Yamaha Tyros3 Manual de utilizare

EN

Reference Manual

2 • Tyros3 Reference Manual

Contents

1 Voices – Playing the Keyboard – 4

Voice Characteristics ..................................................................................................................................................4

Selecting GM/XG or Other Voices from the Panel ....................................................................................................5

Effect-Related Settings ...............................................................................................................................................6

Pitch-Related Settings ................................................................................................................................................9

Editing Voices (Voice Set)........................................................................................................................................11

Editing Organ Flutes Parameters..............................................................................................................................16

Creating Custom Voices (Voice Creator) .................................................................................................................17

2 Styles – Playing Rhythm and Accompaniment – 30

Selecting the Chord Fingering Type.........................................................................................................................30

Style Playback Related Settings ................................................................................................................................32

Split Point Settings................................................................................................................................................... 34

Memorizing the Original One Touch Setting ..........................................................................................................35

Creating/Editing Styles (Style Creator).....................................................................................................................36

3 Songs – Recording Your Performances and Creating Songs – 49

Editing Music Notation Settings..............................................................................................................................49

Editing Lyrics Display Settings.................................................................................................................................51

Song Playback Related Parameters (Repeat settings, Channel settings, Guide Function) ..........................................52

Creating/Editing Songs (Song Creator).................................................................................................................... 56

4 Multi Pads – Adding Musical Phrases to Your Performance – 70

Multi Pad Creating (Multi Pad Creator) .................................................................................................................. 70

Multi Pad Editing ....................................................................................................................................................72

5 Music Finder – Calling Up Ideal Setups for Your Music – 73

Creating a Set of Favorite Records............................................................................................................................ 73

Editing Records........................................................................................................................................................ 74

Saving the Record as a Single File.............................................................................................................................75

Viewing Record Information on the Internet ...........................................................................................................76

6 Registration Memory – Saving and Recalling Custom Panel Setups – 77

Disabling Recall of Specific Items (Freeze) ...............................................................................................................77

Calling Up Registration Memory Numbers in Order (Registration Sequence) .........................................................78

7 Recording Audio with the Hard Disk Recorder 80

Importing an Audio File...........................................................................................................................................80

Editing the Recorded Data....................................................................................................................................... 82

Re-recording ............................................................................................................................................................ 83

Setting the Start/End Points of the Audio ................................................................................................................86

Playlist Mode ...........................................................................................................................................................87

8 Mixing Console – Editing the Volume and Tonal Balance – 90

Editing VOL/VOICE Parameters ............................................................................................................................90

Editing FILTER Parameters.....................................................................................................................................92

Editing TUNE Parameters.......................................................................................................................................92

Editing EFFECT Parameters....................................................................................................................................93

Editing EQ Parameters.............................................................................................................................................96

Line Out Settings.....................................................................................................................................................98

9 Internet Direct Connection – Connecting the Tyros3 Directly to the Internet – 99

Registering Bookmarks of Your Favorite Pages......................................................................................................... 99

About the Internet Settings Display (BROWSER).................................................................................................101

Tyros3 Reference Manual • 3

10 Connections – Using Tyros3 with Other Devices – 102

Microphone Settings ..............................................................................................................................................102

Footswitch/Foot Controller Settings ......................................................................................................................109

MIDI Settings........................................................................................................................................................ 112

11 Utility – Making Global Settings – 120

CONFIG1.............................................................................................................................................................120

CONFIG2.............................................................................................................................................................122

MEDIA..................................................................................................................................................................123

OWNER ...............................................................................................................................................................124

SYSTEM RESET................................................................................................................................................... 125

Index 127

• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on

your instrument. Note that all display examples shown in this manual are in English.

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1

4 • Tyros3 Reference Manual

Voices – Playing the Keyboard –

Voices

– Playing the Keyboard –

Contents

Voice Characteristics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Selecting GM/XG or Other Voices from the Panel . . . . . . . . . . 5

Effect-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

• Setting the Touch Sensitivity of the Keyboard. . . . . . . . . . . . . . . . .6

• Selecting the Harmony/Echo type . . . . . . . . . . . . . . . . . . . . . . . . .7

Pitch-Related Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

• Fine-tuning the Pitch of the Entire Instrument . . . . . . . . . . . . . . . .9

• Scale Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

• Changing the Part Assignment of the TRANSPOSE Buttons . . . . .10

Editing Voices (Voice Set) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

• Editable Parameters in the VOICE SET Displays . . . . . . . . . . . . . . .12

• Disabling Automatic Selection of Voice Sets (Effects, etc.). . . . . . .15

Editing Organ Flutes Parameters . . . . . . . . . . . . . . . . . . . . . . 16

Creating Custom Voices (Voice Creator). . . . . . . . . . . . . . . . . 17

• Creating Normal Voices (Custom Voice) . . . . . . . . . . . . . . . . . . . .17

• Creating Drum Voices (Custom Drum Voice) . . . . . . . . . . . . . . . .22

• Editing an Expansion Voice Bank—Library Edit . . . . . . . . . . . . . . .24

• Saving your Custom Voices to a Library—Library Save . . . . . . . . .26

• Loading a single Additional Voice to the Tyros3—Individual Load.27

• Loading an Expansion Voice Bank (Library) to the Tyros3—Library

Load. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

• Editing a Custom Voice on your computer—Voice Editor . . . . . . .29

The Voice type and its deﬁning characteristics are indicated above the Voice name in the Voice Selection display.

Voice Characteristics

Live! These acoustic instrument sounds were sampled in stereo, to pro-

duce a truly authentic, rich sound—full of atmosphere and ambi-

ence.

Cool! These Voices capture the dynamic textures and subtle nuances of

electric instruments—thanks to a huge amount of memory and

some very sophisticated programming.

Sweet! These acoustic instrument sounds also beneﬁt from Yamaha’s sophis-

ticated technology—and feature a sound so ﬁnely detailed and natu-

ral, you’ll swear you’re playing the real thing!

Drums Various drum and percussion sounds are assigned to individual keys,

letting you play the sounds from the keyboard.

SFX Various special effect sounds are assigned to individual keys, letting

you play the sounds from the keyboard.

Organ Flutes! This authentic organ Voice lets you use the Voice Set to adjust the

various footages and craft your own original organ sounds. See

page 16 for details.

MegaVoice See the Owner’s Manual.

S.Articulation! See the Owner’s Manual.

S.Articulation2! See the Owner’s Manual.

1

Voices – Playing the Keyboard –

Tyros3 Reference Manual • 5

The GM/XG Voices and Voices for other instruments (such as Tyros, Tyros2, etc.) cannot be directly called up from

the VOICE category selection buttons. However, they can be called up via panel operation by following the proce-

dure below.

1 Press one of the PART SELECT button to which you want to call up

the desired Voice.

2 Press one of the VOICE buttons to call up the Voice Selection display.

3 Press the [8 ▲] (UP) button to call up the Voice categories.

4 Press the [2 ▲] (P2) button to display Page 2.

5 Press the desired [A]–[J] button to call up the Voice Selection display

of GM/XG Voices, GM2 Voices, etc.

6 Select the desired Voice.

Live!Drums These are high-quality drum sounds taking full advantage of Stereo

Sampling and Dynamic Sampling.

Live!SFX These are high-quality Latin percussion sounds taking full advantage

of Stereo Sampling and Dynamic sampling. They give you a broader

and more versatile range of Latin percussion than the normal drum

Voices.

Custom! Custom Voices (including Custom Drum Voices) which you have cre-

ated by using the Custom Voice function.

CustomWA! Custom Voices (including Custom Drum Voices) which contain Wave

data.

Selecting GM/XG or Other Voices from the Panel

You can ﬁnd the “Legacy” folder in this

display. This folder contains previous

Yamaha keyboards’ Voices (such as

Tyros2, Tyros, etc.) for data compatibil-

ity with other models.

NOTE

43

1

Voices – Playing the Keyboard –

6 • Tyros3 Reference Manual

Setting the Touch Sensitivity of the Keyboard

You can adjust the touch response of the instrument (how the sound responds to the

way you play the keys). The touch sensitivity type becomes the common setting for all

Voices.

1 Call up the operation display.

[FUNCTION] → [D] CONTROLLER → TAB [

QQ

][

WW

] KEYBOARD/PANEL

2 Use the [A]/[B] buttons to select the desired parameter: INITIAL

TOUCH or AFTER TOUCH.

3 Use the [1 ▲▼]–[8 ▲▼] buttons to specify the touch response.

● 1 INITIAL TOUCH

● 2 AFTER TOUCH

Effect-Related Settings

Some Voices are purposely designed

without touch sensitivity, in order to

emulate the true characteristics of the

actual instrument (for example, conven-

tional organs, which have no touch

response).

NOTE

2

3

[1 ▲▼]/

[2 ▲▼]

TOUCH Determines the Initial Touch sensitivity setting.

HARD 2: Requires strong playing to produce high volume. Best for players

with a heavy touch.

HARD 1: Requires moderately strong playing for higher volume.

NORMAL: Standard touch response.

SOFT 1: Produces high volume with moderate playing strength.

SOFT 2: Produces relatively high volume even with light playing strength.

Best for players with a light touch.

[4 ▲▼] TOUCH OFF

LEVEL

Determines the ﬁxed volume level when Touch is set to “OFF.”

[5 ▲▼]–

[8 ▲▼]

LEFT–RIGHT3 Turns Initial Touch on or off for each keyboard part.

[1 ▲▼]/

[2 ▲▼]

TOUCH Determines the Aftertouch sensitivity setting.

HARD: Relatively strong aftertouch pressure is needed to produce changes.

NORMAL: Produces a fairly standard aftertouch response.

SOFT: Allows you to produce relatively large changes with very light

aftertouch pressure.

[5 ▲▼]–

[8 ▲▼]

LEFT–RIGHT3 Turns Aftertouch on or off for each keyboard part.

1

Voices – Playing the Keyboard –

Tyros3 Reference Manual • 7

Selecting the Harmony/Echo type

You can select the desired Harmony/Echo effect from a variety of types.

1 Turn the [HARMONY/ECHO] button on.

2 Call up the operation display.

[FUNCTION] → [F] HARMONY/ECHO

3 Use the [1 ▲▼]–[3 ▲▼] buttons to select the Harmony/Echo type.

The Harmony/Echo types are divided into the following groups, depending on

the particular effect applied.

● Harmony Types

When one of the Harmony Types is selected, the Harmony effect is applied to

the note played in the right-hand section of the keyboard according to the

type selected above and the chord speciﬁed in the chord section of the key-

board shown below.

● Multi Assign Type

The Multi Assign effect automatically assigns notes played simultaneously on

the right-hand section of the keyboard to separate parts (Voices). For example,

if you play three consecutive notes, the ﬁrst is played by the RIGHT 1 Voice, the

second by the RIGHT 2 Voice, and the third by the RIGHT 3 Voice. The Multi

Assign effect is not affected by the [ACMP] and LEFT part on/off status.

When the [MONO] button is turned to

on or you use the SA/SA2 Voices, the

Harmony/Echo effect may not work

properly.

NOTE

Harmony Types

These types apply the harmony effect to notes played in the right-hand section of

the keyboard according to the chord speciﬁed in the left-hand section of the key-

board. (Note that the “1+5” and “Octave” settings are not affected by the chord.)

Multi Assign Type

This type applies a special effect to chords played in the right-hand section of the

keyboard.

Echo Types

These types apply echo effects to notes played in the right-hand section of the

keyboard in time with the currently set tempo.

Split Point

(for the Voice)

LEFT Voice and chord section

for Harmony effect

RIGHT 1–3 Voices

Chord section for Style playback

and Harmony effect

Chord section for

Style playback and

Harmony effect

Split Point

(for Style playback)

Split Point

LEFT Voice

RIGHT 1–3 Voices

1

Voices – Playing the Keyboard –

8 • Tyros3 Reference Manual

● Echo Types

When one of the Echo Types is selected, the corresponding effect (echo, trem-

olo, trill) is applied to the note played in the right-hand section of the key-

board in time with the currently set tempo, regardless of the [ACMP] and the

LEFT part on/off status. Keep in mind that Trill works when you hold down two

notes on the keyboard simultaneously (last two notes if more than two notes

are held), and it plays those notes alternately.

4 Use the [4 ▲▼]–[8 ▲▼] buttons to select various Harmony/Echo set-

tings.

The available settings differ depending on the Harmony/Echo type.

[4 ▲▼] VOLUME This parameter is available for all types with the exception of “Multi Assign.” It

determines the level of the harmony/echo notes generated by the Harmony/

Echo effect.

[5 ▲▼] SPEED This parameter is only available when Echo, Tremolo, or Trill is selected in

Type above. It determines the speed of the Echo, Tremolo, and Trill effects.

[6 ▲▼] ASSIGN This parameter is available for all types with the exception of “Multi Assign.”

This lets you determine the keyboard part via which the harmony/echo notes

will be sounded.

[7 ▲▼] CHORD NOTE

ONLY

This parameter is available when one of the Harmony Types is selected. When

this is set to “ON,” the Harmony effect is applied only to the note (played in

the right-hand section of the keyboard) that belongs to a chord played in the

chord section of the keyboard.

[8 ▲▼] TOUCH LIMIT This parameter is available for all types with the exception of “Multi Assign.” It

determines the lowest velocity value at which the harmony note will sound.

This allows you to selectively apply the harmony by your playing strength, let-

ting you create harmony accents in the melody. The harmony effect is applied

when you play the key strongly (above the set value).

1

Voices – Playing the Keyboard –

Tyros3 Reference Manual • 9

Fine-tuning the Pitch of the Entire Instrument

You can ﬁne-tune the pitch of the entire instrument—useful when you play the Tyros3 along with other instruments

or CD music. Please note that the Tune function does not affect the Drum Kit or SFX Kit Voices.

1 Call up the operation display.

[FUNCTION] → [A] MASTER TUNE/SCALE TUNE → TAB [

QQ

][

WW

] MASTER TUNE

2 Use the [4 ▲▼]/[5 ▲▼] buttons to set the tuning, from 414.8–466.8 Hz.

Press the both 4 or 5’s [▲] and [▼] buttons simultaneously to reset the value

to the factory setting of 440.0 Hz.

Scale Tuning

You can select various scales for playing in custom tunings for speciﬁc historical periods or music genres.

1 Call up the operation display.

[FUNCTION] → [A] MASTER TUNE/SCALE TUNE → TAB [

QQ

][

WW

] SCALE TUNE

2 Use the [A]/[B] buttons to select the desired scale.

● Preset Scale types

Pitch-Related Settings

2

The tuning of each note for the currently

selected scale is shown.

EQUAL The pitch range of each octave is divided equally into twelve parts,

with each half-step evenly spaced in pitch. This is the most com-

monly used tuning in music today.

PURE MAJOR, PURE

MINOR

These tunings preserve the pure mathematical intervals of each

scale, especially for triad chords (root, third, ﬁfth). You can hear this

best in actual vocal harmonies—such as choirs and a cappella sing-

ing.

PYTHAGOREAN This scale was devised by the famous Greek philosopher and is cre-

ated from a series of perfect ﬁfths, which are collapsed into a single

octave. The 3rd in this tuning are slightly unstable, but the 4th and

5th are beautiful and suitable for some leads.

MEAN-TONE This scale was created as an improvement on the Pythagorean scale,

by making the major third interval more “in tune.” It was especially

popular from the 16th century to the 18th century. Handel, among

others, used this scale.

WERCKMEISTER, KIRN-

BERGER

This composite scale combines the Werckmeister and Kirnberger sys-

tems, which were themselves improvements on the mean-tone and

Pythagorean scales. The main feature of this scale is that each key

has its own unique character. The scale was used extensively during

the time of Bach and Beethoven, and even now it is often used when

performing period music on the harpsichord.

ARABIC1, ARABIC2 Use these tunings when playing Arabic music.

1

Voices – Playing the Keyboard –

10 • Tyros3 Reference Manual

3 Change the following settings as necessary.

Changing the Part Assignment of the TRANSPOSE Buttons

You can determine to which parts the TRANSPOSE [-]/[+] buttons are applied.

1 Call up the operation display.

[FUNCTION] → [D] CONTROLLER → TAB [

QQ

][

WW

] KEYBOARD/PANEL

2 Use the [A]/[B] buttons to select “4. TRANSPOSE ASSIGN.”

3 Press the [4 ▲▼]/[5 ▲▼] buttons to select the desired transpose type.

You can conﬁrm the setting here by viewing the pop-up window called up via

the TRANSPOSE [-]/[+] buttons.

To register the Scale Tune settings to the

Registration Memory, be sure to

checkmark the SCALE item in the REG-

ISTRATION MEMORY CONTENTS dis-

play.

NOTE

[2 ▲▼] BASE NOTE Determines the base note for each scale. When the base note is changed, the

pitch of the keyboard is transposed, yet maintains the original pitch relation-

ship between the notes.

[3 ▲▼]–

[5 ▲▼]

TUNE Select the desired note to be tuned by using the [3 ▲▼] button and tune it in

cents by using the [4 ▲▼]/[5 ▲▼] buttons.

[6 ▲▼]/

[7 ▲▼]

PART SELECT Select the part to which the Scale Tune setting is applied by using the [6

▲▼]/[7 ▲▼] buttons. Then press the [8 ▲] button to add a checkmark or

press the [8 ▼] button to remove the checkmark.

[8 ▲▼] MARK ON/OFF

KEYBOARD When this is selected, the TRANSPOSE [-]/[+] buttons affect the

pitch of keyboard played Voices, Style playback (controlled by the

performance in the chord section of the keyboard), and Multi Pad

playback (when Chord Match is on, and left-hand chords are indi-

cated)—but they do not affect Song playback.

SONG When this is selected, the TRANSPOSE [-]/[+] buttons affect only the

pitch of Song playback.

MASTER When this is selected, the TRANSPOSE [-]/[+] buttons affect the

overall pitch of the instrument.

1

Voices – Playing the Keyboard –

Tyros3 Reference Manual • 11

The Tyros3 has a Voice Set feature that allows you to create your own Voices by editing some parameters of the

existing Voices. Once you’ve created a Voice, you can save it as a User Voice to the USER drive or external devices

for future recall.

1 Select the desired Voice (other than an Organ Flutes Voice).

The editing method is different for the ORGAN FLUTES Voices compared to

other Voices. For instructions on editing the ORGAN FLUTES Voices, see

page 16.

2 Press the [5 ▲] (VOICE SET) button to call up the VOICE SET display.

3 Use the TAB [

QQ

][

WW

] buttons to call up the relevant setting display.

For information on the available parameters in each display, see the “Editable

Parameters in the VOICE SET Displays” on page 12.

4 As necessary, use the [A]/[B] buttons to select the item (parameter) to

be edited and edit the Voice by using the [1 ▲▼]–[8 ▲▼] buttons or

sliders.

By pressing the [D] (COMPARE) button, you can compare the sound of the

edited Voice with the original (unedited) Voice

5 Press the [I] (SAVE) button to save your edited Voice as a User Voice.

Editing Voices (Voice Set)

5

3

4

The settings will be lost if you

select another Voice or turn the

power to the instrument off with-

out executing the Save operation.

CAUTION

1

Voices – Playing the Keyboard –

12 • Tyros3 Reference Manual

Editable Parameters in the VOICE SET Displays

The Voice Set parameters are organized into ﬁve different displays. The parameters in

each display are described separately, below.

■ COMMON Page

■ CONTROLLER Page

● 1 MODULATION

The MODULATION wheel can be used to modulate the parameters below as

well as the pitch (vibrato). Here, you can set the degree to which the MODU-

LATION wheel modulates each of the following parameters.

The available parameters differ depend-

ing on the Voice.

NOTE

[1 ▲▼] VOLUME Adjusts the volume of the current edited Voice.

[2 ▲▼]/

[3 ▲▼]

TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the volume

responds to your playing strength.

[2 ▲▼] DEPTH Determines the velocity sensitivity, or how much the level of the Voice

changes in response to your playing strength (velocity).

[3 ▲▼] OFFSET Determines the amount by which received velocities are adjusted for the

actual velocity effect.

[4 ▲▼]/

[5 ▲▼]

PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves. When the

edited Voice is used as any of the RIGHT 1–3 parts, the R1/R2/R3 parameter is

available; when the edited Voice is used as the LEFT part, the LEFT parameter

is available.

[6 ▲▼] MONO/POLY Determines whether the edited Voice is played monophonically or polyphoni-

cally. This setting can also be made from the VOICE EFFECT [MONO] button

on the panel.

[7 ▲▼] PORTAMENTO

TIME

Sets the portamento time (pitch transition time) when the edited Voice is set

to “MONO” above.

0

64 127

64

127

0

64 127

64

127

Actual Velocity for

tone generator

Depth=127 (twice)

Depth=64 (normal)

Depth=32 (half)

Depth=0

TOUCH SENSE DEPTH

Changes to velocity curve according to

VelDepth (with Offset set to 64)

Received Velocity

(Actual KeyOn speed)

TOUCH SENSE OFFSET

Changes to velocity curve according to

VelOffset (with Depth set to 64)

Actual Velocity for

tone generator

Received Velocity

(Actual KeyOn

speed)

Offset=96 (+64)

Offset=127 (+127)

Offset=64 (normal)

Offset=32 (-64)

Offset=0 (-127)

Depends

on offset

Depends

on offset

[2 ▲▼] FILTER Determines the degree to which the MODULATION wheel modulates the Fil-

ter Cutoff Frequency. For details about the ﬁlter, see page 13.

[3 ▲▼] AMPLITUDE Determines the degree to which the MODULATION wheel modulates the

amplitude (volume).

[5 ▲▼] LFO PMOD Determines the degree to which the MODULATION wheel modulates the

pitch, or the vibrato effect.

[6 ▲▼] LFO FMOD Determines the degree to which the MODULATION wheel modulates the Fil-

ter modulation, or the wah effect.

[7 ▲▼] LFO AMOD Determines the degree to which the MODULATION wheel modulates the

amplitude, or the tremolo effect.

1

Voices – Playing the Keyboard –

Tyros3 Reference Manual • 13

● 2 AFTERTOUCH

Aftertouch can be used to modulate the parameters below. Here, you can set

the degree to which Aftertouch modulates each of the following parameters.

■ SOUND Page

● FILTER

Filter is a processor that changes the timbre or tone of a sound by either block-

ing or passing a speciﬁc frequency range. The parameters below determine

the overall timbre of the sound by boosting or cutting a certain frequency

range. In addition to making the sound either brighter or mellower, Filter can

be used to produce electronic, synthesizer-like effects.

● EG

The EG (Envelope Generator) settings determine how the level of the

sound changes in time. This lets you reproduce many sound charac-

teristics of natural acoustic instruments—such as the quick attack and

decay of percussion sounds, or the long release of a sustained piano

tone.

[2 ▲▼] FILTER Determines the degree to which Aftertouch modulates the Filter Cutoff Fre-

quency. See below for details about Filter.

[3 ▲▼] AMPLITUDE Determines the degree to which Aftertouch modulates the amplitude (vol-

ume).

[5 ▲▼] LFO PMOD Determines the degree to which Aftertouch modulates the pitch, or the

vibrato effect.

[6 ▲▼] LFO FMOD Determines the degree to which Aftertouch modulates the Filter modulation,

or the wah effect.

[7 ▲▼] LFO AMOD Determines the degree to which Aftertouch modulates the amplitude, or the

tremolo effect.

[1 ▲▼] BRIGHTNESS Determines the cutoff frequency or

effective frequency range of the ﬁlter

(see diagram). Higher values result in

a brighter sound.

[2 ▲▼] HARMONIC

CONTENT

Determines the emphasis given to

the cutoff frequency (resonance), set

in BRIGHTNESS above (see diagram).

Higher values result in a more pro-

nounced effect.

Volume

These frequencies are

“passed” by the ﬁlter.

Cutoff

range

Frequency

(pitch)

Cutoff Frequency

Volume

Frequency (pitch)

Resonance

Time

Level

Key on Key off

Sustain

Level

AT TACK DECAY RELEASE

[3 ▲▼]ATTACK Determines how quickly the sound reaches its maximum level after the key is

played. The lower the value, the quicker the attack.

[4 ▲▼] DECAY Determines how quickly the sound reaches its sustain level (a slightly lower

level than maximum). The lower the value, the quicker the decay.

[5 ▲▼] RELEASE Determines how quickly the sound decays to silence after the key is released.

The lower the value, the quicker the decay.

1

Voices – Playing the Keyboard –

14 • Tyros3 Reference Manual

● VIBRATO

Vibrato is a quavering, vibrating sound effect that is produced by reg-

ularly modulating the pitch of the Voice.

■ EFFECT/EQ Page

● 1 REVERB DEPTH/CHORUS DEPTH/DSP DEPTH

● 2 DSP

● 3 EQ

Determines the Frequency and Gain of the Low and High EQ bands. For infor-

mation about EQ, refer to page 96.

■ HARMONY Page

Same as in the [FUNCTION] → [F] HARMONY/ECHO display. See “Selecting

the Harmony/Echo type” on page 7.

Pitch

DELAY

SPEED

DEPTH

Time

[6 ▲▼] DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a more

pronounced Vibrato.

[7 ▲▼] SPEED Determines the speed of the Vibrato effect.

[8 ▲▼] DELAY Determines the amount of time that elapses between the playing of a key and

the start of the Vibrato effect. Higher settings increase the delay of the Vibrato

onset.

[1 ▲▼]/

[2 ▲▼]

REVERB DEPTH Adjusts the reverb (page 94) depth.

[3 ▲▼]/

[4 ▲▼]

CHORUS DEPTH Adjusts the chorus (page 94) depth.

[5 ▲▼] DSP ON/OFF Determines whether the DSP is on or off.

This setting can also be made from the VOICE EFFECT [DSP] button on the

panel.

[6 ▲▼] DSP DEPTH Adjusts the DSP (page 94) depth.

If you want to re-select the DSP type, you can do so in the “2 DSP” menu

explained below.

[7 ▲▼]PANEL SUSTAIN Determines the sustain level applied to the edited Voice when the VOICE

EFFECT [SUSTAIN] button on the panel is turned on.

[1 ▲▼]–

[4 ▲▼]

DSP TYPE Selects the DSP effect category and type. Select a type after selecting a cate-

gory.

[5 ▲▼]–

[8 ▲▼]

VARIATION Two variations are provided for each DSP type. Here, you can edit the VARIA-

TION on/off status and variation’s parameter value setting.

[5 ▲▼] ON/OFF Turns the DSP Variation on or off for the selected Voice. This setting can also

be made from the VOICE EFFECT [VARIATION] button on the panel. (This but-

ton is effective only when the [DSP] button is on.)

PARAMETER Displays the variation parameter. (This differs depending on the effect type

and cannot be changed.)

[6 ▲▼]

– [8 ▲▼]

VALUE Adjusts the value of the DSP variation parameter.

1

Voices – Playing the Keyboard –

Tyros3 Reference Manual • 15

Disabling Automatic Selection of Voice Sets (Effects, etc.)

Each Voice is linked to its default VOICE SET parameter settings. Usually these settings are automatically called up

when a Voice is selected. However, you can also disable this feature by the operation in the relevant display as

explained below.

For example, if you want to change the Voice yet keep the same Harmony effect, set the HARMONY/ECHO param-

eter to OFF (in the display explained below).

1 Call up the operation display.

[FUNCTION] → [E] REGIST SEQUENCE/FREEZE/VOICE SET → TAB [

QQ

][

WW

]

VOICE SET

2 Use the [A]/[B] buttons to select a keyboard part.

3 Use the [4 ▲▼]–[7 ▲▼] buttons to enable/disable automatic calling

up of the settings (ON or OFF) independently for each parameter

group.

2

3

1

Voices – Playing the Keyboard –

16 • Tyros3 Reference Manual

The Organ Flute Voices selected from the [ORGAN FLUTES] button can be edited by

adjusting the footage levers, adding the attack sound, applying effect and equalizer,

etc.

■ FOOTAGE Page

Refer to the Owner’s Manual.

■ VOLUME/ATTACK Page

■ EFFECT/EQ Page

Same parameters as in the VOICE SET “EFFECT/EQ” Page explained on

page 14.

Editing Organ Flutes Parameters

After editing, go to the Voice

Selection display by pressing the

[I] (PRESETS) button and save the

setting. The settings will be lost if

you select another Voice or turn

the power to the instrument off

without executing the Save opera-

tion.

CAUTION

Same as the

FOOTAGE Page.

[1 ▲▼] VOL (Volume) Adjusts the overall volume of the Organ Flutes. The longer the graphic bar,

the greater the volume.

[2 ▲▼] RESP (Response) Affects both the attack and release (page 13) portion of the sound, increasing

or decreasing the response time of the initial swell and release, based on the

FOOTAGE controls. The higher the value, the slower the swell and release.

[3 ▲▼] VIBRATO SPEED Determines the speed of the vibrato effect controlled by the Vibrato On/Off

([F]/[G] buttons) and Vibrato Depth ([H] button).

[4 ▲▼] MODE The MODE control selects between two modes: FIRST and EACH. In the FIRST

mode, attack (percussive sound) is applied only to the ﬁrst notes played and

held simultaneously; while the ﬁrst notes are held, any subsequently played

notes have no attack applied. In the EACH mode, attack is applied equally to

all notes.

[5 ▲▼]–

[7 ▲▼]

4’, 2 2/3’, 2’ These determine the attack sound volume of the ORGAN FLUTE Voice. The 4’,

2-2/3’ and 2’ controls increase or reduce the volume of attack sound at the

corresponding footages. The longer the graphic bar, the greater the attack

sound volume.

[8 ▲▼] LENG (Length) Affects the attack portion of the sound producing a longer or shorter decay

immediately after the initial attack. The longer the graphic bar, the longer the

decay.

1

Voices – Playing the Keyboard –

Tyros3 Reference Manual • 17

The powerful Voice Creator features of the Tyros3 give you the tools to create your own original Voices. Voice Cre-

ator allows you to import your own “Wave” (audio samples in WAV or AIFF format), and assign them to the keys—

building completely new Voices with completely new sounds.

Two types of Voices can be created: Normal Voice (see below) and Drum Voice (page 22). The creating procedure

differs depending on the Voice type.

Creating Normal Voices (Custom Voice)

By importing Wave ﬁles, you can create your original Voices—not only create from scratch, but also add Waves to

the existing Voices. A Voice consists of eight elements and you need to assign Wave ﬁles to each element (more

than two Waves can be assigned to one element).

The resulting Voice is called a Custom Voice and can be selected and played in the same way as all other Tyros3

Voices.

1 Prepare the audio data you’ll be using for the new Voice.

Only WAV or AIFF format data can be used for the Voice Creator. Store the ﬁles

in a USB storage device or hard disk drive.

Creating Custom Voices (Voice Creator)

USB or HD

Wave ﬁles (WAV or AIFF)

q Import to Element(s)

(steps 1–9 below)

Tyros3

Element 8

Element 1

Wave 1 Wave 2

USB, HD or USER

NORMAL

xxxxx.UVN

w Edit each element and entire Voice

(steps 10–12)

e Save as a ﬁle

(step 13)

r Assign to the

Expansion Voice

Bank (step 14)

To take full advantage of the Voice Cre-

ator function, we recommend that you

install optional DIMMs.

NOTE

Notes for Available Audio Files

• This instrument cannot recognize the extension .aiff. When you use an

AIFF ﬁle, change the extension to .aif.

• Only use uncompressed ﬁles.

• Audio data used for the Voice Creator can be of any sample rate or bit res-

olution. However, all audio data of a resolution other than 16-bit is auto-

matically converted to 16-bit resolution after being loaded.

• Only use Wave data having the following frequencies: 96000 Hz, 88000

Hz, 48000 Hz, 44100 Hz, 32000 Hz, 22050 Hz or 11025 Hz. Otherwise,

the data may not play back at the correct pitch.

•Voice Creator supports and recognizes loops in the audio data, letting you

use up to one loop in each audio ﬁle. (Some sample libraries have loops

already programmed into the data; you can also use audio editing soft-

ware to program loops yourself. Keep in mind however, that multiple

loops are not supported.)

• Audio ﬁles recorded with the Hard Disk Recorder cannot be used as is

with the Voice Creator. If you want to use a Hard Disk Recorder ﬁle,

export the ﬁle in .wav data format.

1

Voices – Playing the Keyboard –

18 • Tyros3 Reference Manual

2 Turn the PART SELECT [RIGHT 1] button to on, then select a Voice.

When you are creating a Custom Voice from scratch, select an “empty” Voice

from the [EXPANSION] button. If you are creating a Voice by adding Wave ﬁles

to an existing Voice, press the desired VOICE button and select the desired

Voice.

3 Press the [VOICE CREATOR] button to call up the Voice Creator.

4 Press the [G] (WAVE IMPORT) button to call up the WAVE IMPORT

menu.

5 Use the [A]–[D] and [F]–[I] buttons to select the desired Element to

which Wave ﬁle(s) will be imported.

The Key Mapping display of the selected Element will appear.

6 Select the desired Wave to be imported by following the procedure

below.

6-1 Press the [F] (ADD WAVE) button to call up the ADD WAVE display.

6-2 Press the [F] (FILE IMPORT) button.

All available .wav and .aif ﬁles will be shown.

6-3 Select the desired audio ﬁle by using the [A] –[J] buttons, then press the

[6 ▼] (IMPORT) button.

If you have selected the [PERC./SFX

KIT] category, make sure NOT to select

Drum Voice (“Drums” is displayed

above the Voice name).

NOTE

4

5

You cannot import Waves to preset Ele-

ments (instrument icon is shown).

NOTE

Double-clicking on the corresponding

[A]–[J] button here selects the ﬁle for

import, allowing you to skip steps 6-4

and 6-5 below.

NOTE

1

Voices – Playing the Keyboard –

Tyros3 Reference Manual • 19

6-4 Press the [7 ▼] (OK) button.

The ﬁle properties for the audio data are shown for conﬁrmation pur-

poses.

6-5 At the prompt, press the [F] (YES) button.

To cancel, press the [G] (NO) button.

7 Set the parameters for the imported Wave in the ADD WAVE display.

From this display, you can set a number of parameters related to how the

sound will be mapped to the keyboard.

8

[D] PROPERTY Shows the Property display (page 25).

[1 ▲▼] FIXED PITCH When this is set to ON, all keys will play the Wave sound at the same pitch.

When set to OFF, the pitch of the Wave sound changes according to the key

played, based around the original pitch (set at Center Key below).

[2 ▲▼]/

[3 ▲▼]

CENTER KEY This determines the key to which the original pitch of the sound is assigned.

When Fixed Pitch (above) is set to OFF, keys below the Center Key play the

sound progressively lower in pitch, while keys above play the sound progres-

sively higher. Normally, you’ll want to make sure that this is the same as the

original sound; for example, if the original pitch of the audio was at C3, set

Center Key to C3 for best results. When Fixed Pitch (above) is set to ON, this

has no effect. You can specify this setting directly from the keyboard by simul-

taneously holding down the [2 ▲▼] (DIRECT KEY) button and pressing the

desired key on the keyboard.

[4 ▲▼]/

[5 ▲▼]

START KEY This determines the lowest key at which the Wave will sound. Use this with

End Key (see step 10 on page 20) to set the key range for the Wave. You can

specify this setting directly from the keyboard by simultaneously holding

down the [4 ▲▼] (DIRECT KEY) button and pressing the desired key on the

keyboard.

[6 ▲▼] WAVE VOLUME This determines the playback volume for the speciﬁc Wave. Normally, this

should be set to the maximum (127); however, you can use it to adjust the

level balance among multiple sounds in the Element.

1

Voices – Playing the Keyboard –

20 • Tyros3 Reference Manual

8 Execute importing by pressing the [H] (EXECUTE) button.

To cancel importing, press the [8 ▲▼] (CANCEL) button.

9 If you want to import another Wave to this Element, repeat steps 6–8.

10 Set the parameters for the currently selected Element in the KEY

MAPPING display.

11 Press the [EXIT] button to return to the WAVE IMPORT display.

If you want to edit another Element, repeat steps 5–10.

12 Press the [8 ▲▼] (VOICE SET) button and edit the Voice Set parame-

ters (page 12).

After you ﬁnish editing the Voice Set parameters, press the [EXIT] button to

show the WAVE IMPORT display again.

13 Save the created Voice as a ﬁle.

Press the [J] (SAVE) button to call up the SAVE & ASSIGN display, then press

the [G] (SAVE FILE) button to save the Voice.

If you want to save the Voice at this

point, press the [J] (SAVE) button. The

SAVE & ASSIGN display will appear.

Refer to steps 13–14 below about the

SAVE & ASSIGN display. Each time you

make some change (e.g., add a Wave to

the Element or add an Element to the

Voice), you should save the Voice.

NOTE

[G] DELETE WAVE Deletes the Wave selected with the [1 ▲▼]–[3 ▲▼] (WAVE) buttons below.

[1 ▲▼]–

[3 ▲▼]

WAVE When more than one Wave has been imported, select the desired one for

editing.

[4 ▲▼]/

[5 ▲▼]

START KEY This determines the lowest key at which the Wave will sound. Use this with

End Key (below) to set the key range for the Wave. You can specify this setting

directly from the keyboard by simultaneously holding down the [4 ▲▼]

(DIRECT KEY) button and pressing the desired key on the keyboard.

[6 ▲▼]/

[7 ▲▼]

END KEY This determines the highest key at which the Wave will sound. Use this with

Start Key (above) to set the key range for the Wave. You can specify this set-

ting directly from the keyboard by simultaneously holding down the [6 ▲▼]

(DIRECT KEY) button and pressing the desired key on the keyboard.

The created Voice will be lost if

you change to another Voice or

you turn the power off without

executing the Save operation.

Make sure to execute the Save

operation.

Saving the Voice to the USER drive is

not recommended since the USER drive

does not have much memory space—

only about 3 MB. It is better to save to

the HD or USB drive.

Do not use any special characters

(umlaut, accent, etc.) in the Voice name.

CAUTION

NOTE

14

13

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