Yamaha MU100R Manualul proprietarului

92-BP

FCC INFORMATION (U.S.A)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B”

digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a

residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio

frequencies and, if not installed and used according to the instructions found in the user’s manual, may cause interference harmful to

the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”,

please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in

to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the your local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division,

6600 Orangethorpe Ave, Buena Park, CA 90620

*

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

NEDERLAND / NETHERLAND

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij

op het moment dat u het apparaat ann het einde van de

levensduur afdankt of de volgende Yamaha Service Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Tel. 030-2828425

• For the removal of the battery at the moment of the disposal at

the end of the service life please consult your retailer or Yamaha

Service Center as follows:

Yamaha Music Nederland Service Center

Address: Kanaalweg 18-G, 3526 KL UTRECHT

Tel : 030-2828425

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small

chemical waste.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering.

Udskiftning må kun ske med batteri af samme fabrikat og

type. Levér det brugte batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma

batterityp eller en ekvivalent typ som rekommenderas av

apparattillverkaren. Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda

paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin.

Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power

supply or adapter other than one described in the manual,

on the name plate, or specifically recommended by

Yamaha.

WARNING: Do not place this product in a position

where anyone could walk on, trip over, or roll anything

over power or connecting cords of any kind. The use of

an extension cord is not recommended! If you must use

an extension cord, the minimum wire size for a 25' cord

(or less ) is 18 AWG. NOTE: The smaller the AWG

number, the larger the current handling capacity. For

longer extension cords, consult a local electrician.

This Product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by

Yamaha. If a cart, etc., is used, please observe all safety

markings and instructions that accompany the accessory

product.

SPECIFICATIONS SUBJECT TO CHANGE: The in-

formation contained in this manual is believed to be cor-

rect at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of pro-

ducing sound levels that could cause permanent hearing

loss. DO NOT operate for long periods of time at a high

volume level or at a level that is uncomfortable. If you

experience any hearing loss or ringing in the ears, you

should consult an audiologist. IMPORTANT: The louder

the sound, the shorter the time period before damage oc-

curs.

Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied with the

product or as optional accessories. Some of these items

are designed to be dealer assembled or installed. Please

make sure that benches are stable and any optional fix-

tures (where applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating

only. No other uses are recommended.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners re-

sponsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargeable battery which (if applicable) is soldered in

place. The average life span of this type of battery is

approximately five years. When replacement becomes

necessary, contact a qualified service representative to

perform the replacement.

This Product may also use “household” type batteries.

Some of these may be rechargeable. Make sure that the

battery being charged is a rechargeable type and that the

charger is intended for the battery being charged.

When installing batteries, do not mix old batteries with

new, or with batteries of a different type. Batteries MUST

be installed correctly. Mismatches or incorrect installation

may result in overheating and battery case rupture.

Warning: Do not attempt to disassemble, or incinerate

any battery. Keep all batteries away from children. Dis-

pose of used batteries promptly and as regulated by the

laws in your area.

Note: Check with any retailer of household type batteries

in your area for battery disposal information.

Disposal Notice: Should this Product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc. If your dealer is

unable to assist you, Please contact Yamaha directly.

NAME PLATE LOCATION: The name Plate is located

on the top of the product. The model number, power re-

quirements, etc., are located on this plate. (The serial

number is located on the rear panel.) You should record

the model number, serial number, and the date of pur-

chase in the spaces provided below and retain this manual

as a permanent record of your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

PLEASE KEEP THIS MANUAL

POWER

ON/ OFF

ii

Welcome to the MU100R

Congratulations and thank you for purchasing the Yamaha MU100R Tone

Generator!

The MU100R is an advanced tone generator providing an amazing total of

1523 high-quality Voices, full General MIDI compatibility — including

Yamaha’s new XG-MIDI (Extended General MIDI) — plus flexible

computer interfacing in a compact, easy-to-use rack mount unit.

Included in the 1523 Voices are 256 extraordinarily realistic and expres-

sive VL Voices — provided by a separate, yet integrated Virtual Acoustic

Synthesis tone generator.

With the convenient built-in host computer interface and MIDI termi-

nals, the MU100R is ideal for any computer music system — from con-

nection to a simple laptop to integration in a complete MIDI studio. With

its large LCD and the intuitive graphic controls on the display, the

MU100R is remarkably easy to use.

The MU100R also features completely independent dual MIDI inputs,

32 Part multi-timbral capacity and full 64-note polyphony for playback

of even the most sophisticated song data. A special Performance mode

gives you flexible four-Voice operation, for live performance applications.

Also built into the system are six digital multi-effects and two EQ sec-

tions (one per-part, and one overall), which give you enormous versatility

in “sweetening” the sound. What’s more, the MU100R provides a host of

comprehensive, yet easy-to-use editing tools for getting just the sound you

need.

The MU100R also has convenient A/D inputs that allow you to connect a

microphone, electric guitar or other instrument, and mix those signals with

the MU100R’s Voices. A separate Hamony effect section lets you auto-

matically apply two-, three- or four-part harmonies to your A/D input vo-

cals, and have them change as you play different chords on a connected

MIDI keyboard.

* Company names and product names in this Owner’s Manual are the trade-

marks or registered trademarks of their respective companies and are

hereby acknowledged.

Unpacking

iii

Unpacking

MU100R Serial No.:

PA-5B AC Power Adaptor

Owner’s Manual

Floppy Disk

Unpacking

Your MU100R package should include the items listed below. Make sure

that you have them all. Also, write down the serial number of your MU100R

in the box below, for future reference.

iv

Table of Contents

TABLE OF CONTENTS

Table of Contents

Welcome to the MU100R....................................................................................................... ii

Unpacking ..............................................................................................................................iii

Table of Contents .................................................................................................................. iv

How to Use This Manual ....................................................................................................viii

PRECAUTIONS.................................................................................................................... ix

The Controls of the MU100R................................................................................................ 1

Front Panel.................................................................................................................... 1

Rear Panel ..................................................................................................................... 3

The MU100R — What It Is and What It Can Do............................................................... 4

What It Is... ....................................................................................................................... 4

About General MIDI .................................................................................................... 4

About XG-MIDI ........................................................................................................... 5

What It Can Do... ............................................................................................................. 5

Using With MIDI Keyboard ......................................................................................... 5

Using With a Computer or Sequencer.......................................................................... 5

About the Modes of the MU100R ................................................................................... 6

Play Modes and the Part Controls ................................................................................ 7

Part Edit Mode.............................................................................................................. 7

Utility Mode ................................................................................................................. 7

Modes and Function Tree...................................................................................................... 8

GUIDED TOUR

Setting Up Your MU100R.............................................................................................. 12

What You'll Need ........................................................................................................ 12

Making the Connections............................................................................................. 12

Powering Up.................................................................................................................... 14

Playing the Demo Song .................................................................................................. 15

Setting Up the MU100R in Your Music System .......................................................... 17

Connecting to MIDI Devices ..................................................................................... 17

Connecting Directly to a Computer ........................................................................... 19

Macintosh and Compatibles ................................................................................. 19

IBM PC/AT and Compatibles ............................................................................... 21

Selecting and Playing the Performances...................................................................... 23

Calling Up the Performance Play Mode and Playing the Performances ................... 23

Selecting and Playing Individual Voices ...................................................................... 26

Calling Up the XG Mode ........................................................................................... 26

Selecting Voice Banks and Voices From the Panel .................................................... 27

Selecting Voices From a MIDI Keyboard .................................................................. 31

Editing in the Multi Mode ............................................................................................. 32

Single Part Controls.................................................................................................... 33

Changing the Volume and Pan settings of a Part .................................................. 34

On Your Own... ................................................................................................ 35

Table of Contents

v

TABLE OF CONTENTS

Edit Menu Parameters ................................................................................................ 36

Changing the Filter and EG Settings of a Part ..................................................... 36

On Your Own................................................................................................... 38

Editing Drum Kits — with the Drum Setup Controls ............................................... 39

Making Changes to Individual Drum Sounds — the "Drum" Parameters........... 40

On Your Own................................................................................................... 42

Editing in the Performance Mode ................................................................................ 43

All Part Controls ......................................................................................................... 44

Transposing the Overall Key of a Performance ......................................................... 45

Single Part Controls — Selecting Different Voices for the Performance .................. 46

On Your Own................................................................................................... 47

Edit Menu Parameters — Creating a Two-Voice Layer............................................. 48

Setting Up a Keyboard Split....................................................................................... 50

On Your Own................................................................................................... 51

Using the Assignable Controller in a Performance.................................................... 51

Saving Your Original Performance............................................................................. 52

Assignable Controller (AC1) ......................................................................................... 53

Controllers and Control Numbers .............................................................................. 53

Control Numbers and the Actual Sound..................................................................... 54

Assigning the Assignable Controller.......................................................................... 55

Using the Assignable Controller — Setting Up ......................................................... 56

Using the Assignable Controller — Some Applications............................................ 57

Changing the Brightness on a Piano Voice........................................................... 57

Experssive Volume Control of a Part .................................................................... 59

Expressive Control of Individual Drum Sounds .................................................. 59

On Your Own................................................................................................... 61

Playing and Editing VL Voices...................................................................................... 62

About the VL Voice Section ....................................................................................... 62

Virtual Acoustic Synthesis .................................................................................... 63

VA Advantages ................................................................................................ 63

VL Tone Generator Model .............................................................................. 63

Voice Organization................................................................................................ 67

Selecting VL Voice banks and VL Voices .................................................................. 69

Editing a VL Voice...................................................................................................... 71

Effects .............................................................................................................................. 73

Using Reverb and Chorus........................................................................................... 73

Applying Distortion to a Part — Using the Variation Effects.................................... 75

Harmony Effect .............................................................................................................. 77

Using the Harmony Effect.......................................................................................... 77

On Your Own................................................................................................... 79

Equalizer (EQ)................................................................................................................ 80

Adjusting the Tone of a Specific Part — Part EQ...................................................... 80

Adjusting the Overall Tone — Main EQ.................................................................... 82

Individual Outputs ......................................................................................................... 83

Using the Individual Outputs ..................................................................................... 83

vi

Table of Contents

TABLE OF CONTENTS

Mute/Solo ........................................................................................................................ 85

Using Mute/Solo......................................................................................................... 85

A/D Inputs....................................................................................................................... 87

Using the A/D Inputs .................................................................................................. 87

Data Flow Block Diagram ............................................................................................. 91

MIDI/Computer Connecting Cables ............................................................................ 92

REFERENCE

Multi Mode...................................................................................................................... 95

Part Controls ............................................................................................................... 95

Single Part Control................................................................................................ 96

All Part Control..................................................................................................... 98

Multi Edit Mode ....................................................................................................... 100

Filter (FIL) .......................................................................................................... 100

Envelope Generator (EG) ................................................................................... 102

Equalizer (EQ) .................................................................................................... 105

Vibrato................................................................................................................. 106

Others .................................................................................................................. 107

Drum Setup Controls .......................................................................................... 114

VL Voice Part Parameters (Plugin)..................................................................... 119

Performance Mode ....................................................................................................... 127

Performance Part Control ......................................................................................... 128

All Part ................................................................................................................ 128

Single Part ........................................................................................................... 129

Performance Edit Mode............................................................................................ 131

Common.............................................................................................................. 131

Part ...................................................................................................................... 134

Copy and Store Operations....................................................................................... 137

Copy .................................................................................................................... 137

Store .................................................................................................................... 138

Recall Function ................................................................................................... 140

Effect Edit Mode .......................................................................................................... 141

Reverb (REV) ........................................................................................................... 142

Chorus (CHO)........................................................................................................... 143

Variation (VAR) ........................................................................................................ 144

Insertion 1, 2 (INS 1, 2)............................................................................................ 146

Plugin (PLG) — Harmony Parameters .................................................................... 147

About the Effect Connections — System and Insertion .......................................... 152

Equalizer (EQ) Edit ..................................................................................................... 155

Table of Contents

vii

TABLE OF CONTENTS

Utility Mode .................................................................................................................. 156

System Functions (SYS) .......................................................................................... 157

Dump Out Functions (DUMP) ................................................................................. 161

Saving and Restoring Data via MIDI ................................................................. 161

Saving and Restoring Data via TO HOST.......................................................... 161

Initialize Functions (INIT) ....................................................................................... 165

Demo Song Play (DEMO) ....................................................................................... 168

VL Voice and Harmony System Parameters (PLUGIN).......................................... 169

VL Voice System Parameters.............................................................................. 169

Harmony System Parameters.............................................................................. 171

Sound Module Mode (MODE).................................................................................... 172

Miscellaneous Functions.............................................................................................. 173

Show Control Change............................................................................................... 173

Show Exclusive......................................................................................................... 175

APPENDIX

Troubleshooting ............................................................................................................ 178

Error Messages ............................................................................................................. 180

Specifications ................................................................................................................ 181

Glossary......................................................................................................................... 183

Index .............................................................................................................................. 185

viii

How to Use This Manual

You are probably eager to try out your new MU100R Tone Generator right

away and hear what it can do, rather than have to read through a lot of in-

structions before you can even get a sound out of it.

The structure of the manual is very straightforward. You can approach it in

a linear manner, reading through from beginning to end, or on an “on-de-

mand” basis, going directly to the information you need as you need it.

However, to get the most out of your MU100R, we strongly suggest that you

read the following sections in the order given:

1) Precautions

This gives you important information on how to care for your new

MU100R, how to avoid damaging it, and how to ensure long-term, re-

liable operation.

2) The MU100R — What It Is and What It Can Do

This briefly provides an overview of the functions and features of the

MU100R and offers some important hints on how you can use it effec-

tively. It also provides convenient page references so that you can eas-

ily find out about features and functions of interest.

3) The Controls of the MU100R

This section introduces you to the panel controls and connectors.

4) Guided Tour

This is perhaps the most important and valuable section of the manual.

It gets you started using your new MU100R, helping you set up the in-

strument and play it — and it introduces you to virtually all of the im-

portant functions and features. The hands-on experience you gain in

this section will help you quickly master the instrument and aid you in

navigating the more detailed sections of the manual.

5) Setting Up the MU100R in Your Music System;

Using the MU100R with a Computer or Sequencer

These sections (within the Tutorial) provide all you need to know to effec-

tively integrate the MU100R into your present computer music system.

6) Reference

Once you’re familiar with everything above, lightly go over this com-

prehensive guide to all editing functions. You won’t need (or want) to

read everything at once, but it is there for you to refer to when you

need information about a certain feature or function.

7) Appendix

Use the sections in the Appendix as necessary. For example, the Index

will come in handy when you need to quickly find information on a

specific topic. Other sections, such as the Glossary, Troubleshooting

and Error Messages provide additional useful information.

8) Sound List & MIDI Data booklet

This separate booklet features lists of the Performances, Voices, drum

sounds, effect types and parameters, as well as details on all relevant

MIDI messages and data.

PRECAUTIONS

ix

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing

loss. If you experience any hearing loss or ringing in the ears, consult a

physician.

■REPLACING THE BACKUP BATTERY

• This instrument contains a non rechargeable internal backup battery

which permits internal data to remain stored even when the power is off.

When the backup battery needs replacing, the message “Battery Low!”

will display in the display. When this happens, immediately back up

your data (using an external device such as the floppy disk-based

Yamaha MIDI Data Filer MDF2), then have qualified Yamaha service

personnel replace the backup battery.

• Do not attempt to replace the backup battery yourself, in order to prevent

the possible serious hazards. Always have qualified Yamaha service

personnel replace the backup battery.

• Never place the backup battery in a location that a child can reach, since

a child might accidentally swallow the battery. If this should happen,

consult a physician immediately.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer

MDF2, in order to help prevent the loss of important data due to a

malfunction or user operating error.

Yamaha cannot be held responsible for damage caused by improper

use or modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts

or modify them in any way. The instrument contains no user-serviceable

parts. If it should appear to be malfunctioning, discontinue use

immediately and have it inspected by qualified Yamaha service

personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might

spill into any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is

a sudden loss of sound during use of the instrument, or if any unusual

smells or smoke should appear to be caused by it, immediately turn off

the power switch, disconnect the adaptor plug from the outlet, and have

the instrument inspected by qualified Yamaha service personnel.

• Use the specified adaptor (PA-5B or an equivalent recommended by

Yamaha) only. Using the wrong adaptor can result in damage to the

instrument or overheating.

• Before cleaning the instrument, always remove the electric plug from

the outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which

may have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as heaters or

radiators, and do not excessively bend or otherwise damage the cord,

place heavy objects on it, or place it in a position where anyone could

walk on, trip over, or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always

hold the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple-

connector. Doing so can result in lower sound quality, or possibly cause

overheating in the outlet.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Before connecting the instrument to other electronic components, turn

off the power for all components. Before turning the power on or off for

all components, set all volume levels to minimum.

• Do not expose the instrument to excessive dust or vibrations, or extreme

cold or heat (such as in direct sunlight, near a heater, or in a car during

the day) to prevent the possibility of panel disfiguration or damage to

the internal components.

• Do not use the instrument near other electrical products such as

televisions, radios, or speakers, since this might cause interference which

can affect proper operation of the other products.

• Do not place the instrument in an unstable position where it might

accidentally fall over.

• Before moving the instrument, remove all connected adaptor and other

cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint

thinners, solvents, cleaning fluids, or chemical-impregnated wiping

cloths. Also, do not place vinyl or plastic objects on the instrument,

since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument,

and do not use excessive force on the buttons, switches or connectors.

The Controls of the MU90R

1

The Controls of the MU100R

Front Panel

1 PHONES jack

For connection to a set of stereo headphones (1/4” plug).

2 VOLUME control

For adjusting the overall volume of the MU100R.

3 A/D INPUT 1, 2 jacks

For connection of a microphone, electric guitar or other electronic instruments

(mono 1/4” plugs).

4 A/D INPUT VOLUME control

For control of the level of the A/D inputs.

5 PLAY button

For entering the Play mode and switching among the different Play displays.

(See page 24.)

6 UTIL (UTILITY) button

For entering the Utility mode. (See page 15.)

7 MODE button

For entering the Sound Module mode. (See page 23.)

8 EDIT button

For entering the Edit mode. (See page 36.)

9 EFFECT button

For entering the Effect Edit mode. (See page 74.)

: EQ button

For entering the EQ Edit mode. (See page 82.)

1324 58

7

9

6

0

2

The Controls of the MU90R

The Controls of the MU100R

A MUTE/SOLO button

Pressing this alternately mutes or solos the selected Part. (See page 85.)

B ENTER button

For calling up menu items in the display and for executing certain functions

and operations. Double-clicking this (pressing it twice quickly) calls up the

Show Exclusive function (see page 175).

C EXIT button

For leaving various display pages and returning to previous displays. Also for

canceling certain functions and operations.

D PART -/+ buttons

For selecting different Parts. In the Effect Edit mode, these can be used to

switch among the different effects. Pressing these together alternately switches

between All Part and Single Part control. (See page 48.)

E SELECT </> buttons

For selecting the various menu items, parameters and controls on the display.

F VALUE -/+ buttons

For changing the value of a selected parameter or control.

Hint

You can rapidly move through the values by holding down one of the [VALUE

-

/

+

]

buttons. You can move even more rapidly by holding down one button and then press-

ing and holding down the other. For example, to rapidly advance (increase) the value,

hold down the [VALUE

+

] button and simultaneously press and hold down the [VALUE

-

] button.

G Data dial

For rapidly adjusting/changing values of the selected function or parameter.

Rotate this clockwise to increase the value.

H POWER switch

Pressing this turns the power on and off.

POWER

ON/ OFF

GHA

C

E

B

F

D

The Controls of the MU90R

3

The Controls of the MU100R

Rear Panel

1 MIDI THRU, MIDI OUT and MIDI IN A/B terminals

For connection to other MIDI devices, such as a MIDI keyboard, tone genera-

tor, sequencer, or to a computer that has a MIDI interface. MIDI IN A and B

are independent MIDI ports, allowing full 32-channel MIDI input. MIDI OUT

is for data dumps to another MIDI device, while MIDI THRU is for “daisy-

chain” connection of additional MU100Rs or other MIDI instruments. (See

page 17 for more information on MIDI connections.)

2 HOST SELECT switch

For selecting the type of host computer. (See page 19.)

3 TO HOST terminal

For connection to a host computer that does not have a MIDI interface. (See

page 19.)

4 DC IN jack

For connection to the PA-5B AC power adaptor.

5 OUTPUT R, L/MONO jacks (Right, Left/Mono)

For connection to a stereo amplifier/speaker system. When using a mono sys-

tem, connect it to the L/MONO jack.

6 INDIV. (Individual) OUTPUT 1, 2 jacks

For independent output of selected Parts (1/4” jack). Parts selected for output

through these jacks are not output through the main OUTPUT or PHONES

jacks. (See pages 113 and 118.)

543216

4

The MU100R — What It Is and What It Can Do

What It Is...

The MU100R is a full-featured and easy-to-use tone generator, that provides an

unprecedented wealth of Voices and expressive sonic control. It features full

General MIDI Level 1 compatibility with 128 General MIDI Voices and 9 drum

kits. It also provides new XG-MIDI (Extended General MIDI) compatibility,

with an huge total of 1074 Voices and 36 drum kits. Moreover, it has an inte-

grated VL tone generator that provides 256 stunning monophonic Voices utiliz-

ing Yamaha’s sophisticated Virtual Acoustic Synthesis system.

The MU100R has 64-note polyphony and is 32-Part multi-timbral. In other

words, the MU100R has 32 different Parts, each with its own Voice, so that up to

32 different Voices can be sounded simultaneously. Since the MU100R features

dual MIDI input ports (A and B), 16 Parts can be played from one MIDI port and

the remaining 16 from the other port.

Additional A/D Parts let you connect up to two external signals — such as a

microphone, electric guitar or CD player — and mix them with the MU100R’s

Voices.

The MU100R also has a TO HOST terminal for easy interfacing with a com-

puter, allowing you to play the Voices using your favorite music software. This

is where the advanced multi-timbral capabilities come in, letting you playing

sophisticated arrangements using up to 32 different Voices at the same time.

Although Voices cannot be directly edited, the various Part controls and Edit

mode give you tools for transforming or customizing the sound of the Voices.

What’s more, the MU100R has a built-in multi-effect processor, with seven in-

dependent digital effect “units” for enhancing the sound. Included in these is a

powerful Harmony section that allows you to generate realistic vocal harmonies

with your actual voice (using one of the A/D Parts).

The MU100R also features a special Performance mode, in which four Parts

are played simultaneously over a single MIDI channel. Connected to a MIDI

keyboard, this effectively gives you four tone generators in one. The MU100R

gives you 100 factory-programmed Preset Performances plus 100 Internal Per-

formance locations for storing your own original Performances.

About General MIDI

General MIDI is a new addition to the worldwide MIDI standard. MIDI, as

you know, stands for Musical Instrument Digital Interface, and makes it

possible for various electronic musical instruments and other devices to “com-

municate” with each other. For example, by connecting a sequencer to the

MU100R’s MIDI IN terminal, you could play back a song on the sequencer

using the Voices of the MU100R.

The MU100R — What It Is and What It Can Do

5

The MU100R — What It Is and What It Can Do

So, where does General MIDI fit in all of this? One of the most important

features of General MIDI is in the standardization of Voices. This means that a

song recorded in the General MIDI format can be played back on any General

MIDI compatible tone generator and sound just as the composer intended. For

example, if there is an alto sax solo in the song, it will be played by an alto sax

Voice on the General MIDI tone generator (and not by a tuba or harpsichord!).

Since the MU100R is fully compatible with General MIDI, you can take advan-

tage of the vast wealth of musical material recorded in that format.

About XG-MIDI

The new XG format is an extension of General MIDI, and provides a number of

significant improvements and enhancements. XG-compatible song data takes

advantage of the extensive MIDI control and built-in effects of the MU100R

(and other MU-series instruments).

To take greatest advantage of the powerful capabilities of XG-MIDI, we rec-

ommend using XG-compatible instruments and software. For example, XG-

compatible keyboards such as the Yamaha CBX-K1 keyboard and software give

you direct controls for accessing the full expressive potential of the MU100R’s

XG Voices and the XG-related parameters.

What It Can Do...

Here are a few ideas on how you can use the MU100R. The list below is not

comprehensive, but is meant to be a general guide to the possibilities and pro-

vide a starting point or springboard for your own creative ideas and explorations.

Using With MIDI Keyboard

Use the MU100R as supplementary tone generator with your MIDI key-

board and play the Voices of both instruments in a layer together. Or, use the

convenient Performance mode, and play four Voices on the MU100R at once.

You can split the four Voices across the keyboard, playing each from a dif-

ferent register. Or you can create sophisticated velocity splits, in which a

different Voice is heard depending on how strongly you play the keyboard.

Or use keyboard and velocity splits together for even greater flexibility.

Using With a Computer or Sequencer

Home Studio Setup

The MU100R integrates instantly and easily into any existing setup. If you have a

MIDI keyboard, computer and sequencing software, the MU100R with its high-

quality Voices and multi-timbral capabilities can expand your home studio system.

6

The MU100R — What It Is and What It Can Do

Carry It With You

If you have a laptop computer (and sequencing software), simply connect the

MU100R, plug in some headphones and you’ve got a complete, high-powered

music making system that’s ready to go wherever you go. Use it for composing,

arranging, practicing or making/playing demos for your band.

Use It on a Gig

Similarly, you can connect a laptop or a MIDI data filer and playback song data with

the MU100R’s Voices. Plug a microphone into one of the A/D inputs and a guitar

into the other, and you can mix your own live performance with the sequencer tracks.

What’s more, you can produce automatic vocal harmonies with the Harmony effect

— controlled either from a keyboard or directly from one of the sequencer tracks!

Multimedia

Since it’s compatible with General MIDI and XG, the MU100R is a natural for

multimedia applications. Bring it with you to a presentation — since the com-

puter interface is built-in to the MU100R, it hooks up instantly and easily to the

computer’s serial port or printer port, without the need for any other equipment.

About the Modes of the MU100R

The MU100R has two main operating modes: Multi and Performance. In

Multi mode, the MU100R is a 32-Part multi-timbral tone generator; in Per-

formance mode, the MU100R effectively functions as four tone generators

controlled over a single MIDI channel.

Which mode the MU100R is in depends on the selected Sound Module

mode. If XG, TG300B or C/M are selected, the MU100R automatically sets

itself to the Multi mode. When PFM is selected, the MU100R is in the Per-

formance mode. (For information on selecting the Sound Module mode, see

page 172.)

Each mode provides compatibility with different music software and hard-

ware.

XG: This stands for Extended General MIDI and provides the full

potential of the MU100R, giving you access to the 1074 XG Voices

plus the VL Voices.

TG300B: This mode provides compatibility with the GM-B mode of the

TG300 Tone Generator.

C/M: This mode provides compatibility with most computer music soft-

ware not supported by the other two Multi modes.

PFM: This mode (Performance) lets you play four Voices simultaneously

over a single MIDI channel. (For more information on using the

Performance mode, see page 43.)

The MU100R — What It Is and What It Can Do

7

The MU100R — What It Is and What It Can Do

The bottom right of the display indicates the currently selected Sound Mod-

ule mode.

Selected Sound Module mode.

NOTE

When set to the TG300B mode, the MU100R may not be able to play TG300-spe-

cific song data with complete accuracy. However, MIDI data designed for other

computer music tone generators is compatible with the MU100R.

Play Modes and the Part Controls

Once the operating mode of the MU100R is set (Multi or Performance),

there are two main ways you can use the MU100R: playing and editing. In

the Play modes, you play the Voices; in the various Edit modes, you change

their settings.

Within the Play modes are the Part controls. These let you make basic

settings for the Parts. The Single Part controls allow you to make indepen-

dent settings for each Part, while the All Part controls allow you to change

the overall settings of all Parts. (See pages 96 and 98 for more information.)

The MU100R has several different Edit modes, each with various menus

and operations:

Part Edit Mode

The Part Edit mode allows you to change certain settings for each individual

Part, such as those of the Filter, EG (Envelope Generator), and many other

settings. The internal Voices can be sounded during editing, allowing you to

hear the effects of your edits.

Utility Mode

The Utility mode lets you set functions related to the overall operation of the

MU100R, such as Master Tune, display Contrast and reception of certain

MIDI messages that affect the entire instrument. Included also are miscella-

neous operations, such as sending bulk data to a data storage device, initial-

izing of the MU100R settings, and playing the special Demo song.

XG

TG300B

C/M

PERFORM

8

The MU100R — What It Is and What It Can Do

Modes and Function Tree

Multi Play Mode

P. 96

P. 98

P. 129

P. 100

P. 102

P. 105

P. 114

P. 106

P. 119

P. 107

P. 128

P. 131

P. 134

P. 135

P. 137

P. 138

P. 140

[SELECT </>] Multi Part Control

[SELECT </>] Multi All Part Control

[SELECT </>] Performance Control

[SELECT </>] Performance Part Control

[EDIT]

Performance Edit Mode

[SELECT <] Common Edit [ENTER]

[SELECT <] Filter Edit [ENTER]

[SELECT </>] EG Edit [ENTER]

[SELECT </>] EQ Edit [ENTER]

[SELECT </>] Vibrato Edit [ENTER]

P. 136

[SELECT >] Plugin Edit (

Only when VL Part is selected.

) [ENTER]

[SELECT </>] Others Edit [ENTER]

[SELECT </>] Part Edit [ENTER]

[SELECT </>] Copy [ENTER]

[SELECT </>] Store [ENTER]

[SELECT >] Recall [ENTER]

[PLAY]

[EDIT]

Multi Part Edit Mode

[SELECT <] Filter Edit [ENTER]

[SELECT </>] EQ Edit (Only when Normal or VL Part is selected.) [ENTER]

[SELECT </>] Drum Setup Edit

(Only when Drum Part is selected.)

[ENTER]

[SELECT >] Plugin Edit

(Only when VL Part is selected.)

[ENTER]

[SELECT </>] Vibrato Edit [ENTER]

[SELECT </>] Others Edit [ENTER]

P. 127

P. 95

[PART++-]

[SELECT </>] EG Edit [ENTER]

[PART++-]

( When the sound module mode is “XG”, “TG300B”, or “C/M”)

Performance Play Mode (

When the sound module mode is ”PFM”)

The MU100R — What It Is and What It Can Do

9

Modes and Function Tree

P. 156

: Mode

: Submode

[SELECT <] System Setup [ENTER]

[SELECT </>] Dump Out [ENTER]

[SELECT </>] Initialize [ENTER]

[SELECT </>] Demo Song Play [ENTER]

[UTIL]

[MODE]

[EFFECT]

[EQ]

P. 157

P. 172

P. 142

P. 143

P. 144

P. 146

P. 147

P. 155

P. 161

P. 165

P. 168

[SELECT >] Plugin [ENTER]

P. 169

[SELECT </>] Chorus Edit [ENTER]

[SELECT </>] Variation Edit [ENTER]

[SELECT </>] Insertion 1 Edit [ENTER]

[SELECT </>] Insertion 2 Edit [ENTER]

[SELECT >] Plugin Edit [ENTER]

[SELECT <] Reverb Edit [ENTER]

[SELECT <] or [VALUE-] XG

[SELECT </>] or [VALUE+/-] TG300

[SELECT </>] or [VALUE+/-] C/M

P. 141

[SELECT >] or [VALUE+] PFM

Push on the SELECT buttons either < or > for SELECT < / >.

Push on the PART + and - simultaneously for PART ++ -.

Utility Mode

Sound Module Mode

Effect Mode

Equalizer Mode

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