Yamaha MW12C Manualul proprietarului

Marca: Yamaha

Model: MW12C

Categorie: Echipamente muzicale

Tip: Manualul proprietarului

Acest manual este potrivit și pentru

MW12CX

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Owner’s Manual

Bedienungsanleitung

Mode d’emploi

Manual de instrucciones

MW12CX/MW12C Owner’s Manual

* This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (2 wires)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals

in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011

Type of Equipment : USB Mixing Studio

Model Name : MW12CX/MW12C

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference that may cause undesired operation.

See user manual instructions if interference to radio reception is suspected.

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions

contained in this manual, meets FCC requirements. Modiﬁ-

cations not expressly approved by Yamaha may void your

authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories

and/or another product use only high quality shielded cables.

Cable/s supplied with this product MUST be used. Follow all

installation instructions. Failure to follow instructions could

void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply

with the requirements listed in FCC Regulations, Part 15 for

Class “B” digital devices. Compliance with these require-

ments provides a reasonable level of assurance that your use

of this product in a residential environment will not result in

harmful interference with other electronic devices. This

equipment generates/uses radio frequencies and, if not

installed and used according to the instructions found in the

users manual, may cause interference harmful to the opera-

tion of other electronic devices. Compliance with FCC regula-

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

tions does not guarantee that interference will not occur in all

installations. If this product is found to be the source of inter-

ference, which can be determined by turning the unit “OFF”

and “ON”, please try to eliminate the problem by using one of

the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to distrib-

ute this type of product. If you can not locate the appropriate

retailer, please contact Yamaha Corporation of America,

Electronic Service Division, 6600 Orangethorpe Ave, Buena

Park, CA90620

The above statements apply ONLY to those products distrib-

uted by Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

(class b korea)

MW12CX/MW12C Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the device. The required voltage is

printed on the name plate of the device.

• Use only the included AC power adaptor (PA-20 or an equivalent recommended

by Yamaha).

• Do not place the power cord near heat sources such as heaters or radiators, and

do not excessively bend or otherwise damage the cord, place heavy objects on

it, or place it in a position where anyone could walk on, trip over, or roll anything

over it.

• Do not open the device or attempt to disassemble the internal parts or modify

them in any way. The device contains no user-serviceable parts. If it should

appear to be malfunctioning, discontinue use immediately and have it inspected

by qualiﬁed Yamaha service personnel.

• Do not expose the device to rain, use it near water or in damp or wet conditions,

or place containers on it containing liquids which might spill into any openings.

• Never insert or remove an electric plug with wet hands.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the device, or if any unusual smells or smoke

should appear to be caused by it, immediately turn off the power switch,

disconnect the electric plug from the outlet, and have the device inspected by

qualiﬁed Yamaha service personnel.

• If this device or the AC power adaptor should be dropped or damaged,

immediately turn off the power switch, disconnect the electric plug from the

outlet, and have the device inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the device or other property. These precautions include, but are not limited to, the following:

• Remove the electric plug from the outlet when the device is not to be used for

extended periods of time, or during electrical storms.

• When removing the electric plug from the device or an outlet, always hold the

plug itself and not the cord. Pulling by the cord can damage it.

•To avoid generating unwanted noise, make sure there is adequate distance (50

cm or more) between the AC power adaptor and the device.

• Do not cover or wrap the AC power adaptor with a cloth or blanket.

• Before moving the device, remove all connected cables.

• When setting up the device, make sure that the AC outlet you are using is easily

accessible. If some trouble or malfunction occurs, immediately turn off the

power switch and disconnect the plug from the outlet. Even when the power

switch is turned off, electricity is still ﬂowing to the product at the minimum

level. When you are not using the product for a long time, make sure to unplug

the power cord from the wall AC outlet.

•Avoid setting all equalizer controls and faders to their maximum. Depending on

the condition of the connected devices, doing so may cause feedback and may

damage the speakers.

• Do not expose the device to excessive dust or vibrations, or extreme cold or heat

(such as in direct sunlight, near a heater, or in a car during the day) to prevent

the possibility of panel disﬁguration or damage to the internal components.

• Do not place the device in an unstable position where it might accidentally fall

over.

• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile

phone, or other electric devices. Doing so may result in noise, both in the device

itself and in the TV or radio next to it.

• Before connecting the device to other devices, turn off the power for all devices.

Before turning the power on or off for all devices, set all volume levels to

minimum.

• When turning on the AC power in your audio system, always turn on the power

ampliﬁer LAST, to avoid speaker damage. When turning the power off, the power

ampliﬁer should be turned off FIRST for the same reason.

• Do not insert your ﬁngers or hands in any gaps or openings on the device.

•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any

gaps or openings on the device. If this happens, turn off the power immediately

and unplug the power cord from the AC outlet. Then have the device inspected

by qualiﬁed Yamaha service personnel.

• Do not use the device or headphones for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

• Do not rest your weight on the device or place heavy objects on it, and avoid use

excessive force on the buttons, switches or connectors.

Power supply/Power cord

Do not open

Water warning

If you notice any abnormality

Power supply/Power cord

Location

Connections

Handling caution

(5)-4

MW12CX/MW12C Owner’s Manual

Always turn the power off when the device is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the device at the minimum level. When you are not using the device for a long

time, make sure you unplug the power cord from the wall AC outlet.

The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualiﬁed Yamaha service

personnel about replacing defective components.

The MW mixer may heat up by as much as 15 to 20°C while the power is on. This is normal. Please note that the panel temperature may exceed 50°C in ambient

temperatures higher than 30°C, and use caution to prevent burns.

* This Owner’s Manual applies to both the MW12CX and MW12C. The main difference between the two models is that the MW12CX includes digital effects while the

MW12C has no internal effects.

* In this manual the term “MW mixers” refers to both the MW12CX and MW12C. In cases where different features need to be described for each model, the MW12CX

feature will be described ﬁrst, followed by the MW12C feature in brackets: MW12CX (MW12C).

SPECIAL NOTICES

• The owner’s manual is the exclusive copyright of Yamaha Corporation.

• The included software is the exclusive copyright of Steinberg Media Technologies GmbH.

• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.

•Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of

this manual and the software.

• This disk is a DVD-ROM. Do not attempt to play the disk on a DVD player. Doing so may result in irreparable damage to your DVD player.

• Visit the web address below for the latest information on supplied software and operating system requirements.

<http://www.yamahasynth.com/>

The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your

instrument.

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’

copyrights. Such copyrighted materials include, without limitation, all computer software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and sound recordings. Any

unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences.

DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.

• Windows is the registered trademarks of Microsoft® Corporation.

• Apple, Mac and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.

• Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH.

• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.

Speciﬁcations and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or

speciﬁcations at any time without prior notice. Since speciﬁcations, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).

Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the device, or data that is lost or destroyed.

MW12CX/MW12C Owner’s Manual

Introduction...........................................5

Features.......................................................... 5

Contents.......................................................... 5

Before Turning on the Mixer............................ 6

Turning the Power On/OFF............................. 6

■ Mixer Basics................................ 7

Quick Guide ..........................................7

1. Installing Cubase AI .................................... 7

2. Connecting to the MW mixer....................... 7

3. Powering Up the System ............................ 8

4. Adjusting Level and Tone ........................... 9

5. Recording with Cubase AI ........................ 10

6. Mixing with Cubase AI .............................. 13

■ Reference .................................. 15

Setup....................................................15

Front & Rear Panels ...........................16

Channel Control Section ............................... 16

Master Control Section.................................. 18

Digital Effect.................................................. 20

Rear Input/Output Section............................. 20

Digital Effect Program List............................. 21

Jack List ........................................................ 21

Troubleshooting .................................22

Specifications .....................................91

Electrical Specifications ................................ 91

General Specifications .................................. 91

Analog Input Specifications........................... 92

Analog Output Specifications........................ 92

Digital Input/Output Specifications ................ 92

Dimensional Diagrams.................................. 93

Block Diagram and Level Diagram................ 94

About the accessory disk..................95

Introduction

Thank you for choosing a Yamaha MW12CX/MW12C USB Mixing Studio. The MW12CX/MW12C

includes an audio mixer equipped with a USB interface for digital audio data transfer, and Cubase AI

DAW (Digital Audio Workstation) software for Windows® and Macintosh® computer operating sys-

tems. With the MW12CX/MW12C USB Mixing Studio and your personal computer you have the basic

elements of a high-performance computer recording system that is easy to set up and operate.

Please read through this manual carefully before beginning use, so that you will be able to take full

advantage of your mixer’s superlative features and enjoy trouble-free operation for years to come. After

reading the manual, please store it in a safe place.

Connect To Your Computer via a Single USB

Cable (page 7)

The MW mixer connects to your computer via the supplied

USB cable. Stereo audio data is transferred in both direc-

tions—from the mixer to the computer, and vice-versa—via

the USB connection (44.1 kHz or 48 kHz sampling fre-

quency).

No Driver Installation Required (page 7)

The MW system uses the standard drivers included in your

computer’s operating system, so there’s no need to install

any extra driver software.

Cubase AI DAW Software Supplied (page 7)

Cubase AI software, included in the MW package, offers

versatile, high-performance hard-disk recording capability.

Compression (page 9)

Compression increases the overall level without introducing

distortion by compressing excessive peaks in the signals

from microphones and guitars.

Mixer Functions (page 16)

The MW mixer can handle up to 12 simultaneous inputs,

mixing them to STEREO OUT or REC OUT. You could con-

nect four microphones and four stereo sources, or six

microphones and two stereo sources, for example. AUX

SEND connectors are provided for convenient connection

to external signal processors or other equipment.

48V Phantom Power (page 19)

A PHANTOM switch supplies +48V phantom power to the

mixer’s microphone inputs, so you can use high-quality

phantom-powered condenser microphones for superior

recording quality.

Features

Accessories

• Cubase AI DVD-ROM

•Power adaptor (PA-20)*

• USB cable

• Owner’s Manual (this book)

*May not be included depending on your particular area. Please

check with your Yamaha dealer.

Contents

Introduction

MW12CX/MW12C Owner’s Manual

Be sure that the mixer’s power switch is in the

STANDBY position.

Use only the included power adaptor (PA-20) or

an equivalent recommended by Yamaha. Use of a

different adaptor may result in equipment dam-

age, overheating, or ﬁre.

Connect the power adaptor to the AC ADAPTOR IN

connector (

q) on the rear of the mixer, and then

turn the fastening ring clockwise (

w) to secure the

connection.

Plug the power adaptor into a standard household

power outlet.

• Be sure to unplug the adaptor from the outlet

when not using the mixer, or when there are

lightning storms in the area.

•To avoid generating unwanted noise, make

sure there is 50 cm or more between the power

adaptor and the mixer.

Press the mixer’s power switch to the ON position.

When you are ready to turn the power off, press the

power switch to the STANDBY position.

Note that trace current continues to ﬂow while the

switch is in the STANDBY position. If you do not plan

to use the mixer again for a long while, please be sure

to unplug the adaptor from the wall outlet.

To prevent loud pops and noises, turn on the power to

your sound gear starting with the sources (instruments,

CD players, etc.) and ending with the power ampliﬁer or

powered speakers.

Example : Instruments, microphones, and CD players

ﬁrst, then the mixer, and ﬁnally the power

ampliﬁer or powered speakers.

When turning off the power to the system, reverse the

order described above.

Before Turning on the Mixer

Turning the Power On/OFF

CAUTION

NOTE

Mixer Basics

MW12CX/MW12C Owner’s Manual

Quick Guide

This quick setup and operation guide covers everything from installing the Cubase AI software to

using Cubase AI for recording and mixdown. While going through this section you might find it useful

to also refer to the “Front and Rear Panels” section on page 16, as well as the pdf manual supplied

with the Cubase AI software.

You are only permitted to use this software pursuant to the terms and conditions of the “Steinberg Soft-

ware End User License Agreement (EULA)” shown during the installation.

Start the computer and log on to the Administrator account.

Insert the included DVD-ROM into the computer’s DVD-ROM drive.

Follow the on-screen instructions to install the Cubase AI software.

• In order to have continuous use of Cubase AI, including support and other beneﬁts, you will need to register the

software and activate your software license by starting it while the computer is connected to the Internet. Click

the “Register Now” button shown when the software is started, then ﬁll in all required ﬁelds for registration. If

you do not register the product, you will be unable to use the application after a limited period of time expires.

•To install on Mac computers double-click the “Cubase AI*.mpkg” icon or the “Cubase AI* Start Center” icon.

“*” indicates where the version number appears in the actual icon name.

• Visit the web address below for the latest information on:

<http://www.yamahasynth.com/>

Turn the power to the MW mixer and all

gear that is to be connected to the MW

mixer off/standby (except the computer),

and set the channel faders, STEREO OUT

Master fader, and REC OUT fader to their

minimum settings.

Connect the MW mixer to your computer

using the supplied USB cable.

When connecting or disconnecting the USB

cable be sure to turn the 2TR IN/USB control

all the way down.

Disconnect the USB cable when using the MW

mixer without the computer.

Step

Installing Cubase AI

Important!

NOTE

Step

Connecting to the MW mixer

Channel fader

REC OUT fader

STEREO OUT Master fader

USB Connection Precautions

Be sure to observe the following points when connecting to

the computer’s USB interface.

Failure to observe these rules can result in computer freezes/

hang-ups and possibly data loss or corruption. If the MW

mixer or computer does hang up, turn the power to both

devices off and then on again, and restart the computer.

• Be sure to wake the computer from sleep/sus-

pended/standby mode before making a con-

nection to the computer’s USB connector.

• Connect the MW mixer to the computer before

turning the MW mixer power on.

•Always quit all applications running on the

computer before turning the MW mixer’s

power on or off, or connecting or disconnect-

ing the USB cable.

•Wait at least 6 seconds between turning the

MW mixer on or off, and between connecting

or disconnecting the USB cable.

CAUTION

NOTE

Mixer Basics

Quick Guide

MW12CX/MW12C Owner’s Manual

Mixer Basics

Connecting Microphones and/or Instru-

ments.

For details on making connections refer to the “Setup”

section on page 15 and the “Front & Rear Panels” sec-

tion on page 16.

To prevent loud pops and noises, turn on the

power to your sound gear starting with the

sources (instruments, CD players, etc.) and end-

ing with the power ampliﬁer or powered speakers.

Example : Instruments, microphones, and CD players ﬁrst, then

the mixer, and ﬁnally the power ampliﬁer or powered

speakers.

Observe the following precautions when

turning on phantom power.

• Make sure that the PHANTOM switch is off when

phantom power is not needed.

• When turning the switch on, be sure that only con-

denser microphones are connected to the XLR input

jacks. Other devices may be damaged if connected

to phantom power. This precaution does not apply to

balanced dynamic microphones, however, as these

will not be affected by phantom power.

•To minimize the possibility of speaker damage, turn

phantom power on ONLY while your power ampliﬁer

or powered speakers are switched off. It’s also a

good idea to turn the mixer’s output controls—STE-

REO OUT Master fader and REC OUT fader—all the

way down.

•We recommend that you set the computer output to the

maximum level and mute the computer’s internal

speaker. For details on how to make the setting refer to

the “The recorded sound is too low in level.” in the “Trou-

bleshooting” on page 22.

• The ﬁrst time you connect to the computer’s USB con-

nector, or change the connection to a different USB port,

a driver installation display may appear after turning the

power to the MW mixer on. If this occurs, wait until the

installation is complete before proceeding.

USB cable

Be sure to turn the MW mixer

PHANTOM switch on when

using phantom-powered con-

denser microphones.

Although electric guitars

and basses can be con-

nected directly to the

mixer’s inputs, the sound is

likely to be thin and possi-

bly noisy. For best results

with these types of instru-

ments use a DI box (direct

box) or amp simulator

between the instrument

and the mixer.

Step

Powering Up the System

CAUTION

NOTE

Balanced Cables and Unbalanced Cables

Two types of cables can be used to connect microphones, elec-

tronic instruments, and other audio sources to the mixer’s inputs,

as well as to connect the mixer’s outputs to a power ampliﬁer or

related gear: balanced or unbalanced. Balanced cables are

highly resistant to noise, and are the best choice for low-level sig-

nals such as the output from microphones, as well as for long

cable runs. Unbalanced cables are generally used for short runs

from line-level sources such as synthesizers.

Connector Types

XLR Connectors

This 3-pin connector is resistant to

externally induced noise, and is

used primarily for balanced con-

nections. With properly designed

receiving circuitry cables with this

type of connector can also be used

for unbalanced signals. XLR type

connectors are the standard for microphone connections as well

as most professional audio gear.

Phone Connectors

Phone connectors are avail-

able in mono and stereo ver-

sions. Stereo types are also

known as “TRS” connectors

(Tip-Ring-Sleeve), and are

used for stereo headphone

jacks, insert jacks, and also to

carry balanced signals in many

cases. Unbalanced types are

used for mono signals -guitar

cables are a common example.

RCA Pin Connectors

This type of unbalanced con-

nector is most commonly found

on home audio and video

equipment. RCA type pin jacks

are often color coded: white for

left audio channel and red for

right audio channel, for exam-

ple.

Cable Guidelines

Microphone cable Balanced is best.

Short line-level cables

Unbalanced cable is ﬁne in a relatively

noise-free environment.

Long line-level cables Balanced is best.

Mixer Basics

Quick Guide

MW12CX/MW12C Owner’s Manual

Level Adjustment

The ﬁrst step is to set the level controls on

all instruments and other sources appro-

priately.

Adjust the channel GAIN controls so that

the corresponding PEAK indicators ﬂash

brieﬂy on the highest peak levels. (GAIN

controls are not provided on the stereo

channels—9/10 and 11/12).

Engage the ON and REC switches of the

input channels that you would like to

record.

Make sure that the PFL switch is off ( ),

and that the MONITOR switch is set to REC

().

Raise the REC OUT fader to the 0 dB posi-

tion.

Set the channel faders to create the

desired initial balance while monitoring via

headphones or monitor speakers. The

overall headphone level is adjusted by the

PHONES control.

Tone Adjustment

The MW mixer’s compressors and 3-band equalizers make

it easy to shape the tone of independent channels to

achieve the best possible mix.

Step

Adjusting Level and Tone

PEAK indicator

GAIN control

ON switch

REC switch

PFL switch

Channel fader

REC OUT fader

PHONES control

MONITOR switch

Use the High-pass Filter for Microphone Input

As the name implies, a “high-pass ﬁlter” allows only signals

above a certain frequency to pass. Conversely, signals below

that “cutoff frequency” are attenuated. When an MW high-

pass ﬁlter is turned on, signals below 80 Hz are attenuated.

This can be useful for minimizing low-frequency breath noise

from a vocalist, as well as handling noise, or rumble transmit-

ted via the microphone stand. It is generally a good idea to

turn the high-pass ﬁlter on for microphone channels.

Compression

One form of compression known as “limiting” can, when

properly used, produce a smooth, uniﬁed sound with no

excessive peaks or distortion. A common example of the use

of compression is to “tame” a vocal that has a wide dynamic

range in order to tighten up the mix. Compression can also

be applied to guitar tracks to add extra sustain. Too much

compression can be a cause of feedback, however, so use it

sparingly.

Equalizer Tips

The best advice that can be given regarding equalization

while recording is simply to use as little equalization as possi-

ble. If you want a little more presence you can turn the HIGH

end up a bit. Or you can boost the bass a little if you feel the

low end is lacking. During recording it’s better to use EQ

sparingly for compensation only.

(Min)

(Max)

INPUT

OUTPUT

Quick Guide

MW12CX/MW12C Owner’s Manual

Mixer Basics

This section describes the procedure for recording to the Cubase AI software we installed earlier via the MW mixer.

Cubase AI 6 is used for the examples in this manual. For details about other versions of Cubase AI or Cubase AI

operation in general, refer to the PDF manual provided with the software.

Cubase AI Setup

Launch Cubase AI.

Windows:

Click [Start] → [All Program] → [Steinberg Cubase AI *]

→ [Cubase AI *] to launch the program. (“*” indicates

where the version number appears in the actual icon

name.)

If the ASIO Direct Sound Full Duplex Driver dia-

log window appears, click [OK].

Mac:

Double-click the [Application] → [Cubase AI *].

“*” indicates where the version number appears in the

actual icon name.

• If you speciﬁed a ﬁle destination when installing

the Cubase AI software, launch the application

from that location.

• Create a Cubase AI shortcut or alias on your

desktop so you can easily launch the program

when required.

When the Project Assistant window

appears, select the [More] menu → [Empty]

and click [Create].

A new project is created.

Recorded Cubase AI data is stored as a

“Project.”

Select [Device Setup] from the [Devices]

menu to open the Device Setup window.

Windows:

Select [VST Audio System] in the [Devices] ﬁeld on the

left side of the window. Select [ASIO DirectX Full

Duplex Driver] in the [ASIO Driver] ﬁeld on the right

side of the window. A dialog box will appear asking “Do

you want to switch the ASIO driver?”. Click [Switch].

Mac:

Select [VST Audio System] in the [Devices] ﬁeld on the

left side of the window. Select [USB Audio CODEC] in

the [ASIO Driver] ﬁeld on the right side of the window.

A dialog box will appear asking “Do you want to switch

the ASIO driver?”. Click [Switch].

Step

Recording with Cubase AI

NOTE

Mixer Basics

Quick Guide

MW12CX/MW12C Owner’s Manual

Select [ASIO DirectX Full Duplex Driver]

(Windows), [USB Audio CODEC] (Mac) in

the [Devices] ﬁeld on the left side of the

Device Setup window, and click [Control

Panel] on the right side of the window.

Windows:

The ASIO Direct Sound Full Duplex Setup dialog box

will be displayed. Check only the input port and output

port [USB Audio CODEC] checkbox, and then click

[OK] to close the dialog window.

Mac:

The [CoreAudio Device Settings] dialog window

appears. Check only the [USB Audio CODEC] check-

box in both “Input” and “Output” of the [Input/Output

Conﬁguration] ﬁeld. Click [Close] to close the dialog

window.

Make sure that “USB Audio CODEC 1/2”

(Windows), “Front Left/Front Right” (Mac)

are shown in the [Port System Name] ﬁeld,

and check the [Visible] column in the

Device Setup window. Click [OK] to close

the window.

If the [Port System Name] ﬁeld does not

change, close and restart the Cubase AI, then

open the Device Setup window.

Select [VST Connections] from the

[Devices] menu.

Windows:

If “Not Connected” is selected in the [Audio Device]

ﬁeld, click on the “Not Connected” indication, and then

switch to [ASIO DirectX Full Duplex Driver].

Also set the [Outputs] in the same way, and then close

the window.

Mac:

If “Not Connected” is selected in the [Audio Device]

ﬁeld, click on the “Not Connected” indication, and then

switch to [USB Audio CODEC].

Also set the [Outputs] in the same way, and then close

the window.

Select [Add Track] → [Audio] from the

[Project] menu.

The Add Audio Track dialog window appears.

Set the “Count” and “Conﬁguration”

parameters, and then click [Add Track].

The added tracks will appear.

You will normally use a stereo track when

recording synthesizers, and a monaural track

when recording vocals or guitars.

NOTE

Quick Guide

MW12CX/MW12C Owner’s Manual

Mixer Basics

Preparing to Record

Click in the track list (the area in which the

track names are displayed) to select a

track to record on.

The various settings for the selected track are available

in the Inspector on the left side of the display.

Make sure the [Record Enable] button for

the track to be recorded is turned on.

If the [Record Enable] button is off, click it to turn it on.

Play the instrument to be recorded, and

adjust the MW mixer’s GAIN control, chan-

nel faders and REC OUT fader so that the

Clipping indicator never lights.

Specify the point at which you want to start

recording via the ruler at the top of the win-

dow for the project.

Click the black area of the ruler to move the project cur-

sor (the vertical black line) to that position.

Recording and Playback

Click the Transport panel [Record] button

to begin recording.

When recording is started the project cursor will begin

moving to the right and a box that displays the recording

results will be created.

Play the part.

When you ﬁnish recording the track, click

the Transport panel [Stop] button.

To hear playback of the track you have just recorded, use

either the Transport panel [Rewind] button or the ruler to

rewind to the beginning of the recorded section, then

click the Transport panel [Start] button.

Inspector

[Record Enable] button Track list

Clipping indicator

Ruler

Recording results

Stop

Record

Start

Rewind

Forward

Mixer Basics

Quick Guide

MW12CX/MW12C Owner’s Manual

Select [Mixer] from the [Devices] menu to

open the Mixer window.

The overall playback level will be displayed via the mas-

ter section bus level meter on the right side of the mixer

window, and the channel level will be displayed via the

channel strip level meter.

The output signal from Cubase AI is routed to

the MW mixer’s 2TR IN inputs. To hear the play-

back sound via a pair of headphones plugged

into the MW mixer, set the bus select switch to

TO MONITOR ( ) and adjust the volume with

the 2TR IN/USB control and the PHONES con-

trol.

To save the project select [Save] from

the [File] menu and enter a ﬁle name

before actually saving the ﬁle.

Save your project frequently to insure against losing

large amounts of data if a problem occurs.

Repeat steps 1 through 5 to record further

material on the same track.

To record additional material on a different

track, select a new track and repeat the

record procedure.

You can monitor the sound being recorded and

a previously recorded sound simultaneously

while recording (MONITOR MIX). Refer to “E

2TR IN/USB” on page 19 for details.

In this section we’ll try mixing down multiple recorded audio tracks to stereo, and creating an audio ﬁle. Mixes can be stored

as WAV or AIFF ﬁles, which can then be recorded to audio CDs.

Launch Cubase AI and open a project ﬁle.

Click the [Start] button on the Transport

Panel.

While listening to playback, drag the chan-

nel strip level faders up and down to create

the desired initial balance, then adjust the

overall volume using the bus volume fader.

NOTE

Level meter Bus level meter

NOTE

Step

Mixing with Cubase AI

Start with the Featured Part

You can start working on a mix from almost any part, but it

makes the most sense to start with the main instrument or

vocal. Set up an initial level for the main part, and then build

the rest of the mix around it.

For example, if you’re mixing a piano trio with a vocalist,

begin by setting the level of the vocal track at around the

nominal level, and then gradually add the other instruments.

Your choices will also be inﬂuenced by the type of music you

are working on. If the song is a ballad you might want to add

the piano to the mix after the vocal, and then add the bass

and drums. If it’s a more rhythmically oriented piece you

could add the bass and drums ﬁrst, and then the piano.

Whatever best serves the music is right.

Quick Guide

MW12CX/MW12C Owner’s Manual

Mixer Basics

Drag the pan controls on the top of the

channel strips left and right to set the ste-

reo position of each track.

At this point you can begin to use EQ to

reﬁne your mix, and add effects.

As an example let’s try adding reverb. Click the [Edit]

button ( ) on the left side of the channel strip to

open the VST audio channel settings window. Click

Inserts 1 and select “Reverb - RoomWorks SE”.

For further details refer to the pdf manual pro-

vided with the Cubase AI software.

It’s a good idea to lower the channel fader a

bit before adding an effect, since the effect

can cause an increase in the overall channel

level.

Double-click the left locator (starting point)

and right locator (ending point) of the

Transport panel. Change each highlighted

number, and then specify the position of

the locator.

When the ﬁnal mix adjustments have

been made, go to the [File] menu and

select [Export] → [Audio Mixdown].

Enter a ﬁle name and select a destina-

tion for the ﬁle as well as a ﬁle type.

If you intend to use the ﬁle to create an audio CD, select

the WAV ﬁle type (AIFF on Mac OS X), 16 bit, and 44.1

kHz.

Click [Export].

Progress of the mixdown operation will be shown in a

progress window. When the progress window closes the

mixdown is complete.

Audio ﬁles created by mixdown can be directly

played back using the Windows Media Player,

or iTunes on a Mac computer.

Pan Effectively

“Panning” creates the illusion of stereo space by changing

the relative levels of each track’s signal sent to the left and

right speakers. If a signal is sent only to the left speaker, the

sound will appear to come from the far left side of the stereo

sound ﬁeld. If it sent with equal level to both left and right

speakers our ears tell us the sound is located in the center of

the stage. Judicious panning can also help to create cleaner-

sounding mixes by spreading the instruments out across the

sound stage so that they don’t “get in each other’s way.”

There are no hard and fast rules, but the bass and kick drum

are usually placed in the center of the mix, as is the lead

instrument or vocal. Other instruments should be evenly bal-

anced throughout the sound stage in a well-balanced man-

ner.

NOTE

CAUTION

Bar

NOTENOTE

Reference

MW12CX/MW12C Owner’s Manual

Setup

Foot Switch

(YAMAHA FC5)

Recorder

Synthesizer

CD Player

Microphone

Powered Speakers

Powered Monitor

Speakers

Bass

Headphones

Guitar

Effect Processor

(exciter)

Powered Monitor

Speaker

MW12CX

Personal Computer

Reference

MW12CX/MW12C Owner’s Manual

Reference

Front & Rear Panels

The following applies to both the MW12CX and MW12C. In cases where different features need to

be described for each model, the MW12CX feature will be described first, followed by the MW12C

feature in brackets: MW12CX (MW12C).

Channel Control Section

1 MIC Input Jacks (CHs 1 to 4, 5/6, 7/8)

These are balanced XLR-type microphone input jacks

(1:Ground; 2:Hot; 3:Cold).

2 LINE Input Jacks (CHs 1 to 4)

These are balanced TRS phone-jack line inputs (T:Hot;

R:Cold; S:Ground).

You can connect either balanced or unbalanced phone plugs

to these jacks.

3 LINE Input Jacks (CHs 5/6 to 11/12)

These are unbalanced phone-jack stereo line inputs.

4 LINE Input Jacks (CHs 9/10, 11/12)

These are unbalanced stereo RCA pin jacks.

Where an input channel provides both a MIC input

jack and a LINE input jack, or a LINE input jack and

an RCA pin jack, you can use either jack but not both

at the same time. Please connect to only one jack on

each channel.

5 INSERT Jacks (CHs 1 to 4)

Each of these jacks provides an insert point between the

equalizer and fader of the corresponding monaural input

channel (CHs 1 to 4). The INSERT jacks are ideal for con-

necting devices such as graphic equalizers, compressors, or

noise ﬁlters into the corresponding channels. These are TRS

(tip, ring, sleeve) phone jacks that carry both the send and

return signal (tip = send/out; ring = return/in; sleeve =

ground).

Patching external devices via an INSERT jack

requires a special insert cable such as illustrated

below (insert cable sold separately).

The signal output from the INSERT jacks is

reverse-phased. This should not be a problem

when connecting to an effect unit, but please be

aware of the possibility of phase conﬂict when

connecting to other types of device.

A reversed-phased signal may result in degraded

sound quality or even complete sound cancella-

tion.

Channels

9/10 and 11/12

(Stereo)

Channels

1 to 4

(Monaural)

Channels

5/6 and 7/8

(Stereo)

MW12CX

NOTE

To the INSERT I/O jack

To the input jack of the

external processor

Tip: OUT

Tip: IN

To the output jack of

the external processor

Sleeve (Ground)

Ring: IN

Tip: OUT

CAUTION

Reference

Front & Rear Panels

MW12CX/MW12C Owner’s Manual

6 GAIN Control

Adjusts the input signal level.

To achieve the best balance between S/N ratio and dynamic

range, adjust the level so that the PEAK indicator

9 lights

only occasionally and brieﬂy on the highest input transients.

The -60 to -16 scale is the MIC input adjustment range. The

-34 to +10 scale is the LINE input adjustment range.

7 Switch (High Pass Filter)

This switch toggles the HPF on or off. To turn the HPF on,

press the switch in ( ). The HPF cuts frequencies below

80 Hz (the HPF does not apply to the line inputs of stereo

input channels

3).

8 COMP Control

Adjusts the amount of compression applied to the channel.

As the knob is turned to the right the compression ratio

increases while the output gain is automatically adjusted

accordingly. The result is smoother, more even dynamics

because louder signals are attenuated while the overall level

is boosted.

Avoid setting the compression too high, as the higher

average output level that results may lead to feed-

back.

9 PEAK Indicator

The peak level of the post-EQ signal is detected, and the

PEAK indicator lights red when the level reaches 3 dB

below clipping. For XLR-equipped stereo input channels (5/

6 and 7/8), both the post-EQ and post-mic-amp peak levels

are detected, and the indicator lights red if either of these

levels reaches 3 dB below clipping.

0 Equalizer (HIGH, MID, and LOW)

This three-band equalizer adjusts the channel’s high, mid,

and low frequency bands. Channels 9/10 and 11/12 have two

bands: high and low. Setting the knob to the ▼ position pro-

duces a ﬂat response in the corresponding band. Turning the

knob to the right boosts the corresponding frequency band,

while turning to the left attenuates the band. The following

table shows the EQ type, frequency, and maximum cut/boost

for each of the three bands.

A AUX (AUX1) Control

Adjusts the level of the signal sent from the channel to the

AUX (AUX1) bus. The knob should generally be set

close to the ▼ position.

On stereo channels, the signals from the L (odd) and R

(even) channels are mixed and sent to the AUX (AUX1)

bus.

To send the signal to the buses set the ON switch to

on ( ).

B AUX PRE Switch

Selects whether the pre-fader or the post-fader signal is fed

to the AUX (AUX1) bus. If the switch is on ( ), the mixer

sends the pre-fader signal (the signal immediately prior to

the Channel fader

I) to the AUX (AUX1) bus, so that AUX

(AUX1) output is not affected by the fader. If the switch is

off ( ) the mixer sends the post-fader signal to the AUX

(AUX1) bus.

C EFFECT (AUX2) Controls

Adjusts the level of the signal sent from the channel to the

EFFECT (AUX2) bus. Note that the signal level sent to the

bus is also affected by the Channel fader

I. On stereo chan-

nels (5/6, 7/8, 9/10, or 11/12), the signals from the L (odd)

and R (even) channels are mixed and then sent to the

EFFECT (AUX2) bus.

D PAN Control (1 to 4)

PAN/BAL Control (5/6 and 7/8)

BAL Control (9/10 and 11/12)

The PAN control determines the stereo positioning of the

channel signal on the REC L and R buses or on the Stereo L

and R buses.

The BAL control knob sets the balance between left and

right channels. Signals input to the L input (odd channel) go

to the REC L bus or to the Stereo L bus; signals input to the

R input (even channel) go to the REC R bus or the Stereo R

bus.

On channels where this knob provides both PAN and

BAL control (channels 5/6 and 7/8), the knob oper-

ates as a PAN control when input is received via the

MIC jack or L (MONO) input only, and as a BAL con-

trol when input is received via both L and R inputs.

E ON Switch

Turn this switch on to send the signal to the buses. The

switch lights orange when on.

F PFL (Pre-Fader Listen) Switch

This switch lets you monitor the channel’s pre-fader signal.

Press the switch in ( ) so that it lights to turn it on. When

the switch is on the channel pre-fader

I signal is output to

the PHONES and MONITOR OUT jacks for monitoring.

G REC Switch

This switch assigns the channel’s signal to the REC L and R

buses.

To send the signal to the REC bus engage the ON

switch ( ).

H ST Switch

This switch assigns the channel’s signal to the Stereo L and

R buses.

To send the signal to the Stereo bus engage the ON

switch ( ).

I Channel Fader

Adjusts the level of the channel signal. Use these faders to

adjust the balance between the various channels.

Set the fader sliders for unused channels all the way

down to minimize noise.

Band Type Frequency

Maximum

Cut/Boost

HIGH Shelving 10 kHz

±15 dBMID Peaking 2.5 kHz

LOW Shelving 100 Hz

NOTE

Front & Rear Panels

MW12CX/MW12C Owner’s Manual

Reference

Master Control Section

1 2TR IN Jacks

These RCA pin jacks can be used to input a stereo sound

source. Use these jacks when you want to connect a CD

player directly to the mixer.

• Select where you want to send the signal using the

2TR IN/USB switch E, and adjust the signal level

using the 2TR IN/USB control in the Master Control

section.

•A signals input via both the 2TR IN input and the

USB input are mixed.

2 REC OUT 1 (L, R) Jacks

These are RCA pin jacks that can be used to connect to an

external stereo recorder. The signal processed by the REC

OUT fader is output via these jacks.

3 REC OUT 2 (L, R) Jacks

These are impedance-balanced TRS phone jacks that can be

used to connect to an external stereo recorder. The signal

processed by the REC OUT fader is output via the these

jacks.

4 RETURN L (MONO), R Jacks

These are unbalanced phone-jack type line inputs. The signal

received by these jacks is sent to the STEREO L/R bus and

the AUX (AUX1) bus. These jacks are typically used to

receive the signal returned from an external effect device

(reverb, delay, etc.).

These jacks can also be used as an auxiliary stereo

input. If you connect to the L (MONO) jack only, the

mixer will recognize the signal as monaural and will

send the identical signal to both the L and R jacks.

5 SEND Jacks

•AUX (AUX1)

This is an impedance balanced* TRS phone jack that outputs

the signals from AUX (AUX1) bus. You can use this jack, for

example, to connect to an effect unit, cue box, or other mon-

itoring system.

• EFFECT (AUX2)

This is an impedance balanced* TRS phone jack that outputs

the signal from the EFFECT (AUX2) bus. You can use this

jack, for example, to connect to an external effect unit.

6 STEREO OUT (L, R) Jacks

These jacks deliver the mixer’s stereo output. You can use

these jacks, for example, to connect to the power ampliﬁer

driving your main speakers. You can also connect these jacks

to a recording device when you wish to record mixer’s stereo

output while using the STEREO OUT Master fader

H for

level control.

• XLR jacks

XLR-type balanced output jacks.

• LINE jacks

TRS phone-jack type balanced outputs.

7 MONITOR OUT Jacks

Connect these impedance-balanced* TRS phone jacks to

your monitor system.

The signal output by these jacks is determined by the

MONITOR switch D, the 2TR IN/USB E, and the

PFL switches on the input channels.

MW12CX

* impedance balanced

Since the hot and cold terminals of impedance bal-

anced output jacks have the same impedance, these

output jacks are less affected by induced noise.

NOTE

Reference

Front & Rear Panels

MW12CX/MW12C Owner’s Manual

8 PHONES Jack

Connect a pair of headphones to this TRS phone jack. The

PHONES jack outputs the same signal as the MONITOR

OUT jacks.

9 PHANTOM +48 V Switch

This switch toggles phantom power on and off. When the

switch is on the mixer supplies +48V phantom power to all

channels that have XLR mic input jacks (CHs 1–4, 5/6, 7/8).

Turn this switch on when using one or more phantom-pow-

ered condenser microphones.

When this switch is on the mixer supplies DC +48 V

power to pins 2 and 3 of all XLR-type MIC INPUT jacks.

• Be sure to leave this switch off ( ) if you do

not need phantom power.

• When turning the switch on ( ), be sure that

only condenser mics are connected to the XLR

input jacks (CHs: 1 to 7/8). Devices other than

condenser mics may be damaged if connected

to the phantom power supply. Note, however,

that the switch may be left on when connecting

to balanced dynamic microphones.

•To avoid damage to speakers, be sure to turn

off ampliﬁers (or powered speakers) before

turning this switch on or off. We also recom-

mend that you turn all output controls (STE-

REO OUT Master Fader, REC OUT Fader, etc.)

to their minimum settings before operating the

switch to avoid the risk of loud noises that

could cause hearing loss or device damage.

0 RETURN

•AUX (AUX1) Control

Adjusts the level at which the L/R signal received at the

RETURN jacks (L (MONO) and R) is sent to the AUX

(AUX2) bus.

• STEREO Control

Adjusts the level at which the signal received at the

RETURN jacks (L (MONO) and R) is sent to the STEREO

L/R bus.

If you supply a signal to the RETURN L (MONO) jack

only, the mixer sends the same signal to both the L

and R Stereo buses.

A Master SEND

• Master AUX (AUX1) Control

Adjusts the signal level sent to the AUX (AUX1) SEND jack.

• Master EFFECT (AUX2) Control

Adjusts the level of the signal sent to the EFFECT (AUX2) bus.

If you are using the MW12CX, the Master EFFECT

control does not affect the level of the signal sent

from the EFFECT bus to the internal digital effect

processor.

B POWER Indicator

This indicator lights when the mixer’s power is ON.

C Level Meter

This LED meter displays the level of the signal selected by

the MONITOR switch

D, 2TR IN/USB switch E and PFL

switch. The “0” segment corresponds to the nominal output

level. The PEAK segment lights red when the output reaches

the clipping level.

D MONITOR/PHONES

• MONITOR Switch

If this switch is set to REC ( ), the REC L/R bus signals are

sent to the MONITOR OUT jacks, the PHONES jack, and the

level meter. If it is set to STEREO ( ), the STEREO L/R

bus signals are sent to these jacks and the level meter.

• MONITOR Control

Controls the level of the signal output to the MONITOR

OUT jacks.

• PHONES Control

Controls the level of the signal output to the PHONES jack.

E 2TR IN/USB

• 2TR IN/USB Switch

If this switch is set to TO MONITOR ( ), the signals input

via the 2TR IN jacks and the USB connector are sent to the

MONITOR OUT jacks, the PHONES jack, and the level

meter. If it is set to TO STEREO ( ), the signals are sent to

the STEREO L/R bus.

• 2TR IN/USB control

Adjusts the level of the signal sent from the 2TR IN jacks

and the USB connector to the STEREO L/R bus.

The following illustration shows how the switch settings cor-

respond to the signal selection.

*: When overdubbing, you can adjust the levels of the mon-

itor playback signal and the signal being recorded separately. For MONI-

TOR MIX turn on the REC and ST switches of the corresponding channels.

MONITOR MIX Signal Flow

If the input channel PFL switch is on ( ), then only

the PFL output from that channel is sent to the C-R

OUT jacks, PHONES jacks, and level meter.

F REC OUT Fader

Adjusts the signal level sent to the REC OUT jacks and the

USB connector.

G ST Switch

If this switch is on ( ), the signals are sent to the STEREO

L/R bus via the REC OUT fader

F. The REC L signal goes

to Stereo L and the REC R signal goes to Stereo R.

H STEREO OUT Master Fader

Adjusts the signal level sent to the STEREO OUT jacks.

NOTE

CAUTION

NOTE

Switches

Signals output via the

MONITOR/PHONES jacks

PFL

MONITOR/

PHONES

2TR IN/USB

ON — — PFL

OFF

STEREO

TO STEREO STEREO (+ 2TR IN/USB)

TO MONITOR

STEREO + 2TR IN/USB

REC

TO STEREO REC

TO MONITOR REC (+ 2TR IN/USB)

Playback

signal

Recording

signal

2TR IN/

USB

2TR IN/USB control

STEREO OUT Master fader

MONITOR/

PHONES

controls

STEREO

bus

REC OUT/USB

MONITOR

OUT/PHONES

jacks

switch

REC

switch

REC OUT fader

REC bus

NOTE

Front & Rear Panels

MW12CX/MW12C Owner’s Manual

Reference

Digital Effect * Only the MW12CX has digital effects.

MW12CX

1 FOOT SWITCH Jack

A Yamaha FC5 foot switch (sold separately) can be connected to this jack and used

to toggle the digital effects ON and OFF.

2 PROGRAM Dial

Selects one of the 16 internal effects. See page 21 for details about the internal

effects.

3 PARAMETER Control

Adjusts the parameter (depth, speed, etc.) for the selected effect.

The last value used with each effect type is saved.

When you change to a different effect type, the mixer automatically restores

the value that was previously used with the newly selected effect (regard-

less of the current position of the PARAMETER Control knob).

These parameter values are reset when the power is turned off.

4 AUX Control

Adjusts the level of the signal sent from the internal digital effect unit to the AUX

bus.

The EFFECT RTN fader does not affect the level of the signal sent to the

AUX bus.

5 ON Switch

Switches the internal effect on or off. The internal effect is applied only if this

switch is turned on. The switch lights orange when on.

An optional Yamaha FC5 foot switch (sold separately) can be used to toggle the

digital effects ON and OFF.

The ON switch lights and the internal effect unit is active by default when

the power is initially turned on.

6 PFL Switch

Turn this switch on to send the effect signal to the PFL bus.

7 EFFECT RTN Fader

Adjusts the signal level sent from the internal digital effect unit to the STEREO

bus.

NOTE

Rear Input/Output Section

1 POWER Switch

Use this switch to turn the mixer’s power ON or to

STANDBY mode.

Note that a small current continues to ﬂow while

the switch is in the STANDBY position. If you do

not plan to use the mixer for a while, be sure to

unplug the AC adaptor from the wall outlet.

2 AC ADAPTOR IN Connector

Connect the supplied power adaptor to this connector (see

page 6).

3 USB Connector

Connects to the computer via the included cable. The USB

connector outputs the same signal as the REC OUT jacks.

When connecting or disconnecting the USB

cable be sure to turn the 2TR IN/USB control all

the way down.

1 2

CAUTION

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Yamaha MW12C Manualul proprietarului

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Categorie: Echipamente muzicale

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