Yamaha RX-V595aRDS Manual de utilizare

Marca: Yamaha

Model: RX-V595aRDS

Categorie: Receptoare AV

Tip: Manual de utilizare

RX-V595aRDS

Natural Sound AV Receiver

Ampli-Tuner audio-vidéo

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

RX-V595aRDS

Printed in Malaysia ID

V403300

B G

00RX-V595aRDS-cv1/4 (ML) 6/28/99, 2:34 PM1

SUPPLIED ACCESSORIES

ACCESSOIRES FOURNIS

MITGELIEFERTE ZUBEHÖRTEILE

MEDFÖLJANDE TILLBEHÖR

ACCESSORI IN DOTAZIONE

ACCESORIOS INCLUIDOS

BIJGELEVERDE ACCESSOIRES

• After unpacking, check that the following parts are included.

• Après le déballage, vérifier que les pièces suivantes sont incluses.

• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

• Kontrollera efter uppackningen att följande delar finns med.

•

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.

• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

• Indoor FM Antenna

• Antenne FM intérieure

• UKW-Innenantenne

• Inomhus-FM-antenn

• Antenna FM interna

• Antena FM interior

• FM-binnenantenne

• AM Loop Antenna

• Cadre-antenne AM

• MW-Rahmenantenne

• AM-ramantenn

• Antenna AM ad anello

• Antena de cuadro de AM

• AM-raamantenne

• 75-ohm/300-ohm antenna adapter (U.K. model only)

• Adaptateur d’antenne 75 ohms/300 ohms

(Modèle Royaume-Uni seulement)

• 75-Ohm/300-Ohm Antennenstecker

(nur Großbritannien-Modell)

• 75 ohm/300 ohm antennadapter

(gäller endast modellen för Storbritannien)

• Adattatore per antenna da 75/300 ohm

(Soltanto il modello per la Gran Bretagna)

• Adaptador de antena de 75-ohmios/300-ohmios

(Sólo el modelo para el Reino Unido)

• 75 ohm/300 ohm antenneadapter

(Alleen modellen voor Verenigd Koninkrijk)

• Batteries (size AA, R6, UM-3)

• Piles (taille AA, R6, UM-3)

• Batterien (Größe AA, R6, UM-3)

• Batterier (storlek AA, R6, UM-3)

• Batterie (formato AA, R6, UM-3)

• Pilas (tamaño AA, R6, UM-3)

• Batterijen (maat AA, R6, UM-3)

• Remote control

Before using the remote control, install the supplied

batteries. See page 49 for battery installation.

• Télécommande

Avant d’utiliser la télécommande, mettre les piles fournies en

place. Pour la mise en place des piles, voir page 101.

• Fernbedienung

Legen Sie vor Gebrauch der Fernbedienung die

mitgelieferten Batterien ein. Angaben zum Einlegen der

Batterien finden Sie auf Seite 155.

• Fjärrkontroll

Sätt i de medföljande batterierna innan du använder

fjärrkontrollen. Se sidan 207 om hur man sätter i dem.

• Telecomando

Prima di usare il telecomando, installare le batterie in

dotazione. Per l’installazione delle batterie vedere a

pagina 259.

• Control remoto

Antes de utilizar el transmisor de control remoto, instálele

las pilas suministradas. Para instalar las pilas, consulte la

página 311.

• Afstandsbediening

Alvorens u de afstandsbediening gaat gebruiken, moet u de

bijgeleverde batterijen plaatsen. Zie blz. 363 voor het

plaatsen van de batterijen.

01RX-V595aRDS-1 6/24/99, 10:58 AM2

English

5-Channel Power Amplification

Mininum RMS Output

(0.04% THD, 20 Hz – 20 kHz)

Main: 65 W + 65 W (8 Ω)

Center: 65 W (8 Ω)

Rear: 65 W + 65 W (8 Ω)

Multi-mode Digital Sound Field Processing

● Digital Sound Field Processor (DSP)

● Dolby Digital Decoder

● Dolby Pro Logic Decoder

● DTS Decoder

● CINEMA DSP: Theater-like Sound

Experience by the Combination of

YAMAHA DSP Technology and Dolby

Digital, Dolby Pro Logic or DTS

● Automatic Input Balance Control for

Dolby Pro Logic decoding

SUPPLIED ACCESSORIES........................................... 2

FEATURES .................................................................... 3

CAUTION ....................................................................... 4

●Introduction

FEATURES OF THE SOUND EFFECTS....................... 5

CONTROLS AND THEIR FUNCTIONS ......................... 8

●Preparation

SPEAKER SETUP ....................................................... 11

CONNECTIONS........................................................... 12

ADJUSTMENTS BEFORE USING THIS UNIT............ 19

●Basic Operation

BASIC OPERATION .................................................... 24

TUNING ....................................................................... 28

RECEIVING RDS STATIONS ...................................... 33

SETTING THE SLEEP TIMER..................................... 36

●Information about DSP

SOUND FIELD PROGRAM ......................................... 37

●Advanced Information

ADJUSTMENTS IN THE “SET MENU” MODE ............ 42

●Remote control

REMOTE CONTROL ................................................... 44

SETUP CODES ...........................................................50

TROUBLESHOOTING ................................................. 51

SPECIFICATIONS ....................................................... 54

LIST OF MANUFACTURERS’ CODES...................... 369

FEATURES

CONTENTS

● Test Tone Generator for Easier Speaker

Balance Adjustment

● Speaker Output Mode Selection

Sophisticated FM/AM Tuner

● 40-Station Random Access Preset Tuning

● Automatic Preset Tuning

● Preset Station Shifting Capability

(Preset Editing)

● 6-Channel External Decoder Input for

Other Future Formats

● Video Signal Input/Output Capability

(Including S Video Connections)

● SLEEP Timer

● Universal Remote Control with Preset

Manufacturer Codes

01RX-V595aRDS-1 6/24/99, 10:58 AM3

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this manual

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration,

dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock,

do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and

the wires connected to other equipment. Never pull the

wires themselves.

5. The openings on the cover assure proper ventilation of the

unit. If these openings are obstructed, the temperature

inside the unit will rise rapidly. Therefore, avoid placing

objects against these openings, and install the unit in a

well-ventilated area to prevent fire and damage.

Be sure to allow a space of at least 20 cm behind, 20 cm

on both sides and 30 cm above the top panel of the unit to

prevent fire and damage.

6. The voltage used must be the same as that specified on

this unit. Using this unit with a higher voltage than

specified is dangerous and may result in fire or other

accidents. YAMAHA will not be held responsible for any

damage resulting from the use of this unit with a voltage

other than that specified.

7. Digital signals generated by this unit may interfere with

other equipment such as tuners, receivers and TVs. Move

this unit farther away from such equipment if interference is

observed.

8. Always set the VOLUME control to “

” before starting the

audio source play. Increase the volume gradually to an

appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that

the unit is faulty.

11. When not planning to use this unit for a long period of time

(e.g., a vacation), disconnect the AC power plug from the

wall outlet.

12. To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an

electrical storm.

13. Grounding or polarization – Precautions should be taken so

that the grounding or polarization of the unit is not

defeated.

14. AC outlet

Do not connect audio equipment to the AC outlet on the

rear panel if that equipment requires more power than the

outlet is rated to provide.

This unit is not disconnected from the AC power source as

long as it is connected to the wall outlet, even if this unit

itself is turned off. This state is called the standby mode. In

this state, this unit is designed to consume a very small

quantity of power.

For U.K. customers

If the socket outlets in the home are not suitable for the plug

supplied with this appliance, it should be cut off and an

appropriate 3 pin plug fitted. For details, refer to the instructions

described below.

Note: The plug severed from the mains lead must be

destroyed, as a plug with bared flexible cord is hazardous if

engaged in a live socket outlet.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL

Brown: LIVE

As the colours of the wires in the mains lead of this

apparatus may not correspond with the coloured markings

identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured

BLACK. The wire which is coloured BROWN must be

connected to the terminal which is marked with the letter L or

coloured RED.

Making sure that neither core is connected to the earth

terminal of the three pin plug.

01RX-V595aRDS-1 6/24/99, 10:58 AM4

English

FEATURES OF THE SOUND EFFECTS

Welcome to the exciting world of digital home entertainment.

This unit is one of the most complete and advanced AV

receivers available. Some of the more advanced features may

not be familiar to you, but they are easy to use. State-of-the-art

technologies such as Dolby Digital and Digital Theater Systems

(DTS) may be new to your home, but you have probably

experienced the amazing realism they bring to feature films in

theaters around the world.

To make the listening experience even more enjoyable, this unit

includes a number of exclusive, digitally created listening

environments known as digital sound fields. Choosing a sound

field program is like transporting yourself to such venues as an

outdoor arena, a European church, or a cozy jazz club. Take

some time now to read more about these features and enjoy

the new experiences this unit brings to your home theater.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to

the sound of a live performance, but the chances are that you’ll

still notice something missing — the acoustic environment of

the live concert hall. Extensive research into the exact nature

of the sonic reflections that create the ambience of a large hall

has made it possible for YAMAHA engineers to bring you this

same sound to your listening room, so you’ll feel all the sound

of a live concert.

Furthermore, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture

the acoustics of a variety of actual concert halls, theaters, etc.

from around the world, to allow you to accurately re-create any

one of these live performance environments, all in your own

home.

Dolby Surround has been used in movie theaters since the mid-

seventies. It has also been available in home entertainment

systems since the late eighties and continues to be a popular

format for home theater systems. It uses four discrete channels

and five speakers to reproduce realistic and dynamic sound

effects: two main channels (left and right), a center channel for

dialog, and a rear channel for special sound effects. The rear

channel reproduces sound within a narrow frequency range.

Most video tapes and laser discs include Dolby Surround

encoding, as do many TV and cable broadcasts. The Dolby Pro

Logic decoder built into this unit employs a digital signal

processing system that stabilizes each channel for even more

accurate sound positioning than is available with standard

analog processors.

Introduction

Dolby Pro Logic

01RX-V595aRDS-1 6/24/99, 10:58 AM5

Dolby Digital

Dolby Digital is the next level of the Dolby Surround sound

system that was developed for 35 mm-film movies by

employing low bit-rate audio coding.

Dolby Digital is a digital surround sound system that provides

completely independent multi-channel audio to you. Dolby

Digital provides five full-range channels in what is sometimes

referred to as a “3/2” configuration: three front channels (left,

center and right), and two surround channels. A sixth bass-only

effect channel is also provided for output of LFE (low frequency

effect), or low bass effects that are independent of other

channels. (This is called the “LFE channel”.) This channel is

counted as 0.1, thus giving rise to the term 5.1 channels in

total.

Compared to Dolby Surround, which is referred to a “3/1”

system (left front, center, right front and just one surround

channel), Dolby Digital features two surround channels, called

stereo or split surrounds, each offering the same full-range

fidelity as the three front channels.

By using the built-in Dolby Digital decoder, you can experience

the dramatic realism and impact of Dolby Digital theater sound

in your home.

The wide dynamic range of sound reproduced by the five full-

range channels and precise sound orientation by digital sound

processing provides listeners with excitement and realism that

have never been experienced before.

Dolby Digital forms 5.1 channels as already mentioned, but it

can also form fewer channels, for example 2-channel stereo

and monaural. You may be able to find some 2-channel stereo

and/or monaural sources encoded with Dolby Digital in the

market.

Laser disc and DVD are home audio/video program sources

that could benefit from Dolby Digital. In the near future, Dolby

Digital will also be applied to DBS, CATV and HDTV. The

ongoing release of Dolby Digital theatrical films now underway

will provide an immediate source of Dolby Digital encoded

video software.

Manufactured under license from Dolby Laboratories. “Dolby”,

“Pro Logic” and the double-D symbol are trademarks of Dolby

Laboratories.

DTS Digital Surround

DTS (Digital Theater Systems) was developed to replace

analog soundtracks of movies with six discrete channels of

digital soundtracks, and it is now installed in many theaters

around the world. The DTS digital playback system changed

the way we experienced movies in theaters with six discrete

channels of superb digital audio.

DTS technology, through intense research and development

has made it possible to deliver similar encode/decode discrete

technology to home audio surround-sound entertainment.

DTS Digital Surround is an encode/decode system which

delivers six channels of master-quality, 20-bit audio; technically,

it is 5.1 channels, which means 5 full-range (left, center, right

and two surround) channels, plus a subwoofer (LFE) channel

(as “0.1”). It is compatible with the 5.1 speaker configurations

that are currently available for home theater systems.

The DTS Digital Surround algorithm is designed to encode the

six channels of 20-bit audio on to some laser discs, compact

discs and DVDs with considerably less data compression.

By using the DTS decoder built into this unit, you can

experience the dramatic realism and impact of the DTS-

installed theater’s high quality sound in your home.

Laser disc, compact disc and DVD are home audio formats by

which DTS can present its high-quality multi-channel audio. (In

addition to movies on laser discs, many exciting new multi-

channel music recordings will also become available in the

form of DTS-encoded compact discs.)

Manufactured under license from Digital Theater Systems, Inc.

US Pat. No. 5,451,942 and other world-wide patents issued

and pending. “DTS”, “DTS Digital Surround”, are trademarks of

01RX-V595aRDS-1 6/24/99, 10:58 AM6

English

CINEMA DSP: Dolby Surround + DSP / DTS + DSP

The Dolby Surround sound and DTS systems show their full

ability in a large movie theater, because movie sounds are

originally designed to be reproduced in a large movie theater

that uses a multitude of speakers. Trying to create a sound

environment similar to that of a movie theater in your home is

difficult because of the room size, material inside the walls, the

number of speakers, and so on. In other words, your listening

room is very different from a movie theater.

However, YAMAHA DSP technology allows you to create nearly

the same sound experience as that of a large movie theater in

your home by compensating for the lack of presence and

dynamics in the listening room with original digital sound fields

combined with Dolby Surround or DTS Digital Surround

sounds.

The YAMAHA “CINEMA DSP” logo indicates those programs

that are created by the combination of YAMAHA DSP

technology and Dolby Surround or DTS.

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the

rear surround side of the Dolby Pro Logic-decoded sound

field, respectively. They create a wide acoustic environment

and emphasize the surround effect in the room, letting you

feel as much presence as if you were watching a movie in a

popular Dolby Stereo theater.

Refer to pages 37 to 38 for the DSP program.

CINEMA DSP

Dolby Digital or DTS + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the

independent left and right surround sides of the Dolby Digital-

decoded or DTS-decoded sound field, respectively. They

create a wide acoustic environment and strong surround

effect in the room without losing high-channel separation. With

the wide dynamic range of Dolby Digital or DTS sound, this

sound field combination lets you feel as if you were watching

a movie in the newest Dolby Digital theater or DTS-installed

theater. This is the most ideal home theater sound at the

present time.

Refer to pages 37 to 38 for the DSP program.

01RX-V595aRDS-1 6/24/99, 10:58 AM7

STANDBY/ON

TAPE/MD MON

/EXT. DECODER

–dB

BALANCETREBLEBASS

VIDEO AUX

PHONES

SPEAKERS

ON OFF

EON

START

PROGRAM

INPUT

VCR • V

–

AUX • TV

DBS • DVD

LD • CD • TUNER • PHONO

VOLUME

NATURAL SOUND AV RECEIVER

CINEMA DSP

8 VIDEO VIDEO

AUDIO R

E1 2

678

TUNING

MODE

MEMORY EDIT

FM/AM

DOWN

TUNING

INPUT MODE

5 RL 5

RDS

MODE

TIME/

LEVEL

SET

EFFECT

PTY SEEK

MODE

MAN’L

AUTO FM AUTO

MAN’L MONO

CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

STANDBY/ON

Press this switch to turn on the power of this unit. Press it

again to set this unit in the standby mode.

Standby mode

In this state, this unit consumes a very small quantity of

power to receive infrared-signals from the remote control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 10 for details.)

4 MEMORY (MAN’L/AUTO FM)

Press this button to store the broadcasting stations.

When this button is pressed and held for more than three

seconds, automatic preset tuning begins.

5 EDIT

This button is used to exchange the assigment of two preset

stations with each other.

6 TUNING MODE (AUTO/MAN’L MONO)

Press this button to switch the tuning mode to automatic or

manual. To select the automatic tuning mode, press this button

so that the “AUTO TUNING” indicator lights up on the display.

To select the manual tuning mode, press this button so that the

“AUTO TUNING” indicator goes off.

7 FM/AM

Press this button to switch the reception band between FM and

AM.

8 TUNING UP/DOWN

This button is used for tuning. Press the UP side to tune in to

higher frequencies, and press the DOWN side to tune in to

lower frequencies.

When this unit is in the PTY SEEK mode, press this button to

change the currently selected program type.

9 TAPE/MD MON / EXT. DECODER

Press this button to play a tape or an MD. The “TAPE/MD

MON” indicator lights up on the display.

When you press the button next, the “TAPE/MD MON” indicator

goes off, “EXT. DECDR” appears on the display and you can

play the signal connected to the EXTERNAL DECODER

INPUT terminals.

0 INPUT

Turn this selector to select the input source (VCR, VIDEO AUX,

TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to

listen to or watch.

The name of the selected input source appears on the display.

Refer to pages 44 to 49 for the remote control.

01RX-V595aRDS-1 6/24/99, 10:58 AM8

English

q INPUT MODE

This button switches between the DVD/LD and TV/DBS input

signal modes.

w VOLUME

This control is used to raise or lower the volume level.

e PHONES jack

When you use headphones, connect the headphones to the

PHONES jack. You can listen to the sound to be output from

the main speakers through the headphones.

When using headphones only, set both SPEAKERS A and B to

the OFF position and switch off the digital sound field processor

(so that no DSP program name appears on the display) by

pressing EFFECT.

r SPEAKERS

Set A or B (or both A and B) to the ON position for the main

speaker system (connected to this unit) that you want to use.

Set the button(s) for the main speaker system you don’t want to

use to the OFF position.

t A/B/C/D/E

Press this button to select one of a group (A to E) of preset

stations.

y Preset station number selector

Each of these buttons selects a preset station number (1 to 8).

u Tone controls

These controls are only effective for the sound from the main

speakers.

BASS

Use this control to increase or decrease the low-frequency

response. The “0” position produces a flat response.

TREBLE

Use this control to increase or decrease the high-frequency

response. The “0” position produces a flat response.

i BALANCE

This control is only effective for the sound from the main

speakers.

Turn the control to adjust the balance of the output volume to

the left and right speakers to compensate for sound imbalance

caused by the speaker location or listening room conditions.

o RDS MODE

When an RDS station is received, pressing this button changes

the display mode into the PS mode, PTY mode, RT mode and/

or CT mode (if the station employs those RDS data services) in

turn.

p PTY SEEK MODE

When this button is pressed, the unit is set in the PTY SEEK

mode.

a PTY SEEK START

Press this button to begin searching for a station after the

desired program type has been selected in the PTY SEEK

mode.

s EON

Press this button to select the desired program type (NEWS,

INFO, AFFAIRS, SPORT) when you want to call a radio

program of that type automatically.

d TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

f +/–

These buttons are used to adjust the settings of the SET MENU

mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,

press + to increase the delay time or speaker output level.

Press – to decrease the delay time or speaker output level.

g SET MENU

Press this button to select functions in the SET MENU mode.

h PROGRAM selector

Press

or to select a DSP program.

The name of the selected program appears on the display.

j EFFECT

Press this button once to switch the effect speakers (center and

rear) on or off. If you turn off the effect by using EFFECT, all

Dolby Digital and DTS audio signals are directed to the main

left and right channels. In that case, the left and right channel

signal levels may not match.

k VIDEO AUX terminals

Connect an auxiliary video or audio input source such as a

camcorder to these terminals. If the connected video unit has

an S video output terminal, connect it to the S VIDEO terminal

to obtain a high-resolution picture. The source connected to

these terminals can be selected by INPUT.

01RX-V595aRDS-1 6/24/99, 10:58 AM9

1 Multi-information display

This displays various information, for example the station

frequency, preset station number and name of the selected

input source.

2 MEMORY indicator

When MEMORY is pressed, this indicator flashes for about five

seconds. During this period, the displayed station can be

stored in the memory.

3 AUTO TUNING indicator

This lights up when the unit is in the automatic tuning mode.

4 TAPE/MD MON indicator

This lights up when the tape deck (or MD recorder, etc.) is

selected as the input source by pressing TAPE/MD MON / EXT.

DECODER on the front panel or TAPE/MD on the remote control.

5 STEREO indicator

This lights up when an FM stereo broadcast with sufficient

signal strength is being received.

6 Signal-level indicator

This indicates the signal level of the station being received.

If multipath interference is detected, the indication decreases.

7 indicators

Either “dts” indicator lights up when the built-in DTS decoder is

turned on.

The red “dts” indicator lights up when playing a CD or LD

encoded with DTS.

The orange “dts” indicator lights up when playing a DVD

encoded with DTS.

* An orange “dts” indicator may light up when playing a CD or

LD encoded with DTS after playing a video-CD or DVD on a

DVD/LD combi-player.

DISPLAY PANEL

RDS mode indicators

The name(s) of the RDS mode(s) employed by the currently

received RDS station light(s) up. Illumination of one of the

named indicators shows that the corresponding RDS mode is

now selected.

9 , and indicators

“ ” lights up when the built-in Dolby Digital decoder is

on and the signals of the selected source encoded with Dolby

Digital are not in 2-channel. “

” lights up when the built-in

digital sound field processor is on, and “

” lights up

when the built-in Dolby Pro Logic decoder is on. Depending on

the selected DSP program, both “

” and “ ”, or

both “

” and “ ” will light up.

0 PTY HOLD indicator

This lights up while a search is being performed in the PTY

SEEK mode.

q EON indicator

This lights up when an RDS station that employs the EON data

service is being received.

w Program type name indicators

The name selected in the EON mode lights up.

e SLEEP indicator

This lights up while the built-in SLEEP timer is functioning.

01RX-V595aRDS-1 6/24/99, 10:59 AM10

English

SPEAKER SETUP

This unit is designed to provide the best sound-field quality with

a 5-speaker configuration, using main speakers, rear speakers

and a center speaker.

The main speakers are used for the main source sound plus

the effect sounds. They will probably be the speakers from

your present stereo system. The rear speakers are used for

the effect and surround sounds, and the center speaker is for

the center sounds (dialog, vocals, etc.). If for some reason it is

not practical to use a center speaker, you can do without it.

Best results, however, are obtained with the full system.

The main speakers should be high-performance models and

have enough power-handling capacity to accept the maximum

output of your audio system.

The other speakers do not have to be equal to the main

speakers. For precise sound localization, however, it is ideal to

use high-performance models that can reproduce sounds over

the full range for the center speaker and the rear speakers.

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the

addition of a subwoofer. The use of a subwoofer is effective

not only for reinforcing bass frequencies from any or all

channels, but also for reproducing the LFE (low frequency

effect) sound with high fidelity when playing back a source that

is Dolby Digital or DTS-decoded. The YAMAHA Active Servo

Processing Subwoofer System is ideal for natural and lively

bass reproduction.

SPEAKERS TO BE USED

SPEAKER PLACEMENT

Refer to the following diagram when you place the speakers.

Main: The position of your present stereo speaker

system.

Rear: Behind your listening position, facing slightly

inward. Nearly 1.8 m (approx. 6 feet) up from the

floor.

Center: Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically

shielded speaker.)

Subwoofer: The position of the subwoofer is not as critical,

because low bass tones are not highly directional.

Rear

speaker (R)

Main

speaker (R)

Center speaker

Subwoofer

Main

speaker (L)

Rear

speaker

(L)

Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and

right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 19

for details.)

01RX-V595aRDS-2 6/24/99, 10:59 AM11

AC OUTLET(S) (SWITCHED)

Europe model......................................................... 2 OUTLETS

U.K. model ................................................................1 OUTLET

Use these to connect the power cords from your components to

this unit.

The power to the AC OUTLET(S) is controlled by this unit’s

STANDBY/ON or the provided remote control’s POWER and

STANDBY. These outlets will supply power to any connected

component whenever this unit is turned on.

The maximum power (total power consumption of components)

that can be connected to the AC OUTLET(S) is 100 watts.

CONNECTIONS

Never plug in this unit and other components until all connections have been completed.

CONNECTIONS WITH OTHER COMPONENTS

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L

(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

* If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure

to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

Turntable Monitor TV

DVD player,

LD player, etc.

CD player Tape deck,

MD recorder, etc.

TV/DBS tuner VCR

(Video cassette recorder)

To AC outlet

(Europe model)

GND terminal (for turntable use)

Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better

results may be obtained with the ground wire disconnected.

01RX-V595aRDS-2 6/24/99, 10:59 AM12

English

CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS

If your DVD (LD) player, TV/DBS tuner, etc. are equipped with

coaxial or optical digital audio signal output terminals, they can

be connected to this unit’s COAXIAL and/or OPTICAL digital

signal input terminals.

Digital audio signals are transmitted with less loss than analog

audio signals. In addition, digital audio signal connections are

necessary, especially for an LD player or a DVD player, to send

signals encoded with Dolby Digital or DTS to this unit.

To make a connection between optical digital audio signal

terminals, remove the cover from each terminal, and then

connect them by using a commercially available optical fiber

cable that conforms to EIAJ standards. Other cables might not

function correctly.

Even if you connect an audio/video unit to the COAXIAL (or

OPTICAL) terminal of this unit, you must keep the unit

connected with the same-named analog audio signal terminals

of this unit, because a digital signal cannot be recorded by a

tape deck, MD recorder or VCR connected to this unit. You can

easily switch the selection of input signals between “digital” and

“analog.” (See page 26 for details.)

Notes

• When connecting an audio/video unit to both the digital and

analog terminals of this unit, make sure to connect between

both terminals of the same name.

• Be sure to attach the covers when the OPTICAL terminals

are not being used in order to protect them from dust.

• The input signal from the DVD/LD input terminals is selected

in the following order of priority with the input mode set to the

AUTO position:

1 COAXIAL terminal

2 OPTICAL terminal

3 Analog terminal

• If the DIGITAL OUT data of the player has been processed in

any way, you may not be able to perform DTS playback even

if you make a digital connection between this unit and the

player.

• All digital audio signal input terminals are applicable to

sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.

No sound will be generated when connecting your LD

player’s Dolby Digital RF signal output terminal directly to

this unit’s COAXIAL DVD/LD digital signal input terminal.

DVD or LD player*

* If your LD player has a Dolby Digital RF signal

output terminal, be sure to use the RF

demodulator (separately purchased).

TV/DBS tuner

(Europe model)

01RX-V595aRDS-2 6/24/99, 10:59 AM13

CONNECTING TO S VIDEO TERMINALS

If you have a VCR and a monitor equipped with “S” (high-

resolution) video terminals, those terminals can be connected

to this unit’s S VIDEO terminals. Connect the VCR’s “S” video

input and output terminals to this unit’s S VIDEO VCR OUT and

IN terminals, respectively, and connect the monitor’s “S” video

input terminal to this unit’s S VIDEO MONITOR OUT terminal.

Otherwise, connect the VCR’s composite video terminals to this

unit’s composite video terminals, and connect the monitor’s

composite video input terminal to this unit’s composite

MONITOR OUT terminal.

In addition, if you have a DVD or LD player equipped with an

“S” video terminal, connect the DVD/LD player’s “S” video

output terminal to this unit’s S VIDEO DVD/LD terminal.

Note

If video signals are sent to both S VIDEO input and com-

posite input terminals, the signals will be sent to their

respective output terminals.

S VIDEO terminals

This unit provides you with S VIDEO terminals in addition

to standard VIDEO terminals.

S VIDEO terminals transmit video signals separated into

luminance (Y) signals and color (C) signals. In comparison

with S VIDEO terminals, standard VIDEO terminals transmit

“composite” video signals.

Monitor TV

S S S

Camcorder

CONNECTING TO VIDEO AUX TERMINALS

(ON THE FRONT PANEL)

These terminals are used to connect any video input source

such as a camcorder to this unit.

CONNECTING WITH A MONITOR TV THAT

USES A 21-PIN CONNECTOR FOR INPUT

Make a connection as shown below with a commercially

available SCART-plug connector cable.

Monitor TV

No connection

SCART-plug connector cable

DVD/LD player

S VIDEO cable

VCR

01RX-V595aRDS-2 6/24/99, 10:59 AM14

English

CONNECTING TO AN EXTERNAL DECODER

This unit is equipped with additional 6-channel audio signal

input terminals for inputting signals from an external decoder to

this unit.

Connect the 6-channel audio signal output terminals of the

decoder to the EXTERNAL DECODER INPUT terminals of this

unit.

Notes

• When signals input to these terminals are selected, the digital

sound field processor cannot be used.

• The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the

SET MENU mode have no effect on the signals input to these

terminals. The setting of “M.LVL” is effective. (Refer to

page 19 for details.)

• Adjustment of the output level of the center speakers, rear

speakers and subwoofer is effective when the signals input to

these terminals are selected as the input source. (Refer to

page 40 for details.)

External decoder with

6-channel discrete

outputs

(Europe model)

WARNING

Do not change the IMPEDANCE SELECTOR switch setting

while the power to this unit is on, otherwise this unit may be

damaged.

If this unit fails to turn on when the STANDBY/ON switch is

pressed, the IMPEDANCE SELECTOR switch may not be

fully set to either end. If so, set the switch to either end fully

when this unit is in the standby mode.

Select the position whose requirements your speaker system

meets.

(Upper position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 4 Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 8 Ω or higher.

Center: The impedance of the speaker must be 6 Ω or higher.

Rear: The impedance of each speaker must be 6 Ω or

higher.

(Lower position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 16 Ω or higher.

Center: The impedance of the speaker must be 8 Ω or higher.

Rear: The impedance of each speaker must be 8 Ω or

higher.

IMPEDANCE SELECTOR SWITCH

IMPEDANCE SELECTOR

(Europe model)

01RX-V595aRDS-2 6/24/99, 10:59 AM15

Note

Use speakers with the specified impedance shown on the

rear panel of this unit.

Main speaker connections

One or two speaker systems can be connected to this unit. If

you use only one speaker system, connect it to either of the

SPEAKERS A or B terminals.

Rear speaker connections

A rear speaker system can be connected to this unit. Place

them to the rear of your listening position.

Center speaker connection

A center speaker can be connected to this unit. Place it on or

under the TV.

Subwoofer connection

You may wish to add a subwoofer to reinforce low frequencies

or to output low bass sound from the subwoofer channel.

If you have a subwoofer with built-in amplifier, including the

YAMAHA Active Servo Processing Subwoofer System, connect

the SUBWOOFER OUTPUT terminal of this unit to the input

terminal of the subwoofer system.

CONNECTING SPEAKERS

Rear speakers

Subwoofer system

Center speaker

Right

Left

Main speakers A Main speakers B

Right

Left

Right Left

01RX-V595aRDS-2 6/24/99, 10:59 AM16

English

How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are

faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –

markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage the unit and/or speakers.

Connecting to the MAIN SPEAKERS terminals

Red: positive (+)

Black: negative (–)

1 Unscrew the knob.

2 Remove approx. 5 mm

(1/4”) of insulation from

each of the speaker

wires and insert one

bare wire into each

terminal.

3 Tighten the knob to

secure the wire.

1 Press the tab.

2 Remove approx. 5 mm

(1/4”) of insulation from

each of the speaker

wires and insert one

bare wire into each

terminal.

3 Release the tab to

secure the wire.

Connecting to the REAR and CENTER

SPEAKERS terminals

Red: positive (+)

Black: negative (–)

OUTPUT TERMINALS (FOR DRIVING A SPEAKER WITH AN EXTERNAL AMPLIFIER)

The speaker connections described on page 16 are fine for

most applications. If for some reason, however, you wish to

drive main, center and/or rear speakers with your existing

amplifier, etc., the following terminals are available for

connecting an external amplifier(s) to this unit.

01RX-V595aRDS-2 6/24/99, 10:59 AM17

Connecting the AM loop antenna

• The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.

• The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.

ANTENNA CONNECTIONS

Each antenna should be correctly connected to the designated terminals, referring to the following diagram.

Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal

strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor

reception quality, an outdoor antenna may result in improvement.

GND terminal

For maximum safety and minimum interference, connect the

GND terminal to a good earth ground. A good earth ground

is a metal stake driven into moist earth.

2 Attach the loop antenna to the

antenna stand.

Outdoor

FM antenna

75-ohm/300-ohm

antenna adapter

75-ohm coaxial cable

75-ohm/300-ohm

antenna adapter

300-ohm feeder

Ground

AM loop

antenna

(included)

Outdoor AM antenna

* If you cannot obtain good

reception with the AM loop

antenna, connect 5 m to

10 m of vinyl covered wire

to the AM ANT terminal

and extend it outdoors

from a window. (Be sure

to also connect the AM

loop antenna at this time.)

Indoor FM antenna

(included)

* Firmly insert the

connector into the FM

ANT terminal.

Loop antenna

Antenna stand

* You may be unable to obtain good FM radio

reception depending on your local

conditions (distance from the broadcast

station, interposing buildings and

mountains, etc.). Consult your dealer or

authorized service center and be sure to

install an antenna that suits your local

conditions.

Install the special FM outdoor antenna in a

high place as far away from any roads as

possible to avoid being affected by

automobile ignition noise.

1 1 Press the tab and unlock the terminal hole.

2 Connect the AM loop antenna lead wires to the

AM ANT and GND terminals.

3 Return the tab to its original position to lock the

lead wires. Lightly pull the lead wires to confirm

a good connection.

3 Orient the AM loop

antenna so that the best

reception is obtained.

01RX-V595aRDS-2 6/24/99, 10:59 AM18

English

ADJUSTMENTS BEFORE USING THIS UNIT

SELECTING THE OUTPUT MODES

This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for

your audio system. When speaker connections have all been completed, select the proper setting for each function to make the

best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 42.)

CNTR (CENTER SPEAKER)

2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)

DESCRIPTION OF EACH FUNCTION

CNTR (CENTER SPEAKER)

Choices: LARGE/SMALL/NONE

Preset position: LARGE

LARGE: Select this position when your center speaker is

approximately the same size as the main speakers.

SMALL: Select this position when you use a center speaker

that is smaller than the main speakers.

In this position, low bass signals (below 90 Hz) on the

center channel are output from the main speakers (or

the SUBWOOFER OUTPUT terminal if the SMALL

position is selected for “MAIN” and the SW position is

selected for “BASS”).

NONE: Select this position when you do not have a center

speaker (four speaker system). The center channel

sound will be output from the left and right main

speakers.

REAR (REAR SPEAKERS)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your rear speakers have high

ability for bass reproduction, or if a subwoofer is

connected in parallel to the rear speaker.

In this position, full-range signals are output from the

rear speakers.

SMALL: Select this position if your rear speakers do not have

high ability for bass reproduction.

In this position, low bass signals (below 90 Hz) on

the rear channels are output from the SUBWOOFER

OUTPUT terminal (or the main speakers if the MAIN

position is selected for “BASS”).

MAIN (MAIN SPEAKERS)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your main speakers have high

ability for bass reproduction.

In this position, full-range signals present on the

main channels are output from the main speakers.

SMALL: Select this position if your main speakers do not

have high ability for bass reproduction. However, if

your system does not include a subwoofer, do not

select this position.

In this position, low bass signals (below 90 Hz) on

the main channels are output from the

SUBWOOFER OUTPUT terminal if the SW or BOTH

position is selected for “BASS”.

BASS (LFE/BASS OUT)

Choices: SW/MAIN/BOTH

Preset position: SW

MAIN: Select this position if your system does not include a

subwoofer.

In this position, full-range signals present on the

main channels, signals from the LFE channel and

other low bass signals that are distributed from other

channels are output from the main speakers.

SW/BOTH:

Select either the SW or BOTH position if your

system includes a subwoofer.

In either position, signals on the LFE channel and

other low bass signals that are distributed from other

channels are output from the SUBWOOFER

OUTPUT terminal.

When the LARGE position is selected for “MAIN”, in

the SW position, no signal is distributed from the

main channels to the SUBWOOFER OUTPUT

terminal; however, in the BOTH position, low bass

signals from the main channels are output to both

the main speakers and the SUBWOOFER OUTPUT

terminal.

M.LVL (MAIN LEVEL)

Choices: NRML (NORMAL)/–10 dB

Preset position: NRML (NORMAL)

NRML (NORMAL):

Normally select this position.

–10 dB: Select this position if the sound output from the main

speakers is too loud and cannot be balanced with

the sound output from the center and rear speakers.

In this position, the sound output from the main

speakers is attenuated.

Note

The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no

effect on the signals input to the EXTERNAL DECODER

INPUT terminals on the rear of this unit.

01RX-V595aRDS-2 6/24/99, 10:59 AM19

ADJUSTMENT METHOD

Adjustments should be made while watching the information on this unit’s display.

When adjusting with the remote control, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the

remote control.

1 Turn the power on.

Front panel Remote control

2 Press SET MENU once or more to select the function

“CNTR” on the display.

Front panel Remote control

* After pressing SET MENU once on the remote control, you

can also select the function by pressing

. (Pressing

goes back one selection.)

1 2

3 Press + or – once or more to select the setting you

want.

Front panel Remote control

4 Repeat steps 2 and 3 to change the settings for

“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same

way.

01RX-V595aRDS-2 6/24/99, 10:59 AM20

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Yamaha RX-V595aRDS Manual de utilizare

Marca: Yamaha

Model: RX-V595aRDS

Categorie: Receptoare AV

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