dB

MIX17-18: Stereo Sub Feed

PAIR ON, MIX ON, LEVEL 0 dB, GEQ INSERT, INSERT ON

STEREO A-B

STEREO ON, LEVEL 0 dB, GEQ INSERT, INSERT ON

MATRIX1-12: Front Fill Speaker, Delay Speaker, Rec Out

MATRIX ON, LEVEL –

∞ dB, GEQ INSERT, INSERT ON (MATRIX1-6)

GEQ1-12

GEQ ON, LINK ON

Scene # Title

00.2 Monitor

INPUT CH1-96

HPF ON—F: 50 Hz—SLOPE: 18 dB, EQ ON, MIX SEND ON—

PRE FADER, TO STEREO ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN

HPF ON—F: 50 Hz—SLOPE: 18 dB, EQ ON, MIX SEND ON – PRE

FADER (If a signal sent to a Mix bus causes an internal feedback loop,

the corresponding MIX SEND will be turned off.), TO STEREO ON

(STEREO INPUT 1, 2, 5, 6), CH ON

MIX1-20: Wedge Mix

GEQ INSERT, INSERT ON, MIX ON, LEVEL 0 dB

MIX21-24: Internal EFFECT1-4 SEND

MIX ON, LEVEL 0 dB

MIX25-44: In Ear Monitor

PAIR ON, EQ ON, COMP ON—THR: 0 dB—RATIO:

∞: 1—

AT TACK: 0 msec—KNEE: HARD, MIX ON, LEVEL 0 dB

MIX45-48: Internal EFFECT5-8 SEND

MIX ON, LEVEL 0 dB

STEREO A-B: Side Fill Mix

GEQ INSERT, INSERT ON, LEVEL 0 dB

GEQ1-24

GEQ ON, LINK ON (GEQ21-24)

Scene # Title

00.3 FoH & Mon

INPUT CH1-96

EQ ON, TO STEREO ON, MIX SEND ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN

TO STEREO ON, CH ON

MIX1-16: Internal EFFECT SEND

PAIR ON, MIX ON, LEVEL 0 dB

MIX17-18: Stereo Sub Feed

PAIR ON, MIX ON, LEVEL –

∞ dB, GEQ INSERT, INSERT ON

MIX25-36: In Ear Monitor

PAIR ON, EQ ON, COMP ON —THR: 0 dB—RATIO:

∞: 1—

KNEE: HARD, MIX ON, LEVEL 0 dB

MIX37-48: Wedge Mix

GEQ INSERT, INSERT ON, MIX ON, LEVEL 0 dB

STEREO A-B

STEREO ON, LEVEL 0 dB, GEQ INSERT, INSERT ON

MATRIX1-12: Front Fill Speaker, Delay Speaker, Rec Out

PAIR ON, MATRIX ON, GEQ INSERT, INSERT ON (MATRIX1-6)

GEQ1-24

GEQ ON, LINK ON (GEQ1-12)

16 Appendix

This preset simulates an in-ear monitoring mix. It is a highly practical

preset, typical of the PM1D, with in-ear monitor and Wedge monitor

categorized into Output DCA for emergency use.

This preset simulates a musical mix scene. MIX1-12 are set to Fix, and

are designed to be used as buses.

This preset simulates a scene for an outside broadcasting truck or van.

It features the HPF setting that is very practical for broadcasting appli-

cation, and a MIX send setting that will simulate both internal and

external effect sends.

Scene # Title

00.4 In Ear Monitor

INPUT CH1-96

AT T: –10 dB, HPF ON—F: 50 Hz—SLOPE: 18 dB, EQ ON, COMP ON,

TO STEREO ON, MIX SEND ON, VARI PAN LINK ON, FIXED MIX

PAN ON, CH ON, LEVEL 0 dB

STEREO INPUT1-8: Internal EFFECT RETURN, 2-track Input

AT T: –10 dB, HPF ON—F: 50 Hz—SLOPE: 18 dB, EQ ON, COMP ON,

TO STEREO ON, MIX SEND ON, VARI PAN LINK ON, FIXED MIX

PAN ON, PAN MODE: BALANCE, CH ON

MIX1-24: In Ear Monitor

PAIR ON, EQ ON, DCA 11 ASSAIGN, MIX ON, LEVEL 0 dB

MIX25-36: Wedge Mix

GEQ INSERT, INSERT ON, DCA12 ASSIGN, MIX ON, LEVEL 0 dB

MIX45-48: Internal EFFECT SEND

EQ ON, DCA9 ASSIGN, MIX ON, LEVEL 0 dB

STEREO A-B

EQ ON, LEVEL 0 dB

GEQ1-24

GEQ ON, LINK ON (GEQ1-12)

DCA9, 11-12

DCA LEVEL 0 dB

Scene # Title

00.5 Musical

INPUT CH1-96

AT T: –3 dB, INSERT OFF—PRE DELAY, EQ ON, TO STEREO ON,

FIXED MIX PAN ON

STEREO INPUT1-8: Internal EFFECT RETURN, 2-track Input

EQ ON, FIXED MIX PAN ON

MIX1-12

FIX, PAIR ON (MIX5-6,11-12), EQ ON, TO MATRIX ON—LEVEL: 0 dB

(Even-numbered MIX bus sends from MIX 5 and 11, and odd-num-

bered MIX bus sends from MIX 6 and 12 are set to –∞ dB.), MIX ON,

LEVEL 0 dB

MIX13-48: Internal EFFECT SEND, etc.

VARI, PAIR ON (MIX13-24), EQ ON, DCA12 ASSIGN (MIX13-22),

DCA10 ASSIGN (MIX25-26), DCA11 ASSIGN (MIX33-35), MIX ON,

LEVEL 0 dB

STEREO A-B

EQ ON

MATRIX1-24

EQ ON, MATRIX ON, LEVEL 0 dB

EFFECT1-8

EFFECT1: MIX25, EFFECT2: MIX26, EFFECT3: MIX27, EFFECT5:

MIX33, EFFECT6: MIX34, EFFECT7: MIX35, EFFECT8: MIX36

Scene # Title

00.6 OB Truck

INPUT CH1-96

HPF ON—F: 95 Hz—SLOPE: 18 dB, EQ ON, COMP ON, MIX1-12

SEND ON, FIXED MIX PAN ON, CH ON

STEREO INPUT1-8: Playback, Internal EFFECT RETURN

MIX1-12 SEND ON (STIN1-4), FIXED MIX PAN ON, CH ON

MIX1-4: Internal EFFECT SEND

MIX ON, LEVEL 0 dB

MIX5-12: External EFFECT SEND

PAIR ON (MIX5-8), MIX ON, LEVEL 0 dB

MIX37-48: Wireless Camera Mix, Playback Mix, Mic Mix, etc.

FIX, INSERT ON (MIX45-48), PAIR ON (MIX45-48), DELAY ON—

86 msec@fs=48 kHz (MIX41), DCA11 ASSIGN (MIX45-46), DCA12

ASSIGN (MIX41, 47-48), TO STEREO ON (MIX41, 45-48), MIX ON

(MIX41, 45-48), LEVEL 0 dB (MIX41, 45-48)

STEREO A-B

INSERT ON—POST ON, TO MATRIX ON—MATRIX1-2 SEND LEVEL:

0 dB—MATRIX3 SEND LEVEL:–3.1 dB (STEREO A L/R), STEREO

ON, LEVEL 0 dB

MATRIX1-3

PAIR ON (MATRIX1-2), MATRIX ON, LEVEL 0 dB

EFFECT1-8

EFFECT1: MIX1, EFFECT2: MIX2, EFFECT3: MIX3, EFFECT4: MIX4,

EFFECT5: MIX45-46, EFFECT6: MIX47-48, EFFECT7: STEREO B L/

R, EFFECT8: STEREO A L/R, EFFECT5-8: MULTI BAND DYNA.

DCA11-12

DCA LEVEL 0 dB

Appendix 17

This preset simulates a theatrical mix scene. It features the default set-

tings for L-C-R panning.

This preset simulates a broadcasting application. It includes input

channel EQ and Comp settings that are typical to broadcasting, as well

as multiple sends.

This preset simulates a live recording application. MIX1-48 are set to

Fix, and sent to the recorder. Each channel’s direct out also features

settings appropriate for recording.

Scene # Title

00.7 Theatre

INPUT CH1-96

HPF OFF—F: 20 Hz, EQ ON, LCR ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN, etc.

HPF OFF—F: 20 Hz, EQ ON, LCR ON, CH ON

MIX1-12: Stage Mix, Monitor Mix, etc.

FIX (MIX1-4), EQ ON, DELAY ON —0.00 msec, MIX ON (MIX1-8),

LEVEL 0 dB (MIX1-8)

MIX13-48: Internal EFFECT SEND, etc.

PAIR ON (MIX13-20), EQ ON, DELAY ON—0.00 msec (MIX25-48),

MIX ON (MIX13-20,25-48), LEVEL 0 dB (MIX13-20)

STEREO A-B

LCR CENTER BUS CONTROL ON, EQ ON, TO MATRIX ON (STE-

REO A L/R), STEREO ON, LEVEL 0 dB

MATRIX1-24: Delay Mix, etc.

PAIR ON (MATRIX1-8), EQ ON, DELAY ON—0.00 msec, MATRIX ON,

LEVEL 0 dB (MATRIX1-12)

EFFECT1-8

EFFECT1: MIX13-14, EFFECT2: MIX15-16, EFFECT3: MIX17-18,

EFFECT4: MIX19-20

Scene # Title

00.8 Broadcast

INPUT CH1-24: Radio Lapel Mic

EQ ON—LOW TYPE: SHELF—LOW F: 71 Hz—LOW G: –3 dB—HIGH

MID Q: 0.90—G: +4 dB, COMP ON—THR:—18 dB—RATIO: 3.5: 1,

DCA1 ASSIGN (CH13), DCA2 ASSIGN (CH14), DCA3 ASSIGN

(CH15), DCA4 ASSIGN (CH16), DCA5 ASSIGN (CH17), DCA6

ASSIGN (CH18), DCA7 ASSIGN (CH19), DCA8 ASSIGN (CH20),

DCA9 ASSIGN (CH21), DCA10 ASSIGN (CH22), DCA11 ASSIGN

(CH23), DCA12 ASSIGN (CH24), TO STEREO ON, FIXED MIX PAN

ON, CH ON

INPUT CH25-96

HPF OFF—SLOPE: 12 dB, EQ ON, FIXED MIX PAN ON, CH ON,

LEVEL 0 dB

STEREO INPUT1-8: Internal EFFECT RETURN, Playback

TO STEREO ON, FIXED MIX PAN ON, CH ON

MIX1-16: Recording Mix

MIX ON, LEVEL 0 dB

MIX21-24: Internal EFFECT SEND

MIX ON, LEVEL 0 dB

MIX25-48: Sub Group

FIX, PAIR ON, TO STEREO ON, MIX ON, LEVEL 0 dB

STEREO A-B

COMP ON—THR:–18 dB (STEREO A), STEREO ON

EFFECT1-8

EFFECT1: MIX21, EFFECT2: MIX22, EFFECT3: MIX23, EFFECT4:

MIX24

DCA1-12

DCA LEVEL 0 dB

Scene # Title

00.9 Live Recording

INPUT CH1-96

DIRECT OUT POST ON, HPF OFF - SLOPE: 12 dB, EQ ON, TO STE-

REO ON, CH ON

STEREO INPUT1-8: Internal EFFECT RETURN, etc.

DIRECT OUT POST ON, HPF OFF—SLOPE: 12 dB, EQ ON, TO STE-

REO ON, CH ON

MIX1-48: Recording Mix

FIX, TO MATRIX ON—PRE FADER, MIX ON, LEVEL 0 dB

STEREO A-B

STEREO ON

MATRIX1-4: Internal EFFECT SEND

MATRIX ON, LEVEL 0 dB

EFFECT1-8

EFFECT1: MATRIX1, EFFECT2: MATRIX2, EFFECT3: MATRIX3,

EFFECT4: MATRIX4

DCA1-12

DCA LEVEL 0 dB

18 Appendix

072: REV-X HALL, 073: REV-X ROOM,

074: REV-X PLATE

These effects are a newly-developed 2-in/2-out reverb algorithm. They

provide a high-density, richly reverberant sound quality, with smooth

attenuation, spread and depth that work together to enhance the original

sound. You can choose one of three programs to suit the acoustic sound

ﬁeld and your intentions: REV-X Hall, REV-X Room, and REV-X Plate.

*1. This value applies only when the effect type is REV-X PLATE, with

ROOM SIZE set to 28. The setting range varies depending on the

effect type and the ROOM SIZE value.

075: COMP276

This effect emulates the characteristics of analog compressors that are

widely used in recording studios. It will produce a thick, strong frame

sound suitable for drums and bass. You can control two monaural

channels independently.

076: COMP276S

This effect emulates the characteristics of analog compressors that are

widely used in recording studios. It produces a thick, strong frame

sound suitable for drums and bass. You can link and control the L and

R channel parameters.

077: COMP260

This effect emulates the characteristics of mid 70’s compressors/limit-

ers that are the standard for live SR. You can control two monaural

channels independently. You can also link several parameters via stereo

links.

VCM Effect Parameter List

Parameter Range Description

REV TIME 0.47–46.92 s

Length of reverberation

INI. DLY 0.0–125.0 ms

Delay time until early reﬂection is

heard

HI. RATIO 0.1–1.0

The reverberation duration of the

high frequency range is expressed

as a ratio relative to REV TIME.

LO. RATIO 0.1–1.4

The reverberation duration of the low

frequency range is expressed as a

ratio relative to REV TIME.

LO. FREQ 22.0 Hz–18.0 kHz Reference frequency of LO. RATIO

DIFF. 0–10

Left and right directional spread of

reverb sound

ROOMSIZE 0–28 Size of space

DECAY 0–53 Speed at which the gate closes

HPF

THRU, 22.0 Hz–

8.00 kHz

Cut-off frequency for the high pass

ﬁlter

LPF

1.00 kHz–

18.0 kHz, THRU

Cut-off frequency for the low pass ﬁl-

ter

Parameter Range Description

INPUT 1 –180 to 0 dB

Adjusts the CH1 input level

OUTPUT 1 –180 to 0 dB

Adjusts the CH1 output gain

RATIO 1

2:1, 4:1, 8:1, 12:1,

20:1

Ratio for CH1 compressor

AT TACK 1 0.022–50.4 ms

Attack time for CH1 compressor

RELEASE1 10.88–544.22 ms

Release time for CH1 compressor

MAKE UP1 OFF, ON

Automatically corrects output gain

reduction when CH1 compressor is

applied

SIDEHPF1 OFF, ON

When the HPF in the side chain of the

CH1 compressor is turned on, the

compression applied to the low range

will be weakened, thus emphasizing

the low range.

INPUT 2 –180 to 0 dB

Adjusts the CH2 input level

OUTPUT 2 –180 to 0 dB

Adjusts the CH2 output gain

RATIO 2

2:1, 4:1, 8:1, 12:1,

20:1

Ratio of CH2 compressor

AT TACK 2 0.022–50.4 ms

Attack time of CH2 compressor

RELEASE2 10.88–544.22 ms

Release time of CH2 compressor

MAKE UP2 OFF, ON

Automatically corrects output gain

reduction when the CH2 compressor

is applied

SIDEHPF2 OFF, ON

When the HPF in the side chain of the

CH2 compressor is turned on, the

compression applied to the low range

will be weakened, thus emphasizing

the low range.

Parameter Range Description

INPUT –180 to 0 dB Adjusts the input level

OUTPUT –180 to 0 dB Adjusts the output gain

RATIO

1:2, 4:1, 8:1, 12:1,

20:1

Ratio of the compressor

AT TACK 0.022–50.4 ms

Attack time of the compressor

RELEASE 10.88–544.22 ms

Release time of the compressor

MAKE UP OFF, ON

Automatically corrects output gain

reduction when the compressor is

applied

SIDE HPF OFF, ON

When the HPF in the side chain of

the compressor is turned on, the

compression applied to the low

range will be weakened, thus

emphasizing the low range.

Parameter Range Description

THRE.1 –60 to 0.0 dB Threshold of CH compressor

KNEE1

SOFT, MEDIUM,

HARD

Knee of CH1 compressor

AT TACK1 0.01–80.0 ms Attack time of CH1 compressor

RELEASE1 6.2–999 ms Release time of CH1 compressor

RATIO1 1.0–500, ∞ Ratio of CH1 compressor

OUTPUT1 –20 to 40 dB Adjusts the CH1 output gain

THRE.2 –60 to 0.0 dB Threshold of CH2 compressor

KNEE2

SOFT, MEDIUM,

HARD

Knee of CH2 compressor

AT TACK2 0.01–80.0 ms Attack time of CH2 compressor

RELEASE2 6.2–999 ms Release time of CH2 compressor

RATIO2 1.0–500,

∞ Ratio of CH2 compressor

OUTPUT2 –20 to 40 dB Adjusts the CH2 output gain

ST LINK OFF, ON

Links CH1 and CH2 as a stereo pair.

THRE., KNEE, ATTACK, RELEASE,

and RATIO parameters are linked;

OUTPUT parameter is not linked

Appendix 19

078: COMP260S

This effect emulates the characteristics of mid 70’s compressors/limit-

ers that are the standard for live SR. You can link and control the L and

R channel parameters.

079: EQUALIZER601

This effect emulates the characteristics of 70’s analog equalizers. Re-

creating the distortion of typical analog circuits will add drive to the

sound.

*1. 16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1, HSH-2)

080: OPENDECK

It emulates the tape compression created by two open reel tape record-

ers (a recording deck and a playback deck.) You can change the sound

quality by adjusting various elements, such as the deck type, tape qual-

ity, playback speed, etc.

Parameter Range Description

THRE. –60 to 0.0 dB

Threshold of the compressor

KNEE

SOFT, MEDIUM,

HARD

Knee of the compressor

AT TACK 0.01–80.0 ms

Attack time of the compressor

RELEASE 6.2–999 ms

Release time of the compressor

RATIO 1.0–500, ∞ Ratio of the compressor

OUTPUT –20 to 40 dB Adjusts the output gain

Parameter Range Description

LO TYPE HPF-2/1, LSH-1/2 Type of EQ1

LO F

16.0 Hz to

20.0 kHz

Cut-off frequency of EQ1

LO G –18.0 to +18.0 dB Gain of EQ1

MID1 Q 0.50–16.0 Q of EQ2

MID1 F

16.0 Hz to 20.0 kHz

Center frequency of EQ2

MID1 G –18.0 to +18.0 dB Gain of EQ2

MID2 Q 0.50–16.0 Q of EQ3

MID2 F

16.0 Hz to 20.0 kHz

Center frequency of EQ3

MID2 G –18.0 to +18.0 dB Gain of EQ3

INPUT –18.0 to +18.0 dB Input gain

OUTPUT –18.0 to +18.0 dB Output gain

MID3 Q 0.50–16.0 Q of EQ4

MID3 F

16.0 Hz to 20.0 kHz

Center frequency of EQ4

MID3 G –18.0 to +18.0 dB Gain of EQ4

MID4 Q 0.50–16.0 Q of EQ5

MID4 F

16.0 Hz to 20.0 kHz

Center frequency of EQ5

MID4 G –18.0 to +18.0 dB Gain of EQ5

HI TYPE LPF-2/1, HSH-1/2 Type of EQ6

HI F

16.0 Hz to

20.0 kHz

Cut-off frequency of EQ6

HI G –18.0 to +18.0 dB Gain of EQ6

LO SW OFF, ON Switches EQ1 on/off

MID1 SW OFF, ON Switches EQ2 on/off

MID2 SW OFF, ON Switches EQ3 on/off

MID3 SW OFF, ON Switches EQ4 on/off

MID4 SW OFF, ON Switches EQ5 on/off

HI SW OFF, ON Switches EQ6 on/off

TYPE CLEAN, DRIVE

Selects the equalizer type. The

CLEAN equalizer provides non-dis-

torted, clear, typical digital sound,

emulating variations in frequency

response in the analog circuits. The

DRIVE equalizer provides distorted,

driven sound that enhances analog

ﬂavor, emulating changes in fre-

quency response in the analog cir-

cuits.

Parameter Range Description

REC DEC

Swss70, Swss78,

Swss85, Amer70

Selects the recording deck type

REC LVL –96.0 to +18.0 dB

Adjusts the input level of the record-

ing deck. As you raise the level, tape

compression is generated, which

narrows the dynamic range and dis-

torts the sound

REC HI –6.0 to +6.0 dB

Adjusts the high range gain of the

recording deck

REC BIAS –1.00 to +1.00

Adjusts the bias of the recording

deck

REPR DEC

Swss70, Swss78,

Swss85, Amer70

Selects the playback deck type

REPR LVL –96.0 to +18.0 dB

Adjusts the output level of the play-

back deck

REPR HI –6.0 to +6.0 dB

Adjusts the high range gain of the play-

back deck

REPR LO –6.0 to +6.0 dB

Adjusts the low range gain of the play-

back deck

MAKE UP Off, On

When you adjust the REC LVL, the

REPR LVL reﬂects the change,

maintaining the relative output level.

You can change the amount of dis-

tortion without changing the output

level.

TP SPEED 15ips, 30ips Selects the tape speed

TP KIND Old, New Selects the tape type

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WF52680 406IPAPx.x-01A0

Printed in Japan

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Yamaha PM1D Manual de utilizare

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Türkçe: Yamaha PM1D Kullanım kılavuzu
français: Yamaha PM1D Manuel utilisateur
čeština: Yamaha PM1D Uživatelský manuál
русский: Yamaha PM1D Руководство пользователя
English: Yamaha PM1D User manual
suomi: Yamaha PM1D Ohjekirja
polski: Yamaha PM1D Instrukcja obsługi
Deutsch: Yamaha PM1D Benutzerhandbuch
italiano: Yamaha PM1D Manuale utente
español: Yamaha PM1D Manual de usuario
svenska: Yamaha PM1D Användarmanual
dansk: Yamaha PM1D Brugermanual
português: Yamaha PM1D Manual do usuário
Nederlands: Yamaha PM1D Handleiding

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